Stand by Me

Stand by Me, based on a Steven King novella, is a coming of age drama about four young boys who set out one morning in search of a dead body that is rumoured to be lying not far from their small Oregonian town. Over the course of a couple of days they encounter excitement and danger and return as changed people on the cusp of adulthood. The film has a classic charm and easy on the eyes style which rolls slowly out in front of the audience. It takes its time and focuses on the character’s journey and is only lightly interspersed with action. The movie is more dramatic than the more comedic but similarly themed The Goonies and it features more adult language. I believe however that the language realistically captures the way that boys of that age, from that era would have spoken and it doesn’t hold back to make itself available to all ages.

Even though the film is set nearly thirty years before I was born and on an entirely different continent, many of its ideas reminded me of my own childhood. It made me yearn for the days of adventure when a friend would arrive excitedly at my house to announce that he had found a dead cat or that a window was open in a house under construction around the corner. That rush of youthful excitement and danger is something which you don’t experience as an adult and as the film clearly states, your friends at that age are the closest you’ll ever have. The movie made me feel very nostalgic and sad to be sitting on the sofa with grey hairs, thinking about putting a load of washing on rather than throwing on a jacket and running out of the house with reckless abandon.

Grosse Pointe Blank

Professional assassin Martin Blank (John Cusack) discovers that his next job is in his home town on the same weekend as his ten year high school reunion and to kill the proverbial birds, decides to head back to the Detroit suburb of Grosse Pointe from which he fled a decade earlier. He tracks down his high school sweetheart Debi (Minnie Driver) who now works as a local radio host and attempts to undo the damage caused by standing her up on prom night. While in town Martin finds himself under the watch of several assassins as well as two NSA Agents but despite the danger is desperate to win back his girl.

Grosse Pointe Blank was a better film than I expected it to be. I’m not a huge fan of John Cusack and would never seek out a film because Minnie Driver was in it. I knew nothing about the story but the most 90s poster in I’ve ever seen did little to wet my appetite. The film is rarely funny and the plot is fairly inconsequential but I enjoyed the chemistry of the two leads as well as the 80s soundtrack and overall was charmed by the movie.

High Fidelity

Record Store owner Rob (John Cusack) is the focus of this story about a man who has difficulty understanding why his relationships always fail. After being dumped by long term girlfriend Laura (Iben Hjejle), Rob decides to look up his top five exes to find out where he has been going wrong. Rob spends most of his time surrounded by records either at home or in his shop where he is always in the company of his employees/friends Dick (Todd Louiso) and Barry (Jack Black). There they discuss music with an annoying sense of elitism and openly mock the ignorance of customers who they deem unworthy of their musical knowledge.  

The narrative of the film is told with Cusack’s Rob breaking the forth wall and talking directly to the audience. I think this works well and allows the audience to feel a part of Rob’s life and the world which the film creates. The story is fairly interesting and the film mostly entertaining but I didn’t find it very funny. There were a couple of laughs but this is much more of a drama-comedy than comedy-drama. At times I felt incredibly uncomfortable in the record store setting. Jack Black’s attempt to ridicule people for their musical taste reminded me of every time I went into a record shop or video game shop as a child and was confronted by the same sort of vehement when I asked about something which wasn’t to the shop staff’s liking. It at least recreates a realistic record store feel.  

The acting was fairy good. Cusack comes off as the kind of easy going guy you’d want to go for a drink with but I didn’t think that his redemption was complete. He is well cast in the role and is convincing. Jack Black, someone who I’m not usually keen on, was very well cast as the snotty music shop assistant and stole the scenes he was in. Todd Louiso pulls off the geeky but shy character well and Iben Hjejle is excellent as Cusack’s ex. She is the only main character living in the real world and brings a sense of adulthood to the film.

I’m not as keen on this film as many of the reviews I’ve read. It’s not bad but I was a bit put off by the setting and felt alienated from it. My musical knowledge is not great so much of it went over my head. There wasn’t very much comedy but I did like the way it was filmed and enjoyed watching John Cusack’s character battle himself to the realisation that his future mattered and it was he who could do something about it.

6/10 

2012

Who knew the apocalypse would be so boring? If the Mayans were right and the world ends this year, at least it will probably be quicker than sitting through 2012.

This science fiction disaster movie, directed by Roland Emmerich (Independence Day, Day After Tomorrow) is set in the year 2012, the year that the Mayan civilisation supposedly predicted that the world would end. Dr. Helmsley (Chiwetel Ejiofor) is an American geologist, working for the White House. He travels to India where his friend and fellow scientist has discovered that neutrinos (remember them?) from a giant solar flare have mutated and are heating up the Earth’s Core. The US President (Danny Glover) begins a top secret project which involves building giant ships in order to save around 400,000 of the worlds best and brightest (and richest). The more human side to the story comes in the form of John Cusack’s character, Jackson Curtis who spends the film trying to avoid the disaster and save his family.

The film has been lauded for its special effects, and they are spectacular. While it is impressive to see cities destroyed and mountains covered with waves, the characters never appear to be part of it. Even when John Cusack is driving a limousine through the crumbling streets of Los Angeles he feels distant and separated from it and you never get the sense that he is in any real danger. It never feels real. Perhaps part of the problem is the realistic knowledge that none of the main characters are going to be killed off in the first two acts and this takes away any feelings of peril.

Grand Theft Auto: San Andreas

The script is really poor. The dialogue feels unrealistic and lacks drama while the characters are one dimensional. Much of the film is ill thought out; for example upon returning early from holiday, Cusack’s character suddenly receives a call to say he is late for work. He’s meant to be on holiday. Also, every time the US President walks into a room, the rest of the world’s leaders are waiting silently for him. I expect in real life they’d probably at least be talking amongst themselves about the end of the world and not always waiting for the US to sort everything out. Without giving too much away, the President also does something which he would never be allowed to do once the disaster strikes.

The acting isn’t very good. Many people are miscast. Danny Glover is unconvincing as the President and John Cusack’s wife is an empty shell. I expect some of this is down to the script and characterisation though. Cusack is affable but nothing more but Woody Harrelson shines in a small role as the token nut-job who was right all along.

"Stay perfectly still. Earthquakes can't see you if you don't move".

At 158 minutes, the film is about half an hour too long. It is too boring to keep you entertained for even two hours, let alone nearly three. Maybe the obligatory shots of the Eiffel Tower and Big Ben could have been lost. We get it, we are in France, we don’t need to see the bloody Eiffel Tower. As with any film of this nature there were plenty of moments where the audience are left thinking “come on! What are the chances?” Examples include the whole earth shifting on its axis so that Cusack and co doesn’t run out of fuel over the sea and a chance meeting with a Tibetan monk on a Chinese mountainside. I know I should cut the film some slack but come on!

There is plenty more wrong with the film but I try to keep these reviews fairly brief. It took over $700m at the box office so it must be doing something right. All I can say is that Independence Day wasn’t that good but it had more likeable characters and was shorter. The Day After Tomorrow had equally as good GCI, more likable characters and was MUCH shorter. And despite both having fairly poor storylines at least they didn’t have (SPOILER ALERT) a character called Noah saving everyone on an Ark and a parallel to the evolution of our species by resettling in Africa.

4/10