The LEGO Movie

Before I compose my thoughts on hit animation The Lego Movie, you need to know a little about me. I quite like Lego. OK, that’s a slight understatement. You could say I enjoy Lego more than the average person. To be perfectly honest, I’m days away from my twenty-eighth birthday and live in a house in which the spare room is begrudgingly titled ‘the Lego room’ by my long suffering girlfriend. I love collecting the stuff, building it, looking at it and have even dabbled in stop motion animation. Hello everyone, my name’s Tom and I’m a Legoaholic. Attempting to put aside my love of the brightly coloured Danish bricks, I saw The Lego Movie and came to the conclusion that, it. is. awesome.

Bought to life via the minds of the wacky duo behind the insanely fun Cloudy with a Chance of Meatballs, Phil Lord and Chris Miller, The Lego Movie combines stop motion and GCI animation. Injected with copious amounts of wit and childish humour, it’s unleashed on an imaginative world, packed full of recognisable characters. One of Lego’s strengths in recent years has been its ever expanding universe, creating tie-ins with popular movie franchises. Added to the company’s long history of inventive subjects and sets, the film is given a blank canvas to fill with all manner of characters and creations. The movie’s central theme is that of creativity and individualism and no toy typifies this more than Lego. The main narrative is as unoriginal as a knock-knock joke but it’s surrounded by a colourful universe into which all manner of surprises and joke are crammed. Like a cardboard box surrounded by an acid trip, it’s expanded, melted, twisted and contorted until something hilarious plops out of the backside of a psychedelic aardvark.

Wreck-It Ralph

Walt Disney Animation Studios 52^nd feature and my personal favourite for nearly twenty years, Wreck-It Ralph is a love letter to the video game. Expertly combining cutting edge animation with 8-bit, 2D and classic arcade styles, the film is chock full of references and in jokes to the thirty or so years of the video games industry which it celebrates. The film tells the story of an arcade game villain who wants to be liked and leaves his own game, travelling to others in the hope of winning a medal. It’s this medal that he hopes will aid his inclusion with the good guys of his own game, Fix-It Felix, Jr. While outside this game, he enters the candy themed cart game Sugar Rush in which he meets a glitch who has struggles of her own.

Wreck-It Ralph is a sweet and funny film that rewards concentration and multiple watches but doesn’t alienate the casual viewer or gamer. As well as being targeted at those with specific game knowledge, it also features a surprisingly emotional plot and some likeable and well drawn characters. It cleverly appeals to both boys and girls with its combination of gender centric games and characters while mums and dads will get a lot of the references to gaming history that will go over the heads of younger audience members.

Paperman

Paperman is a 2012 animated short and the first Disney animated short film to win an Oscar since 1969. Released alongside the feature length Wreck-It Ralph, it’s a seven minute movie about a chance encounter and longing for love. Set in 1940s New York City, George is waiting for his elevated train to work when a gust of wind throws one of his papers into the face of a pretty girl waiting on the same platform. Her lips leave a lipstick imprint on the paper and the duo laugh coyly at the incident before she gets onto her train. Later the same day, George is thinking about the incident while looking out of his office window when he spots the woman in a room on the other side of the street. In an attempt to draw her attention, he makes paper aeroplanes, launching them towards her open window.

Paperman is beautifully drawn with clean black and white lines and wonderful period detail. It’s reminiscent of the Hollywood Golden Age and features lovely period design. The animation is elegant and very much in keeping with classic Disney. Both central characters appear to have been taken from the stock character cupboard at Disney with Meg taking the form of a Disney Princess in mid century attire and George as the affable and harmless Prince in a suit. Although the animation is very ‘Disney’, it also smacks of realism. The expressions and movement speaks of the animation we all know and love but the background, tone and environment are much more realistic looking than in the cartoons of Disney’s heyday. The use of light is also evocative and adds to the sense of romance that the short exudes throughout. It also helps to capture that Golden Age vibe.

The plot is simple and sweet and something everyone can relate to. It’s based on the idea of a brief connection or spark between two people, something that those of us in large cities must feel often. I think that most people would have spotted a look or glance or caught eyes with a stranger and wondered what they might be like or how you’d get on. This takes that idea and runs with it. Like a lot of recent animated shorts, it’s incredibly simple but brilliantly effective. My only complaint is with the anthropomorphism of the paper in the final moments. It works well but I enjoyed the realism of the earlier stages. Overall though, this is yet another example of the kind of talent and creativity that Disney Animation Studios has to offer and like so many recent shorts, I enjoyed it more than its feature companion.   

