The Roaring Twenties

The Roaring Twenties is a mid period James Cagney gangster picture which co-stars Humphrey Bogart in the third and final film in which the two screen legends shared billing. The film takes on the epic task of depicting the rise and fall of a big shot gangster from his humble beginnings in the trenches of The First World War, through the heights of the prohibition era, the crippling Stock Market Crash and the subsequent repealing of the Volstead Act. This is a film which never feels epic in scale and instead closely follows its protagonists within their ever changing world. It’s also a film which has few standout moments and although considered a classic of the genre, dragged and felt much longer than it truly is.

The romantic elements of the story felt forced and the film was on more solid ground during the rat-tat-tat-tat, fast talking, “What’s the big idea” back and forth of the scenes set in the underworld speakeasies or liquor distilleries. Pricilla Lane is excellent in her early scenes as a wide eyed, inexperienced girl next door but suddenly seems swamped when placed inside the illegal world of the bootlegger. Her voice is sweet sounding and she can certainly hold a tune but she’s at sea when unaccompanied by an orchestra.

White Heat

James Cagney returns to the genre that gave him his break in White Heat in which he plays a ruthless and brutal gangster and leader of the Cody Jarrett criminal gang. Having robbed a train and leaving a trail of bodies in his wake, Jarrett (Cagney) hands himself in to the law for a lesser charge in order to avoid the gas chamber. To catch him for the train robbery the cops send Hank Fallon (Edmond O’Brien) undercover into the prison to attempt to befriend the fiend and gain vital information and perhaps a confession. When Jarrett breaks out though he takes Fallon with him and the cops begin their chase.

A few years ago White Heat was voted the forth best gangster film of all time by the AFI behind The Godfather I and II and Goodfellas. It was for this reason and my recent discovery of James Cagney that I sought the film out and wasn’t disappointed. The film has certainly aged and isn’t as violent or gruesome as its modern counterparts but a fantastic story and fine acting make it one of the best gangster flicks ever in my opinion.