Punch Drunk Love

Paul Thomas Anderson’s third film and his shortest by some mark is Punch Drunk Love, a fantastically extrovert romantic comedy which combines shades of Coen-esque humour and dare I say Lynch-ian motifs of magical realism and dual personality. The film is unlike any romantic comedy I’ve seen before and personally I prefer it to the likes of There Will be Blood and The Master for which the Director is better known.

Although the plot is often a bit thin and sometimes incidental it concerns a lonely and occasionally awkward man called Barry (Adam Sandler) who owns a small business that sells novelty toilet plungers. Barry has the misfortune of having seven sisters, a situation which emasculates him and causes him no end of hassle and grief. One day while at work Barry witnesses a horrific car accident and suddenly ends up with a harmonium. That same day he also meets a pretty girl called Lena (Emily Watson). Sometime later, while lonely, Barry calls a premium rate sex line, a move which brings about a lot more pain and hassle than even seven sisters can muster.

Hotel Transylvania

Fed up with being persecuted by humans, Count Dracula (Adam Sandler) decides to build a hotel for monsters that is protected from humanity by haunted forests and zombie filled graveyards. His ulterior motive though is to keep his daughter Mavis (Selena Gomez) safe and secure and away from anything that can hurt her. Dracula is planning a huge birthday party for Mavis with all of his monster friends in attendance when he is shocked to discover that a human (Andy Samberg) has found the hotel and is threatening to bring his and his daughter’s peaceful existence to an end.

Having been disappointed by ParaNorman and still waiting to see Frankenweenie I went into Hotel Transylvania with some trepidation. This feeling of weariness was heightened by the fact that I deeply dislike the majority of the voice cast. Even so I went in with an open mind and came out the other side thinking, “meh”. Overall I enjoyed the film more than ParaNorman but the initial conceit, which was a very good idea, couldn’t be sustained for ninety minutes. As a result there were large chunks of the film which were quite boring but were occasionally livened up by a decent joke or some attractively busy animation.