9/10 

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Frozen

The charm attributed to Disney’s latest feature animation is something that has passed me by. Exhibiting little originality in story, art or character, Frozen is nonetheless a double Oscar nominated film. Loosely based on Hans Christian Anderson’s The Snow Queen, this is a classic tale of Disney princesses overcoming adversity, finding happiness through hard work, perseverance and love. Following a typical first act tragedy, Princesses Anna (Kristen Bell) and Elsa (Idina Menzel) are left alone in their Scandinavian castle. Though formerly very close, Elsa’s ability to create ice and snow from her fingertips is considered a danger to others and she hides away for years until she’s old enough to ascend the throne. Soon disaster strikes and the Kingdom is plunged into icy darkness while Elsa absconds to the mountains to lead a hermit like life. This leaves her younger sister Anna to bring her back and save the Kingdom from ruin.

I have to admit that I found very little to like in Frozen. I was bored by the predictable storyline and disliked the musical theatre style songs. The one ray of sunshine though in this otherwise cold film was the character of Olaf the snowman. One of the best Disney characters in years, everything Olaf says and does is funny or sweet and he brightened up what was otherwise a dull 102 minutes.

Get a Horse!

Get a Horse! Is a dazzling and enchanting Disney animated short that was featured prior to the feature length film Frozen in cinemas. Wonderfully mixing antique and modern animation it’s a feast for the eyes and a reminder of how good Disney once was and what it’s capable of today. Directed by Lauren MacMullen, the first woman to solo direct a Disney film, it takes inspiration from Buster Keaton’s Sherlock Jr with its stepping through the screen antics.

The plot follows the typical type of early Mickey Mouse short. Using hand drawn, black and white animation, Mickey is enjoying a musical wagon ride with Minnie Mouse when they are pounced upon by the wicked Peg-Leg Pete in his automobile. Spying Minnie, Pete attempts to steal her from our hero and drive off into the sunset with her as his prize. Following a brief fight, Mickey and his steed Horace are literally pushed through the cinema screen and become bold, brightly coloured modern versions of themselves. Hilarity then ensues as the fight goes back and forth between monochrome and colour, old and new.

I thought this film was incredibly witty and inventive. Initially I assumed the short was a re-release of an old classic and had no idea that the characters were about to be launched into the 21^st Century. The traditional black and white animation is exquisite and the soundtrack is excellent to match. I’m not as much a fan of the newer style but that might just be my old codger-ness coming through. Throughout its seven minute runtime, the film was drawing laughs from young and old in the cinema and was hopefully introducing the younger members of the audience to the wonderful older style of animation. The score is bouncy and full of brass and made my feet bop along from start to finish while it also makes use of archive audio to capture the real voices of Walt Disney, Marcellite Garner and Billy Bletcher, all long deceased. This really is a wonderful Disney short, the best I’ve seen in ages. 

9/10 

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Belleville Rendez-vous

Belleville Rendez-vous, known as The Triplets of Belleville outside of my native United Kingdom, is a 2003 Oscar nominated animated feature, written and directed by the mastermind behind the similarly styled 2010 Oscar nominated The Illusionist. The film tells the surrealist story of a doting grandma who trains her grandson to compete in the Tour de France before he is kidnapped by the mob. Determined to return him to his native France, she tracks him to Belleville (modelled on New York City) where she and her obese dog befriend the Belleville Triplets, a formerly popular music hall act.

As well as reminding me of director Sylvain Chomet’s quite and masterful feature, The Illusionist, the animation is also reminiscent of classic Disney. The still backdrops and wildly grotesque characters remain faithful to the animation found in the likes of Dumbo or Pinocchio but are darker and drawn with the animator’s tongue firmly in cheek. The animation also displays modern touches but these are counteracted by the wonderfully realised mid twentieth century setting. There are even flairs of psychedelia present and side characters such as an overly foppish waiter and henchmen who seem conjoined at their ridiculously overgrown shoulders wouldn’t look out of place in a dehydrated Yellow Submarine.  The surrealist nature of the animation also extends beyond the character and occasionally creeps into inanimate objects too where it is befitting of the plot.

