Cloud Atlas is a bold and ambitious film that links six stories set in differing time periods which uses actors to play roles in each of the periods as if to suggest that we are all linked, through time, history and space. I saw the film over a week ago on a plane and while I usually try to write reviews within 24 hours of seeing a movie, it wasn't possible with Cloud Atlas. The time between seeing and reviewing as well as the nature of the movie means that I don't feel I can write a proper review so I'm just going to bullet point some of the thoughts I had while watching it. So here we go.
The opening five minutes are incredibly confusing.
An 8" screen in the back of a seat on a plane isn't the optimum medium to watch a movie like Cloud Atlas.
I experienced character overload.
In the story set in 2012 London, Tom Hanks resembles an angry, mahogany Pirate with a half Irish, half Cockney accent. It's ridiculous.
Korean Hugh Grant doesn't work.
The film is bold for taking the Babel style interconnected stories movie a step further.
A friend from work left after 80 minutes. I don't really blame her.
Showing posts with label Tom Hanks. Show all posts
Showing posts with label Tom Hanks. Show all posts
Monday, 18 March 2013
Sunday, 15 April 2012
Toy Story 2
"Your not a collectors item... You're a toy!"
Toy Story 2 finds
the hero of Toy Story kidnapped by a
rare toy collector. Woody (Tom Hanks) is taken from his owner, Andy and kept in
a Perspex box ready to be shipped to Japan where he will become an exhibit in a
toy museum. In an attempt to rescue Woody, Buzz Lightyear (Tim Allen), Rex, Slinky,
Mr Potato Head and Hamm
head out of the safety of Andy’s room and into the open world in order to
rescue him. Woody meanwhile has discovered that he was a big hit in the 50s and
had his own TV show. He has to decide if his place is back with Andy or with
his new Roundup friends.
What started out as a direct to video movie became one of
the best loved sequels of all time. I personally don’t think it is as good as
the original but I only The Godfather
Part II is a better sequel in my opinion. The story is much more sprawling
than Toy Story and it encompasses
many more locations. The plot is fun and exciting but isn’t as neat as the
original film. I like that the plot touches upon how toys feel when they are no
longer played with, a theme present in both Toy
Story 1 & 2 and the main theme of the third instalment. It is beefed up by the introduction of some
new characters, including Buzz’s nemesis Zurg and Woody’s Roundup Gang; Jessie,
Stinky Pete and Bullseye. I found Jessie a bit irritating but liked the
additions on the whole. In addition characters from the first instalment are
given greater depth, with Slinky’s rear end developing its own character and
Rex becoming much more rounded and less one dimensional. While making the
original film, Pixar were unable to secure the rights to use Barbie but after the success of that
film, Barbie makes an appearance here
with obvious product placement.
The animation isn’t notably different from the original but
is perhaps more detailed. I don’t think the film is as funny as the original
but there are still funny moments. The car chase scene stands out both in terms
of humour and action. The addition of a second Buzz presented plenty of laughs
and the references to Jurassic Park , Star Wars and James Bond are also enjoyable. The toy’s dreams and fears are
explored in greater detail here, something that is seen early on when they
panic about being sold in a yard sale.
Overall this is a very good film but is in my view the
weakest of the trilogy. That being said, it is still funnier and more action
packed than 90% of animations and doesn’t follow the tradition of lazy, cash-in
sequel.
8/10
Sunday, 8 April 2012
Toy Story
After watching Cars this
morning and being disappointed, I thought I’d go back to where it all began and
watch Toy Story. In Andy’s room, top
toy Woody (Tom Hanks) is head honcho and garners the love and respect of his
fellow toys with prime place on Andy’s bed. Woody’s world is upset though when
Andy gets a new Buzz Lightyear (Tim Allen) for his birthday. Woody finds
himself forgotten by Andy and plots to get rid of Buzz. Upon the realisation
that what he has done is wrong, Woody sets out to rescue Buzz and bring him
back to Andy’s room where they both belong while trying to avoid Andy’s toy
murdering next door neighbour Sid in the process.
I have seen this film numerous times, until today the most
recently being in 3D (which didn’t improve it). It was the first entirely
computer animated feature film ever and spawned the now industry standard GCI
cartoon. The animation remains very good but lacks the detail of the latest
films. The characters also have a noticeable shine to them which is most apparent
in the human characters. Nonetheless, the film’s animation and design stand up
well after 17 years of frantic technological advancement.
What stands the test of time even more successfully though
are the wonderful characters and story. The film uses a mixture of toys which
are recognisable to young and old and introduces its own to the story. Each toy
is given a neat character which works without exception. Of course Little Bow
Peep is a sexy blonde bombshell and why wouldn’t Mr. Potato Head be looking for
a Mrs. Potato Head? Great care and attention has been given to each toy to give
them a distinct and believable personality. Even after at least six or seven
viewings I still find myself gripped by the story and find myself urging Buzz
and Woody to get back to the safety of Andy’s arms. It is a lovely idea that is
beautifully executed.
The film is fully of subtle comedy and details, some of
which I only noticed on my latest viewing. Towards the beginning of the film,
Woody is stood in front of a book case on which are books with titles that
refer to Pixar’s earlier shorts such as Tin
Toy and Red’s Dream. There is
even a book called Ant & Bee go on vacation
which seems like a Tarantinoesque nod to Pixar’s second feature, A Bug’s Life. The film is littered with
subtle nuances and comedic touches which never fail to impress and are bold for
a debut film.
The script is fantastic and features clever word play to go
along with the tremendous story and characters. It is smart and witty which
helps the film appeal to both children and adults alike. I first saw the film
when I was around ten and each time I see it I seem to appreciate it in
different ways. Along with the funny script there are plenty of visual gags
which will keep everyone entertained.
The film isn’t afraid to deal with more adult themes than
its Disney predecessors. At the beginning of the film, Buzz doesn’t realise
that he is a toy (which is very funny), but when he does he spirals into
depression and no longer cares if he lives or dies. Depression isn’t the sort
of thing you’d find in your average children’s film. It is also very dark in
places. This is particularly the case when Woody and Buzz end up in Sid’s room.
The film takes on a horror feel as the central characters are confronted with
the sight of mangled and disfigured toys. Another adult theme is that of
rejection and fear of being outdated. When Buzz arrives on the scene with his
shiny plastic body and electric buttons, Woody feels unwanted and outdated.
This could be seen as a comment on how parents themselves feel as their
children grow and no longer need them as much. This theme was explored in
greater detail and with emotional results in Toy Story 3.
Toy Story is a
cinematic classic and will go down in history as one of the greatest animated
films of all time. It appeals to people of all ages and has an endearing and
timeless story. It will still be shown to the grandchildren of the first
children to watch it back in 1995 and is responsible for changing the shape of
animated films forever.
10/10
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