A Hollywood remake of the 1935 French movie Fanfare d'Amour, Some Like It Hot is widely regarded as amongst the funniest and most cherished films in the history of cinema. Written, Produced and Directed by one of cinema’s finest, Billy Wilder, it stars Tony Curtis and Jack Lemmon as destitute musicians, eking out a living in prohibition era Chicago. Having accidentally witnessed the St. Valentine’s Day Massacre, the two men go on the lamb and hop on a train to Florida. In order to go unnoticed by the Mob they disguise themselves as women and join an all female band heading to Miami. Amongst the band members is Sugar (Marilyn Monroe) who both men (obviously) fall for.
I’ve wanted to see Some Like It Hot for a long time and having finally got around to it last night, I can report that I wasn’t disappointed. Wilder and I.A.L. Diamond’s script is rich, saucy and hilarious while full of the sort of bawdy double entendre that would have been impossible to get passed censors in the years before. In fact, along with the likes of Hitchcock’s Psycho and Wilder’s own The Apartment, it was just this sort of movie which saw to the decline and eventually dismemberment of the dreaded Hays/Breen Code that had constricted Hollywood since the early 1930s.