Monsters University

Seeing Monsters University puts me in the strange situation of seeing a sequel (or prequel in this case) before the original movie. Like a lot of people I’m a huge Pixar fan but 2001’s Monsters. Inc is one of two Pixar features which I haven’t got around to seeing yet. The central characters Mike and Sully are so well known though that I didn’t think my ignorance of the first movie would hamper my enjoyment of this one. Thankfully it didn’t. Pixar managed to hamper it all by themselves.

Monsters University takes us back to our central character’s college days where they first meet on the campus of the University of the movie’s title. The ambitious and book smart Mike (Billy Crystal) initially doesn’t get along with the confident and naturally scary Sully (John Goodman) and their falling out leads to their expulsion from Scare 101. The pair discovers that their only way back onto the course is to enter and win the University’s Scare Games. To do this they must join a fraternity but the only one that will accept them is a group of no-hopers. Will they be able to shape themselves and their team into first class scarers or will their dream of turning professional be lost?

Grave of the Fireflies

I’ve only seen a couple of Studio Ghibli films in the past but each has had an interesting and often unique story. Grave of the Fireflies is the least fantastical and most hard hitting film I’ve seen from the studio and it’s probably also the best. Set at the closing stages of the Second World War it details the struggle for survival of two orphaned children called Seita and Setsuko. The movie has an anti war message at its centre but its main themes are of survival and of sibling love. With their father away at war and their mother killed by falling bombs, the young pair are forced to fend for themselves in a Japan which has no use for them. After initially finding a home with a distant aunt, they soon discover that they aren’t wanted and strike out on their own, finding refuge in an abandoned air raid shelter, scavenging and stealing what food they can lay their hands on.

Grave of the Fireflies is a depressing film both for its overarching themes and also for its individual character arcs. Although I’d heard it wasn’t all fun and games, I was still a little shocked by the brutal honesty with which it depicts war and the ending which is far from what you’d expect for what is essentially a young person’s cartoon. Despite the harrowing themes and images, personally I’d be happy to show the film to a bright child of about ten. If it could hold their attention I think that the movie would both interest and educate them and perhaps open their eyes to their species past, informing their decisions in the future.

Despicable Me

This will be just a very quick review and I’ll be honest from the start, I didn’t give the movie my full attention. After no interest or excitement from the first half an hour I did something I never do and let the film continue in the background while I caught up on reading some of my favourite blogs. As a result there is a good chance that I missed things in Despicable Me. The film centres on an evil super villain called Gru (Steve Carell) who adopts three young girls in order to help him steal the Moon and win the approval of his mother.

I found there was little to laugh at during the film and I wasn’t able to engage with the story. I’d heard that the little minions were good fun and have since been given their own spin off but they did nothing for me. There was little inventiveness in the story despite the inventions of the various villains. The voice acting was fine and the animation was good although I didn’t like its style. Overall Despicable Me wasn’t a film I enjoyed but don’t feel qualified to give it a rating out of 10 as I didn’t pay enough attention to it. I wish I hadn’t started watching it because it was a waste of 90 minutes. 

Spirited Away

Often regarded as one of the greatest animated films of all time and Japan’s highest grossing film in history at the time of its release, Spirited Away is an animated adventure, written and directed by Hayao Miyazaki. Ten year old Chihiro is travelling with her parents to their new house when her father takes a wrong turn that leads to what looks like an abandoned Amusement Park. Though scared, Chihiro follows her parents who find the Park deserted but discover food has been left out. As the parents begin to tuck in Chihiro looks around and discovers a Bath House where she meets Haku, a boy who tells her to get back across the river before sunset. As she returns to her parents she discovers they have been turned into pigs and she is stuck in a strange world of spirits where her kind is not welcome.

Spirited Away reminded me of some of the great children’s adventures such as The Goonies or Labyrinth but also features the kind of animation that reminded me of my childhood. The hand drawn style is reminiscent of classic Disney but also of the cartoons that I was bought up on in the late 80s and early 90s. It doesn’t appear to be pushing any boundaries but is deceptively deep and beautiful.

