Showing posts with label Melanie Laurent. Show all posts
Showing posts with label Melanie Laurent. Show all posts

Sunday 16 February 2014

Inglourious Basterds



Set in Nazi occupied France, Inglourious Basterds is a film that took Quentin Tarantino over a decade to write and produce. Multiple plot threads, an ever expanding script and difficulty with the movie’s conclusion meant that from first to final draft, a decade had elapsed. The completed script is one of pure Tarantino penmanship. Featuring ideas of revenge, duplicity and malice while scattered with pop references, albeit from a different era, Inglouious Basterds is as Tarantino as a Mexican stand-off in a Big Kahuna Burger Restaurant. Nominated for eight Academy Awards and taking over $320 million worldwide, it is also one of the director’s most successful to date.

Split into five chapters, the film focuses on the efforts of two sets of people to bring down the Third Reich. Shosanna Dreyfus (Mélanie Laurent) is a young Jewish woman who, early in the film, escapes death at the hands of the gifted ‘Jew Hunter’ Hans Landa (Christoph Waltz). Having dodged an early grave, Shosanna relocates to Paris where she runs a small cinema which we shall come back to later. Meanwhile, elsewhere in France, the Basterds, a group of American Jewish soldiers, led by Lieutenant Aldo Raine (Brad Pitt) are scouring the countryside in search of Nazis to bludgeon and scalp. When the Basterds hear that the entire Nazi high command will be in Paris for the Premier of Goebbels latest propaganda film, they set in motion a plan to end the war the very same night.

Tuesday 18 June 2013

Now You See Me



For weeks, the cinema chain I pay my £14.99 to each month for unlimited movies has been teasing its clientele with the promise of a Secret Unlimited Screening. This one off, top secret screening would be open, free of charge to anyone with an Unlimited Card but the film was to be kept a secret. All we knew was that it would be a 12A Certificate movie and that it was being screened, across the country for one night only at 8:30pm, long ahead of its UK theatrical release. The brilliant marketing behind the scheme insured excitement, anticipation, discussion and a full cinema on a Monday evening for a movie which turned out to be Now You See Me. My initial reaction was one of slight disappointment as I was hoping for something like Pacific Rim which hadn’t been released anywhere else in the world for the selfish reason that a review would drive more traffic to this very page. I’d heard a couple of good things about Now You See Me from the States though so eagerly settled in for the next two hours.

Now you See Me is a heist movie in the vague style of the Oceans movies in that someone (a mastermind whose identity is unknown), draws together a group of experts in their fields to carry out heists on an epic scale. The difference here though is that the individuals chosen aren’t safe crackers, getaway drivers, contortionists or Matt Damon but are magicians. Their heists will involve magic and illusion to steal from banks and companies chosen by their puppet master. On the trail of the magicians is FBI agent Dylan Rhodes (Mark Ruffalo) who is teamed, much to his disliking, with Interpol agent Alma Dray (Melanie Laurent). Together the pair chases magicians Daniel (Jesse Eisenberg), Merritt (Woody Harrelson), Henly (Isla Fisher) & Jack (Dave Franco) across the United States from show to show, always remaining two steps behind their cunning and trickery.

Monday 27 February 2012

Beginners


Beginners is a wonderfully sweet and sad film from writer/director Mike Mills who is perhaps better known as a Graphic Designer and Music Video Director. His past comes across in a very pleasing way in Beginners, a film which doesn’t shy away from unusual ‘arty’ cinematography and surprising pop up images. The film follows the lives of Oliver (Ewan McGregor) and his father Hal (Christopher Plummer) mostly towards the end of Hal’s life and shortly after his death. After the death of his wife, Hal comes out as being gay at the age of 75 and wants to experience a lifetimes worth of homosexual activities in the short time he has left. Oliver is mostly supportive of his father but feels distanced from him as a result of their lack of time together in the past. There is also an undercurrent of animosity towards his father as a result of seeing his mother’s unhappiness throughout their marriage.

For the entirety of the film I either had a huge smile or sad look on my face. The film is full of emotion at both ends of the spectrum. There are some incredibly light and happy moments which often come with the interaction of Oliver and his dog or Oliver and a woman he meets, Anna (Melanie Laurent). Their love affair is filled with the same diametrically opposed emotion as the film itself. As is so often the case, this film features more laughs than most out and out comedies. There is subtle humour woven throughout and it boils over into full on laugh out loud moments on a number of occasions.


All three principle actors are superb. Melanie Laurent, in her first English language role is both frothy and seductive but has a deep lying cheerless existence while her accent is very appealing. Ewan McGregor is equally as good playing a depressed graphic artist. His American accent is also much better than his English accent! He shows emotional depth which I haven’t seen from him before. While the two aforementioned actors are both excellent, it has been Christopher Plummer who has drawn the most critical acclaim, winning both the BAFTA and Oscar awards for Best Supporting Actor. His performance is sublime. He manages to convey his excitement for his new life as well as the sadness that his life is coming to an end when it is only just beginning.



The film is full of hopeful optimism as well as gloomy sadness and is directed and acted wonderfully throughout. I thoroughly recommend it.

8/10