Epic in every conceivable facet, Gone with the Wind is a hugely successful, multi award winning melodrama which sweeps its way through intertwined families of the Old South during The American Civil war and subsequent reconstruction era. Notable in its day for its long pre-production and actual production problems, the film has come to be known as one of the most loved in history. As well as receiving a record ten Oscars, a feat that wasn’t beaten for twenty years, it was also the highest grossing picture of its day and still remains the highest grossing film in history when adjusted for inflation. When released in 1939 it also had the distinction of being the longest American sound film, clocking in at a patience testing 221 minutes, or 234 including overture and intermission.
Although recognised upon its release as a critical and commercial success, and despite its place in history well and truly assured, more recent critical reassessments have been less kind, picking up on details which were less consequential in the late 1930s and early 40s. I’d heard both the good and bad second hand but decided to finally set aside many hours on a rainy Sunday and watch it for myself. My opinion of the picture is less favourable than the norm but I’m able to recognise it for its strengths and can’t dispute its historical standing in the medium of film.