Kill Bill Volume 2

Kill Bill Volume 2 is the second part of Quentin Tarantino’s female led revenge thriller and was released six months after its predecessor KillBill Volume 1. The film follows the continuing vengeful rampage of The Bride (Uma Thurman) who we discover in this film is actually named Beatrix Kiddo. Her name remained secret in the first movie. Having dispatched of two of her former assailants in the first film, Kiddo here hunts down the remaining three; trailer residing, titty bar bouncer Bud (Michael Madsen), one eyed jealous blonde Elle Driver (Daryl Hannah) and the eponymous Bill (David Carradine).

The film opens with a Hitchcockian style pre title sequence in which The Bride is driving to her final destination while giving a brief outline of the plot so far. This sequence is shot in black and white and uses rear projection to give it the look of a Hitchcock thriller. Even the title font and score are Hitchcockian. The remainder of the film is much more conventional and more settled than the first Kill Bill movie as Tarantino keeps his genre mashing directorial tricks mostly in his pocket. There are occasional switches to black and white and one chapter resembles a Hong Kong Kung Fu movie but for the most part the film is more unadventurous than the first movie. There is much less violence too with only two onscreen deaths in the entire movie.

Kill Bill Volume 1

Kill Bill Volume 1 will always have a special place in my heart for two reasons. Firstly it was the first 18 Certificate film I ever saw at the cinema and as a result it was the first Tarantino film I saw at the cinema too. Thinking back, it might have been the first Tarantino film I saw at all although I can’t quite remember if I bought my VHS copy of Pulp Fiction a little earlier. As a seventeen year old who at the time had little interest in movies beyond the latest American Pie I was awe struck by Kill Bill and I’ve seen it several times since. The movie, as it makes clear during the opening credits was the forth film from Quentin Tarantino and followed a six year break since Directing his third film, Jackie Brown. Although originally intended as one feature the movie was split into two separate films due to a four hour run time and Kill Bill Volume 2 followed six months after Volume 1 in 2004.

This is perhaps Tarantino’s most highly stylised film to date and takes in an assortment of styles, genres and techniques. The Director and story weave from genre to genre, picking up pieces of revenge, Hong Kong martial arts, exploitation and Japanese samurai movies as it progresses in a non linear manner through its plot. The film is separated into chapters which themselves often feel like short films. Each chapter takes from a different style, genre or era and occasionally the style will change mid chapter. The plot focuses on the character of The Bride (Uma Thurman), a former member of the Deadly Viper Assassination Squad who is beaten and shot in the head by her former colleagues. She wakes up four years later to discover her fiancé and unborn daughter are dead and sets about reaping her revenge on those who attacked her and killed her family. Each chapter tells a portion of her revenge tale.

Reservoir Dogs

A couple of nights ago I saw an interview with Quentin Tarantino on Film 2013 ahead of the release of his latest picture Django Unchained. The interview touched upon a lot of his films and with each film mentioned I turned to my girlfriend and said “Ooh! I really want to watch that again soon” while turning to my DVD shelf. When Reservoir Dogs was mentioned I looked for my DVD copy and suggested we watched it that night but my girlfriend told me that it was playing for one night only at our local multiplex the next evening. Five minutes later the tickets were booked and my excitement grew as I was getting the chance to see such an iconic film on the big screen, twenty-one years after its release. Reservoir Dogs burst on to the scene in late 1992 and unusually went on to make more money at the UK box office than in the US but following the release of Pulp Fiction two years later became more widely known and is today recognised as one of the greatest independent films of all time as well as one of the greatest debuts by any film maker.

Featuring a lot of the themes which define Tarantino’s filmography such as a non-linear story, extreme violence, pop culture references, rock and pop soundtrack, rich and deeply woven dialogue and a plot based around an accident, Reservoir Dogs takes place before and after an armed robbery orchestrated by Joe Cabot (Lawrence Tierney) and his son ‘Nice Guy’ Eddie (Chris Penn). We see various meetings and discussions which take place before the heist as the crew is slowly formed but the most famous and memorable scenes take place following the robbery when the various members of the group make their way back to their safe house. The audience never sees the robbery itself but with some of the gang dead and others badly wounded it is soon obvious that something went wrong and that they have a rat in their midst, but who?