Dredd

In Mega-City One, a dystopian metropolis of 800 million people which stretches from Boston to Washington DC, justice is dealt out by the Judges of the Justice Department. These lone law enforcement agents act as Judge, Jury and Executioner in a violent and crime ridden world. One of these Judges is Dredd (Karl Urban) who takes out a rookie (Olivia Thirlby) for a final evaluation before a decision is made about making her a full time Judge. The rookie Anderson has so far been unremarkable in training but is the most powerful psychic anyone at the Department has seen. On their first assignment together the two Judges end up in a two hundred story apartment block the size of a small city which is locked down by ex-prostitute turned drug baron Ma-Ma (Lena Headley).

I’ve never read a Dredd comic and was fortunate enough never to see the 1995 Danny Cannon/Sylvester Stallone adaptation so went in completely cold to the story and characters. I understood that there was some sort of big deal about not taking Dredd’s helmet off but that was about it. I also understand that it’s one of the UK’s biggest and best known comics so it’s with great pleasure to report that in a summer of incredible comic book adaptations that Dredd is able to mix it up with the American behemoths and come out the other side as a really solid action movie which mixes the best of the 1980s with a modern twist.

Anna Karenina

Director Joe Wright’s adaptation of Leo Tolstoy’s 1877 novel Anna Karenina is one of the most visually stunning and artistically bold films I’ve seen in quite some time. Wright places most of his plot within the confines of a dilapidated theatre and has his actors make use of the stage, stalls and behind the scenes areas when forming the sets of late Tsarist Saint Petersburg. Actors will walk from one part of the theatre to another with sets and costumes changing around them, all with the hustle and bustle of both a real theatre and lively city. It’s a stylistic decision which was probably met with scepticism by studio bosses and the like but works incredibly well to bring to life the characters which themselves are so wonderfully written by Tolstoy.

Anna Karenina (Keira Knightly) is married with a son to senior statesman and a man who is greatly admired and respected in society, Count Alexei Karenin (Jude Law). Their marriage is typical of the society in which they live in that it was not for love and he is much older than she is. On a trip to visit her brother Prince Stepan (Matthew Macfadyen) in Moscow she attracts the attention of a young, rich and handsome cavalry officer called Count Vronsky (Aaron Taylor-Johnson). After an infatuation the two fall madly in love but in a closely nit society in which infidelity is ‘against the rules’, Anna must decide which is more important? Her standing, child and image or true love.