Oldboy

Oldboy is one of those films which I’d heard was excellent but luckily knew nothing more. About three years ago I finally sat down and watched it. I then had to watch it the next day as well. Since those first two watches and subsequent two or three, Oldboy has become one of my favourite films of all time and opened up a now longstanding love affair with Korean cinema. Beginning with Director Park Chan-wook’s other films I began to discover incredible actors such as Song Kang-ho (The Host, Thirst, J.S.A.) which in turn lead me to discover more fantastic Director’s like Lee Jeong-beom (TheMan from Nowhere), Chul-soo Jang (Bedevilled) and Kim Ji-woon (I Saw the Devil, The Good, the Bad, The Weird). In essence, Oldboy for me was a small crack of light which opened the door to a bright world of film discovery and in the four years since I first saw it, it remains not only one of the best Korean movies I’ve seen but one of the best full stop.

A drunken man called Oh Dae-su (Choi Min-sik) is awaiting collection from a Police Station. His friend arrives to take him home to his young daughter whose birthday it is. While the friend makes a quick call from a payphone, Dae-su disappears and isn’t heard of again for nearly fifteen years. During those fifteen years he is locked up in a small room without an explanation or any idea of when or if he will get out. While locked up he is framed for his wife’s murder and his daughter is adopted in Sweden. A decade and a half later Dae-su is released, again without explanation but is told he has until July 5^th to work out why he was locked up or his new friend Mi-do (Kang Hye-jung) will be killed.

I Saw the Devil

Some countries seem to excel in particular genres. For Korea it is thrillers, and particularly thrillers with a strong psychological edge and with revenge as the predominant theme. Of the top twenty rated Korean films on IMDb since 2000, half are explicitly themed around revenge.  I Saw the Devil is another example of Korea’s excellence in this genre. It is also one of the most brutally violent films I’ve ever watched. The fact that it was even censored in Korea should give you some indication as to the level of violence.

The police are on the hunt for a serial killer played by Choi Min-sik (Oldboy) but when Choi’s character Kyung-chul brutally murders the pregnant fiancé of Intelligence Agent Soo-hyun (Lee Byung-hun – The Good, the Bad, the Weird) he ends up with another man on his tail, a man who will stop at nothing for vengeance. Soo-hyun tracks down Kyung-chul and beats him senseless, but instead of killing him or handing him over to the authorities, Soo-hyun plants a tracking device inside the murderer so he can keep track of his every move and continue to enact his violent revenge over and over again.

The most obvious talking point regarding this film is its traumatic violence. Although it generally comes in short, sharp bursts, it is frequent and excruciating to witness. I’m not a fan of the Saw films and haven’t seen Hostel but along with Kill List this is probably the most violent film I’ve ever seen and I had to turn away from the screen on a couple of occasions. This is not a film for those who are easily put off by gore, brutality and violence. Although I think that the level of violence in warranted in the story, I thought that at times it did slightly detract from the telling of it. It did however show the lengths that Soo-hyun would go to in order to get revenge.

The film is directed skilfully by Kim Ji-woon, a man known for expert camera work and beautifully stylized films. Beautiful cinematography along with vengeance is another trademark of Korean cinema and is apparent here. Kim gets wonderful performances from his actors and both leads do a marvellous job. I cannot think of a more unsettling or memorable screen villain from recent times as Choi Min-sik’s Kyung-chul. He is a total monster without any redeeming features. Lee Byung-hun’s Soo-hyun is more complicated. He shows great emotional depth at times but as the film progresses he becomes more of a monster himself and the line between good and evil is not only crossed but trounced upon. In amongst the repugnant violence that both central characters exhibit, there is an undercurrent of real emotion and despite the overbearing brutality, this does come through on the screen. Both performances are incredibly powerful. The minor cast feature little but there are good performances from a cannibal and his partner who are met along the way.

Though violent, this scene is also darkly comic

I Saw the Devil is a film that is going to stay with me for a long time. This is in part down to the violence but I think more so because it is a well made and acted film with a strong central theme and a terrific and jaw dropping ending. It is dark and frenzied and although I wouldn’t say it is enjoyable, it is a fine film that sits rightly amongst the likes of Oldboy and Confessions.

8/10