Showing posts with label Jim Broadbent. Show all posts
Showing posts with label Jim Broadbent. Show all posts

Thursday, 6 March 2014

Gangs of New York



It’s been a couple of years since my last viewing of Martin Scorsese’s historical epic, Gangs of New York. It’s a movie I’ve seen several times since I first saw it in 2002 as my first ‘18’ rated movie at the cinema. It’s a film I’ve always had a lot of affection for. I found it strange then that on this particular viewing, the movie had lost a lot of its charm.

Loosely based on the 1928 book of the same name, Gangs of New York is a dirty and blood-soaked account of the various gangs which vied for control over New York City’s Five Points in the middle of the 19th Century. Focussing specifically on two characters, it takes historical context and real names, mixing them into a world of fact and fiction with some glorious set pieces and cinematic design. Having witnessed his father’s death at the hands of Bill ‘the Butcher’ Cutting (Daniel Day-Lewis) as a young child, Amsterdam Vallon (Leonardo Di Caprio) comes back to the Five Points as an adult to reap revenge. He finds the Points much the same as he left it; a squalid and rat infested mismatch of languages and races, the very thing which Cutting despises about the area in which he is King.

Monday, 18 March 2013

Cloud Atlas

Cloud Atlas is a bold and ambitious film that links six stories set in differing time periods which uses actors to play roles in each of the periods as if to suggest that we are all linked, through time, history and space. I saw the film over a week ago on a plane and while I usually try to write reviews within 24 hours of seeing a movie, it wasn't possible with Cloud Atlas. The time between seeing and reviewing as well as the nature of the movie means that I don't feel I can write a proper review so I'm just going to bullet point some of the thoughts I had while watching it. So here we go.

The opening five minutes are incredibly confusing.

An 8" screen in the back of a seat on a plane isn't the optimum medium to watch a movie like Cloud Atlas

I experienced character overload.

In the story set in 2012 London, Tom Hanks resembles an angry, mahogany Pirate with a half Irish, half Cockney accent. It's ridiculous.

Korean Hugh Grant doesn't work.

The film is bold for taking the Babel style interconnected stories movie a step further.

A friend from work left after 80 minutes. I don't really blame her.

Sunday, 25 November 2012

The Iron Lady



Former British Prime Minister Margaret Thatcher (Meryl Streep) now in her eighties is struggling with dementia and has difficulty distinguishing the past from the present. As she potters around her home she tries to place herself but continues to struggle with the reality that her husband Dennis (Jim Broadbent) has passed away. As Thatcher attempts to come to terms with her loss she slips back into the past, remembering her lower middle-class youth and subsequent rise to becoming the world’s most powerful woman. With Dennis by her side she finds it difficult to let go of the past and realise that she no longer has the power she once had. As an ageing woman she realises that she has virtually no power at all, not even over her own life.

I have really mixed feelings about The Iron Lady. On the one hand it features a career defining performance from someone who is already one of the most distinguished actresses in history but on the other hand it is a biopic about one of the most divisive people in recent history that somehow manages to treat a neutral line. There is surely no one in Britain who has neutral feelings towards the former Prime Minister. People either love her or loathe her yet the film appears to brush over both the best and worst of her character and time in office, leaving a fairly mundane story in its wake.

Thursday, 18 October 2012

The Damned United



The Damned United is a sports-drama based partly on facts surrounding the meteoric rise and subsequent fall of the outspoken but gifted football manager Brian Clough. We follow Glough (Michael Sheen) back and forth from the late 1960s to 1974 beginning with his and Assistant Manager Peter Taylor’s (Timothy Spall) triumph in taking lowly Derby County from the bottom of the second division to national champions. This remarkable feat is spliced with events several years later when in 1974 Clough, without Taylor as his Assistant, took over the job of managing Leeds Utd, then the dominant force in English football. Clough’s time in charge of the club was to last just 44 days and this film portrays what happened during that turbulent month and a half as well as the years that preceded it.

The accuracy of the film’s ‘facts’ is open for debate with family members and players who knew Clough claiming that the portrayal of events are inaccurate but what can’t be denied is that Michael Sheen pulls off yet another pitch perfect performance in a film that is a fascinating watch for a football fan and a great story for someone who is not.