Frankenweenie

The third in a triumvirate of late summer/early autumn horror animations and the most hotly anticipated in my eyes, Frankenweenie is a feature length remake of the short film that Director Tim Burton made while working for Disney that got him fired twenty-eight years ago. Over a quarter of a century later and with a back catalogue of hits under his belt, Disney invited Burton to remake his short for them. A homage to early talkie Hollywood horror and filmed in black and white stop motion, Frankenweenie is the story of a young boy called Victor Frankenstein (Charlie Tahan) who loses his only childhood friend, his dog Sparky. Whilst in science class and having seen a dead frog have his legs manipulated by electricity, Victor gets the idea to try the same thing with his deceased dog and is successful in reanimating Sparky. Although he tries to keep it a secret it isn’t long before other children from school find out and blackmail Victor into helping them to do the same thing. The results of their experiments though are much less successful and lead to a horde of rampaging monsters that threaten the town.

Hotel Transylvania

Fed up with being persecuted by humans, Count Dracula (Adam Sandler) decides to build a hotel for monsters that is protected from humanity by haunted forests and zombie filled graveyards. His ulterior motive though is to keep his daughter Mavis (Selena Gomez) safe and secure and away from anything that can hurt her. Dracula is planning a huge birthday party for Mavis with all of his monster friends in attendance when he is shocked to discover that a human (Andy Samberg) has found the hotel and is threatening to bring his and his daughter’s peaceful existence to an end.

Having been disappointed by ParaNorman and still waiting to see Frankenweenie I went into Hotel Transylvania with some trepidation. This feeling of weariness was heightened by the fact that I deeply dislike the majority of the voice cast. Even so I went in with an open mind and came out the other side thinking, “meh”. Overall I enjoyed the film more than ParaNorman but the initial conceit, which was a very good idea, couldn’t be sustained for ninety minutes. As a result there were large chunks of the film which were quite boring but were occasionally livened up by a decent joke or some attractively busy animation.

The Lion King

A few months ago I took part in a blogathon/questionnaire type thing in which one of the questions was ‘Which ten classic movies haven’t you seen?’ Among my answers were the likes of Citizen Cane, Casablanca and North by Northwest (which I’ve since seen) but by far the biggest response to this question came from people who couldn’t believe that I hadn’t seen The Lion King. So when a friend at work (who was equally shocked) offered to lend me a shiny Blu-Ray copy I had to take it and give it a go.

Mixing a coming of age story, Hamlet, Bambi, parts of Genesis (the ridiculous stories, not band) and anthropomorphic animals, The Lion King is about a young Lion called Simba who was set to ascend the throne after the death of his father but was halted by his evil Uncle Scar. Wandering for years in the wilderness he learns about the world with the help of a Warthog named Pumbaa and a Meerkat called Timon before rising to the challenge of deposing his wicked Uncle.

Fantastic Mr. Fox

When I first saw Fantastic Mr. Fox at the cinema in 2009 I fell asleep. I think this is the only time I’ve ever slept through a film and although there were mitigating circumstances I still feel bad as Wes Anderson is one of my favourite Directors. I’ve loved all of his pre Mr. Fox films and Moonrise Kingdom is one of my favourite films of 2012 so far. One of the reasons I fell asleep three years ago was because I was bored by the film but due to my love of Anderson’s work I felt the need to go back and reassess it. Unfortunately my first viewing experience was very similar to my second; the film bored me and I consider it Anderson’s worst film by quite some distance.

Based on Roald Dahl’s book of the same name the plot centres upon a fox (George Clooney) who despite promising his wife (Meryl Streep) that he would stop killing farmer’s chickens for a living, can’t resist one final spree in which he goes for three local farms, run by the meanest farmers around.

ParaNorman

Norman (Kodi Smit-McPhee – The Road) is an eleven year old boy living in a small Massachusetts town famous for hanging a Witch three hundred years ago. Norman is unpopular at home and ridiculed at school because he believes that he can talk to ghosts. After being approached by a creepy old man about averting the ‘curse of the Witch’, Norman accidentally raises a horde of zombies from their graves before enlisting their help along with that of his sister Courtney (Anna Kendrick), friend Neil (Tucker Albrizzi), Jock Mitch (Casey Affleck) and school bully Alvin (Christopher Mintz-Plasse)in sending the Witch back to her grave.

The first of three hotly anticipated horror/comedy/stop motion kids films we’ll see in the coming weeks and coming three years after Laika’s success with Coraline, ParaNorman begins with a flourish which sets it up to be an interesting and funny family film. Unfortunately it runs out of steam after about fifty minutes when the jokes dry up and the predictable plot takes over from what had been a fun, film which takes a surprisingly candid look at death.

