The Beast from 20,000 Fathoms

Predating the more famous Godzilla by a year and being a major influence on that movie, The Beast from 20,000 Fathoms is a 1953 creature feature that is home to a series of firsts. It was the first movie in history to feature a monster awakened by a nuclear blast and also contains Ray Harryhausen’s first solo special effects work. It spawned a plethora of imitations and ushered the dawn of a golden age for monster movies.

The plot sets a pattern which will sound familiar to anyone who’s seen a creature feature before. Deep inside the Arctic Circle, a team of scientists and military personnel are carrying out a nuclear test. While out collecting samples soon after, physicist Thomas Nesbitt (Paul Christian) is shocked to eye a giant beast, lurking in the icy gloom. Back in New York City no one believes the young scientist but when strange tales come down the Atlantic seaboard towards Gotham, others begin to treat Nesbitt’s claims seriously. Unfortunately they’re too late and the beast makes devastating landfall in the city itself.

Gentlemen Prefer Blondes

Comedy musical, Gentlemen Prefer Blondes arrived in cinemas in the summer of 1953 on the back of a successful Broadway run. Set largely aboard an Ocean Liner and Paris, the movie follows the fortunes of two beautiful showgirls. Although the best of friends, the two women couldn’t be more different from one another. Blonde bombshell Lorelei Lee (Marilyn Monroe) is a childlike airhead, desperate to marry rich. Her friend Dorothy Shaw (Jane Russell) is much smarter and more down to earth, interested in love not money. The two head to Paris with Dorothy sent along as a chaperone by Lorelei’s rich and naïve fiancé (Tommy Noonan). Also aboard the ship is a handsome P.I (Elliot Reid), who’s there at the behest of Lorelei’s potential father-in-law.

The film is famous today for Monroe’s iconic and much copied rendition of Diamonds are a Girl’s Best Friend. Along with this song, there are several others in which the two stars sing seductively, strutting across the stage in glamorous and often revealing attire. Many of the songs weren’t to my liking but I had no complaints about the visuals. Around the pair is some excellent choreography. Russell’s rendition of Ain’t There Anyone Here for Love is set inside the ship’s gymnasium and she’s surrounded by the American Olympic Team of whom she makes interesting and amusing props. The actress looks to be in her element. The number also features a mistake in which the actress is knocked into a pool. Director Howard Hawks liked the take though and kept the accident in the finished film. The opening number I’m Just a Little Girl From Little Rock is well staged and sets the film off to a flying start.