Slumdog Millionaire

In early 2009 I was stunned by a cinematic experience so bright, colourful, exciting and interesting that I saw the movie twice within a week. The film was Slumdog Millionaire and a month later it won seven BAFTAS and eight Oscars including the big one, Best Picture. The film is a somewhat fantastical but highly engaging story of love, hardship and fortune told from the point of view of young Mumbai tea boy Jamal Malik (Dev Patel). Through his eyes we are told the story of his eighteen years and of his continuing search for his lost love Latika (Freida Pinto). In the hope that she sees him, Jamal becomes a contestant on India’s highest rated game show Who Wants to be a Millionaire but when he fortuitously answers several difficult questions correctly the host (Anil Kapoor) and Police (Irrfan Khan) want their own answers, most pressingly how he knows what he knows.

It’s not an exaggeration to say that I love this movie. I love everything about it from the direction, the soundtrack and the story to the cute child actors and cute adult actors (Pinto). After my initial double viewing I didn’t see the film again until today, over four years later. As soon as the titles rolled I got the little tingle that I got on my first viewing and by the end I was sure that my affection for the film hadn’t diminished at all.

Life of Pi

Life of Pi is based on a 2001 novel of the same name, often thought un-filmable. Taiwanese Director Ang Lee has somehow managed to bring to life an incredibly visceral story and create the most beautiful film I’ve seen all year. The astonishing story makes for a wonderful focus which is given a spectacularly beautiful backdrop, filmed in 3D. For only the second time since the 3D ‘revolution’, (see Hugo 2011) the extra dimension adds to rather than detracts from the story and helps to create a sumptuous world full of incredible sights, great laughs and awful sadness.   

A middle aged Indian man now living in Canada is recounting a fantastical story to a Canadian man who is trying to write a book. The Indian, Pi, tells the writer about his childhood in French India where his father owned a zoo. Pi speaks of his deep and profound religious beliefs and discloses that he has found solace in several major religions, something that he was chastised for by his atheist father. When Pi was around sixteen his family made the decision to emigrate to Canada, sell the zoo’s animals and start afresh. On the voyage through the Indian Ocean their ship was struck by a huge storm from which only four survive. Pi is soon left almost alone with just a Bengal Tiger called Richard Parker for company, adrift on a vast but beautiful Ocean.

Jab Tak Hai Jaan

My second Bollywood film and first at the cinema, Jab Tak Hai Jaan holds special significance for the Indian film industry as its famed Director Yash Chopra who won four Filmfare Best Director awards during his career, died just a couple of weeks before the film’s premier on 21^st October 2012.  There are dedications to him both before and after the film which show a vibrant and seemingly healthy 80 year old Director behind the scenes, crafting both a film and friendships. His final film is a romantic drama about a poor Indian living in London called Samar (Shahrukh Kahn) who falls in love with a rich girl called Meera (Katrina Kaif). The story is told over ten years and at times feels as though it is in real time but is told through a young wannabe Journalist called Akira (Anushka Sharma) who comes across a journal detailing a fascinating story of love and heartbreak. The journal belongs to Samar, now ten years older and a commander in the Indian Army Bomb Disposal unit. Akira takes an interest Samar’s story as well as the man himself.

Chunking Express

Set deep inside the sprawling and sweaty mega city that is Hong Kong, Chunking Express tells the story of two love sick policemen who have lost love. The first story stars Takeshi Kaneshiro as Cop 223 who was dumped by his girlfriend on April 1^st and decides to wait for her to change her mind until his birthday a month later before moving on. At this time he meets a mysterious woman in a blonde wig (Brigitte Lin) who has connections to the underworld. The second story features Tony Leung Chiu-Wai as Cop 663, a man who has recently been dumped by his air hostess girlfriend. He frequents a small food stall called Midnight Express where the quirky and attractive Faye (Faye Wong) works.