Brave

A young Scottish Princess called Merida (Kelly Macdonald) spends her days fighting against the rules set by her mother Queen Elinor (Emma Thompson) and wishes to be more of a free spirit, able to ride her horse, eat and wear what she wants and most importantly practise her archery skills. A trip to a Witch adds a further twist to the mother daughter relationship and puts both their lives at risk.

Despite being a huge Pixar fan I went into Brave with a small sense of dread. I expected, and as it turned out I was right, that this would be Pixar’s most Disney-like feature to date and that’s something that disappoints me. We already have Disney to bring us fairytales of Princesses and suitors but there are very few studios who are brave enough or mad enough to come up with the likes of Toy Story, Wall-E or Up. For me there was little to distinguish Brave from a modern Disney film along the same lines as Tangled. Despite this, Brave is still a fun film with a lot to like.

The Adventures of Tintin

Known in the UK as The Adventures of Tintin: The Secret of the Unicorn, this film charts a particular adventure of Hergé’s famous comic book creation Tintin. Young Belgian reporter Tintin (Jamie Bell) buys an old model ship at a market. Straight away he is approached by two men who offer to buy the ship from him for any price. After he declines Tintin’s ship is stolen and while tracking it down he uncovers a mystery involving lost treasure. With the help of his intrepid dog Snowy and a drunken Sea Captain called Haddock (Andy Serkis), Tintin sets out to find the hidden loot and uncover the secret of the Unicorn. 

I used to watch Tintin cartoons when I was very young and though can’t remember much about them now, I do remember enjoying them. I wish I could say the same for this film. I’d read that the film was an adventure in the mould of Indiana Jones but I found the plot incredibly dull and predictable. The film was saved only by some first rate animation and a typically impressive John Williams score.

Yellow Submarine

"It's all in the mind y'know"

Yellow Submarine is a 1968 psychedelic animated musical fantasy featuring the songs of The Beatles. The music hating Blue Meanines attack Pepper Land, draining the countryside of colour and turning its inhabitants into immobile statues. Only one man, Old Fred (Lance Percival) manages to escape, doing so in a yellow submarine. He travels to Liverpool where he enlists the help of The Beatles to save Pepper Land from the Blue Meanie menace. On their journey to Pepper Land the five of them travel through several strange seas which include The Sea of Holes, The Sea of Green and The Sea of Nothing before making it to Pepper Land to take on the Meanies. All the way they are accompanied by a selection of Beatles songs which the plot ties into.

Although the film was based on the song of the same name by Lennon & McCartney, The Beatles actually had very little to do with the film with actors impersonating the Fab Four. The band only appears as themselves in the brief closing scene. The slightly off voice work adds to the cartoon feel of the film while their actual songs provide a fantastic accompanying soundtrack.

Wall-E

Pixar’s 2008 Wall-E is set in the distant future; at a time when the human race has left Earth due to an unmanageable build up of waste. While humanity has grown fat and lazy aboard giant space craft the last remaining Wall-E robot is busy on Earth trying to clean up the mess. Wall-E is dedicated but naïve. He takes pride in his work but also has a collection of interesting objects and a passion for the 1969 film Hello Dolly! That film makes him long for company. That company arrives unexpectedly one day in the form of EVE. EVE is a robot sent to earth to search for plant life, something that Wall-E has recently found on the otherwise desolate planet. Wall-E falls instantly in love with EVE and follows her into deep space in an adventure which will impact both them and the remainder of the human race.

I’ll say straight away that I love this film. It is probably my favourite Pixar film which puts it pretty high up my all time list. The animation is extraordinary. In my opinion it is up there with Cloudy with a Chance of Meatballs for the best looking computer animated film ever. The thing that stands out most is the way the film uses focus to such great effect. Backgrounds have the look of being in the background and it gives the film great depth of field. The focus also shifts from the foreground to background to give the film an incredibly realistic feel. This realism is heightened as live action is occasionally dropped in. The characters themselves are beautifully designed and animated. Wall-E looks exactly as you’d expect a trash compacting robot to look and has some lovely little details on him. He even has little scratches which look great. EVE looks much more futuristic than Wall-E but has a beautiful design. The man behind the design of the iPad, iPod and iPhone was consulted on her design and she looks as sleek and stylish as Apple’s products (though her battery lasts longer).

