This film is most famous for Chaplin’s cross-dressing,
something that must have been quite brave and scandalous 97 years ago. For a
twenty-first century audience it isn’t particularly shocking or even funny so
you have to imagine a late Edwardian audience’s reaction in order to understand
its significance.
Showing posts with label Margie Reiger. Show all posts
Showing posts with label Margie Reiger. Show all posts
Monday, 2 July 2012
A Woman
Charlie Chaplin’s ninth Essanay film is perhaps one of his
most controversial. A Gentleman (Chaplin) is out walking through a park when he
comes across a family (Charles Inslee, Marta Golden & Edna Purviance). The
father, Inslee has his attention drawn towards a flirt (Margie Reiger). Reiger
blindfolds Inslee after suggesting a game of hide and seek. Chaplin meanwhile
discovers the blinded man and leads him towards a lake where he pushes him in.
Later Chaplin comes across Golden and Purviance who fall for the cheeky chappy
and invite him home. When Inslee arrives home soaking wet to find his attacker
in the house Chaplin resorts to disguising himself in an unorthodox manner.
Labels:
1915,
5/10,
A Woman,
Billy Armstrong,
Charles Inslee,
Charlie Chaplin,
Edna Purviance,
Film,
Leo White,
Margie Reiger,
Marta Golden,
Movie,
Review
Wednesday, 20 June 2012
By the Sea
While on a windy beach The Tramp (Charlie Chaplin) turns his
attention to two married women and ends up getting in trouble with their
husbands. This film feels like a bit of a step back after Chaplin’s previous
films. It feels much closer to His New Job than the likes of The Champion or
The The Tramp in that it is a knockabout
comedy and a farce which lacks character development. Despite this there is
still much to like.
5/10
I especially enjoyed Chaplin’s use of string attached to his
jacket and hat which stops his hat blowing away in the wind. It’s a great idea
and it’s almost a shame it didn’t catch on! The idea is used successfully in a
couple of ways; Firstly in a scene in which Chaplin and Billy Armstrong get
their strings intertwined and end up tangled up and inevitably fighting and in
a second scene while trying to woo Bud Jamison’s wife. In this scene Chaplin
manipulates the string behind his back to make it seem as though the hat is
jumping off his head. It’s a simple, clever and very funny idea.
Apart from those two examples and a brief fight involving
ice creams there isn’t much else of note in this film. There are of course Bud
Jamison’s over the top eyebrows and the background setting of an almost
deserted Los Angeles beach is quite interesting but compared to Chaplin’s later
films this feels a little weak.
5/10
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