Showing posts with label Sherlock Jr. Show all posts
Showing posts with label Sherlock Jr. Show all posts

Sunday 2 June 2013

Six of the Best... Films about Film



Many art forms dip into the self-referential. From songs about songs to paintings depicting the artist painting that particular work, art is always willing to look at itself. Films are no different. From the very earliest cinematic experiments, movies drew inspiration from or indeed focused entirely on the filmmaking process. Even at the turn of the last century, filmmakers were experimenting with the ideas of putting film on film. The Big Swallow is a 1901 surrealist short in which a man steps closer and closer to the camera before swallowing it whole. Since then films have looked at the cameraman’s craft (Man With a Movie Camera – 1929), the screenwriting process (Adaptation – 2002), Sound Design (Berbarian Sound Studio - 2012) and in some movies, characters even come to recognise their own fictional existence (Stranger than Fiction – 2006). So without further ado, here is my list of Six of the Best… Films about Film.


1. Cinema Paradiso – 1988
Giuseppe Tornatore’s Italian masterpiece features a middle aged film director returning to his small Sicilian village for the first time in decades in order to attend the funeral of his friend and mentor. The movie then takes us forward from the director’s earliest years until adulthood through his love of the motion picture. I’ve never seen adoration of cinema so beautifully and overtly displayed before and the movie features clips of many famous and less so well known movies from the silent era forwards. The local cinema becomes the beating heart of the town and brings joy to many in the post war depression that hit the country hard. The process of projection is lovingly demonstrated and the movie’s final scene is perhaps the most beautiful I’ve ever seen and contains some of the most breathtaking images in all cinema history.

Saturday 1 June 2013

Sherlock Jr



Sherlock Jr is rightly considered as one of the many great films of Buster Keaton’s career. The movie introduces many technical innovations and complex stunts which run side by side the screen comedian’s usual deadpan humour and sight gags to create one of his and the era’s best. A lowly movie theatre projectionist (Keaton) has two dreams in life. He wants to be a detective and wants to snare the love of his life. After being framed by a love rival for a burglary at the girl’s house he is banished, told never to return. His attempts to solve the crime and clear his name come to a dead end so he returns to the cinema where he falls asleep behind the projector. Here, the man literally splits in two (using double exposure) and the dream version of Sherlock Jr enters the movie screen where he has much more success at solving crimes and attracting the attention of beautiful women.

Few films from the era (or any era) display as much inventiveness or technical nouse as Sherlock Jr. Working at a time before many of the cinematic inventions that we take for granted today, including sound of course, Keaton here constructs a beautifully observed comedy which combines the detective genre with an introspective study of his medium while using romance as a framing device. The movie is, at just forty-four minutes, much shorter than most of his features, straddling somewhere between short and feature but barely a second of screen time is wasted with jokes coming thick and fast. If comedy ever does run dry, the eyes are dazzled with a technical marvel or bone crunching stunt which ninety years on, will still make the audience wince.