As neither Wall-E nor EVE really speaks much, the animators had to make sure they were able to give their characters expression through the use of body language. They well and truly succeeded with this task and both characters have great expression. Both characters use their eyes and the position of their bodies is very important. At no time was I in any doubt as to what the emotion was that a character was trying to convey and their personalities shone through, despite their lack of dialogue. I read that Wall-E was modelled partly on Buster Keaton who despite his stoic and expressionless face could convey great emotion in the silent era. You can see a lot of Keaton (one of my all time favourite film makers) in Wall-E.

The story has two main strands. The first is a sweet and timeless love story which is very charming. The second part of the story turns the camera on the audience and looks at the lifestyle of the West in the early part of the 21^st century. It shows us a glimpse as to where we could be heading. There is only one giant corporation and people have become completely reliant on technology. They have also become so fat and lazy that they can no longer walk. The idea that we don’t appreciate what is around us is also hinted at. These themes fall into line with a lot of the messages from modern day ‘family films’ and can be considered a warning to us all. As well as the traditional Hollywood ‘left wing message’, there are also quite a lot of subtle Biblical messages in the film. EVE could be considered as a partner for the lonely Wall-E (Adam) and her guiding of the Axiom towards Earth has some parallels with the end of the Noah myth, I mean ‘story’. The corporation ‘BnL’ could also be seen as a sort of false prophet.

The whole film is incredibly sweet. It is lovely that all Wall-E wants from EVE is to hold her hand and it is touching to watch him attempt to do so. It almost bought a tear to my eye the first time I watched as Wall-E protected EVE from a storm while on Earth and the scene in which the two dance in space is one of the most magical I’ve seen. As well as being a lovely part of the story, it is also the best animated part and at times one of the funniest.

Wall-E is not the funniest of Pixar’s films but still has its funny moments. The character of a robot that follows Wall-E around, cleaning his track marks is very funny and with all Pixar films there are funny lines and incidents dotted throughout. The addition of the broken robots also created some laughs. It might not be Pixar’s funniest but I think that, with the possible exception of Toy Story 3 it is their most emotional and most endearing film to date. Your heart aches when Wall-E thinks he has lost EVE and again when the opposite is believed to be the case. It is testament to the strength of those two character’s love for one another that the fate of humanity plays second fiddle to their story. Wall-E is an absolutely fantastic film which is too good to be just considered as a children’s film. I believe that an adult would get more out of it than a child. It is touching, funny and sweet. And I love it.

10/10

Toy Story 2

"Your not a collectors item... You're a toy!"

Toy Story 2 finds the hero of Toy Story kidnapped by a rare toy collector. Woody (Tom Hanks) is taken from his owner, Andy and kept in a Perspex box ready to be shipped to Japan where he will become an exhibit in a toy museum. In an attempt to rescue Woody, Buzz Lightyear (Tim Allen), Rex, Slinky, Mr Potato Head and Hamm head out of the safety of Andy’s room and into the open world in order to rescue him. Woody meanwhile has discovered that he was a big hit in the 50s and had his own TV show. He has to decide if his place is back with Andy or with his new Roundup friends.

What started out as a direct to video movie became one of the best loved sequels of all time. I personally don’t think it is as good as the original but I only The Godfather Part II is a better sequel in my opinion. The story is much more sprawling than Toy Story and it encompasses many more locations. The plot is fun and exciting but isn’t as neat as the original film. I like that the plot touches upon how toys feel when they are no longer played with, a theme present in both Toy Story 1 & 2 and the main theme of the third instalment.  It is beefed up by the introduction of some new characters, including Buzz’s nemesis Zurg and Woody’s Roundup Gang; Jessie, Stinky Pete and Bullseye. I found Jessie a bit irritating but liked the additions on the whole. In addition characters from the first instalment are given greater depth, with Slinky’s rear end developing its own character and Rex becoming much more rounded and less one dimensional. While making the original film, Pixar were unable to secure the rights to use Barbie but after the success of that film, Barbie makes an appearance here with obvious product placement.

The animation isn’t notably different from the original but is perhaps more detailed. I don’t think the film is as funny as the original but there are still funny moments. The car chase scene stands out both in terms of humour and action. The addition of a second Buzz presented plenty of laughs and the references to Jurassic Park, Star Wars and James Bond are also enjoyable. The toy’s dreams and fears are explored in greater detail here, something that is seen early on when they panic about being sold in a yard sale.

Overall this is a very good film but is in my view the weakest of the trilogy. That being said, it is still funnier and more action packed than 90% of animations and doesn’t follow the tradition of lazy, cash-in sequel.   

8/10