About four or five years ago, I
couldn’t imagine being excited about a Matthew McConaughey film but then came
his McConaissance and on the back of tremendous performances in the likes of Killer Joe, Mud and The Wolf of Wall Street, he’s quickly becoming one of my favourite actors of recent times. I
still can’t believe it. His latest provides us with perhaps his finest
performance to date and accompanies a terrific film which instantly becomes one
of my favourites of the young year.
Based on a true story, McConaughey
plays Ron Woodroof, a Texan rodeo cowboy come electrician who enjoys women,
beer, drugs, women and women. Having been obviously sick for a while, he is
taken to hospital and when wakes, is given the shocking news that he has HIV.
This being mid 1980s Texas,
Woodroof is, shall we say, taken aback by the news but more worried about
accusations that he’s homosexual or ‘faggot’ as he rather ineloquently puts it.
After denial and some research plus a stint in a hospital south of the border,
Ron discovers that he can help himself and fellow HIV patients by smuggling
unapproved medicine into the USA,
a decision that puts him on a collision course with the FDA and the American
Justice Department.
I’d expected a lot from Dallas Buyers Club having read a few
reviews and seen it nominated for six Oscars and winning two Golden Globes
before its UK
release. It not only lived up to my expectations but managed to surpass them.
This is a heart wrenching and incredibly well acted film which makes one both
angry and sad at the same time but remains entertaining throughout. It deals
with a disease which is still taboo in the West and offers open and frank
discussion about its causes and most notably its treatment. It also whisks us
back to the recent past, to a time and place in which the virus was little
understood. I remember hearing about HIV and AIDS as a child and rumours about
it being spread by touching or kissing but here that is visualised in the
reactions of Ron’s ill-educated former friends and co-workers as well as
through the early actions of the central character himself.
I enjoyed following Ron’s
transformation from homophobic, hillbilly to erudite, businessman-quack. It’s
not a huge shift and he still remains the same man but his experiences and
friendships change his outlook in a way which I found uplifting and
invigorating. As a bleeding heart liberal, I like to think that even the most
maliciously fervent fundamentalist has the ability to change his course given
education and tutorship from well meaning people. That’s exactly what Ron
Woodroof gets from Jared Leto’s Reyon. Reyon is a transgender, homosexual who
is burdened with the same life ending virus as Woodroof. Although initially
hostile, Ron’s won round by Reyon’s kindness, good nature and sass and the duo
form an unlikely friendship and business relationship. It’s heart-warming
stuff.
The film’s plot is reasonably
straightforward and uncomplicated while there are few twists or surprises. You
can see everything coming from a mile in the distance but it’s still ultimately
satisfying. I willed Ron on through his troubles and enjoyed spending time with
Reyon. When together they were often hilarious but there were moments of
extreme anxiety and sadness scattered in amongst the lighter moments. I like
the idea behind the plot too. Buried in the story of HIV and smuggling, is a
capitalist success. A man spots a gap in the market and fills it, benefiting
both himself and others. In a twisted sort of way, Woodruff is still living the
American Dream. The film somehow manages to straddle both sides of the
political spectrum with a character who is both a capitalist and a socialist in
one. It's a triumph of individualism and freedom of choice. What I also liked is that although Woodruff fights big pharma, there’s no
tangible evidence that his cocktail actually works. I like to think that he
enables people to feel loved, motivated and healed by a like-minded,
like-suffering man. He almost acts as a placebo, like a support group and
hospital in one. Whether his drugs work or not is of secondary importance. His
patients will die either way but he offers hope, friendship and community
before the inevitable.
I’ve been wittering on for some
time now and have barely mentioned the film’s crowning achievements; it’s two
central acting performances. It’s rare to encounter a film with not one but two
show stopping performances but this is one of those rare movies. McConaughey is
painfully gaunt and greasy, looking as ill as his character. He’s mesmerising
at times and surely a threat to Chiwetel Ejiofor for an Oscar win. He plays the
role with passion and conviction and it shines through his wonderful turn.
Jared Leto is equally fantastic and seems a lock to secure an Oscar. I’ve never
been a huge fan of his work, in no way related to my girlfriend’s drooling over
him, but here he is simply extraordinary, undergoing a De Niro-esque body
transformation that is perhaps one of the most visually stunning I’ve seen. Not
only does his body change but he totally becomes Reyon, living and breathing
the role. He throws everything into it and comes out with my fullest
admiration.
The sticky Dallas heat is captured beautifully by
cinematographer Yves Bélanger and director Jean-Marc Valleé. The film’s low
budget if anything adds to the grimy, southern setting as well as the 1980s
period which is further enhanced by excellent costume and set design. Although
I like and admire so much about this film, I do have just one or two qualms
which keep it from being flawless. My first problem is that for some reason,
the city of Dallas
only seems to have one Police Officer. I understand the budget was small but in
every scene featuring the Police, and there are a lot, the same Officer is
present. Another problem is that of the subject matter. Although the movie
bravely discussed HIV and AIDS, it barely mentions the causes and prevention of
the virus. It could be argued that the film focuses more on the treatment side
but some broader discussion would have been appreciated by me at least. As you
can see, these are small problems which are barely worth mentioning. On the
whole, Dallas Buyers Club is a superb
movie which is anchored by an endearing story and two exquisite acting
performances.
9/10
GFR 10/10
You may also like
Killer Joe 2012
Mud 2013
Paris, Texas 1984
McConaughey and Leto drill down to the roots of their characters. It calls to mind that advice for actors playing drunk: you do it like you're emphatically sober. Neither man plays the disease. They play instead the rage to live.
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