At times I struggled to follow the storyline of the film which was a huge problem for me but there is enough to like besides that, that the film was really enjoyable and it features some great cinematography and quirky ideas. I loved the shots of central characters in slow motion with the rest of the world sped up. They looked fantastic and also worked as a metaphor to show the disconnection and loneliness that you can feel in a big city. The locations were also really interesting as I haven’t seen much Hong Kong cinema before; most of the places were new and exciting to watch.

My Name is Khan

My Name is Khan is a film that comes tantalisingly close to perfection but misses out due to a mixture of a disappointing third act over simplified view of the world. Nevertheless it is an excellent film, telling the story of a pre and post-9/11 world through the eyes of Indian’s living in America.

Rizwan Khan (Shahrukh Khan) is a mildly autistic Muslim man who moves to America after the death of his mother in India. There, he meets and falls in love with a Hindu woman Mandira (Kajol) who works as a successful hairdresser in San Francisco. The film is split into three very distinct acts with the first being an often light hearted, cute and funny look at romance, tolerance and love. Khan says that the western world views history in two epochs; BC and AD but he would add a third, 9/11. Following 9/11 the lives of the Indian characters, whether Sikh, Hindu or Muslim change for the worse as racial profiling, racist attacks and xenophobia takes hold thanks to the anti-Muslim hysteria of the post-9/11 world. There is an appalling tragedy around the halfway mark which sets up the third act in which Khan travels America to meet the President and tell him “My name is Khan and I am not a terrorist”.

Trishna

Trisha is a modern take on Thomas Hardy’s Tess of the D’Urbevilles set in India and starring Riz Ahmed (Four Lions) and Freida Pinto (Slumdog Millionaire). Trishna (Pinto) is the eldest daughter in a large rural family who has to work in order to help support her family. Jay (Ahmed) is the son of a rich businessman who was bought up in England and is on a tour of India with friends. At a chance meeting there is chemistry between the couple but their different backgrounds and social taboos make a romance impossible. After Trishna’s father is severely injured in an accident, Trishna is forced to take on more work and is offered a well paid job at Jay’s father’s hotel in Jaipur. After taking up the job a romance begins which is played out in Jiapur and Mumbai. The relationship is strained by Trishna’s feelings of being torn by her duty and traditions of her family and the opportunities her meeting with Jay has provided for her. Jay meanwhile increasingly exploits Trishna for his own gratification and their relationship is further strained with dramatic consequences.

The film’s setting is truly beautiful. This is the second film I’ve watched this week set in a Jiapur hotel (The Best Exotic Marigold Hotel) and I’d happily watch another two. The scenery and cityscape is that beautiful. The film also features beautiful music and dancing and in my mind the worlds most beautiful actress, Freida Pinto. The film successfully transports the social themes that are present in Hardy’s novel to modern day Rajasthan as many of the themes of class, sexual taboo, exploitation and a deep gap between rich and poor are still common place in 21^st Century India. The film has a good stab and at least looking at some of those themes and its two characters’ are well written to deal with them.

Riz Ahmed, perhaps most famous for his role in Four Lions but who I first discovered as a rapper (Video Here) is excellent. He is believable as the rich English-Indian in the first two acts but his gradual transformation to something more sinister is even more successful. He does it very subtly while the audience are still rooting for him. Freida Pinto is even better. This is definitely her film. She is thoroughly convincing as a poor Indian villager who is wowed by the trappings of Western riches and manages to maintain her shy victim like persona even when she isn’t. The hurt she shows towards the end of the film is felt by the whole audience and her last few scenes are shocking but she pulls it off well. Her only downfall unfortunately is her looks. When sat in a peasant house is rural Rajasthan she does stick out a bit, but you can’t really hold that against her.

Dang!

The film is a successful translation of a popular and frequently adapted literary source. Both actors are great and you feel like their relationship is real and not just on screen. The film looks beautiful and manages to get across both modern and traditional India’s successes and failures. I really enjoyed it.   

8/10