Showing posts with label Wes Bentley. Show all posts
Showing posts with label Wes Bentley. Show all posts

Thursday, 17 January 2013

American Beauty



The winner of five Oscars including Best Picture, American Beauty is a film that covers a lot of the problems of Middle America in just two hours. Lester Burnham (Kevin Spacey) is an average man in an average town, working an average job. Lester is married to the pushy, cold and career driven Carolyn (Annette Bening) and is in the midst of a mid life crisis which is heightened with an infatuation for his daughter Jane’s (Thora Birch) friend Angela (Mena Suvari).

I thought I’d seen the film years ago and remembered the stand out scenes but had forgotten an awful lot of the plot so ended up unsure if I had actually seen it. American Beauty is a fascinating film which cuts to the heart of the suburban American psyche, bringing up some uncomfortable ideas about sexuality, infidelity, violence, mental illness and incest. Despite a compelling story, some very good performances and fine direction I wasn’t always able to get totally on board with it.

Tuesday, 21 August 2012

Gone

Gone is a sometimes tense but often boring psychological thriller from Brazilian Director Heitor Dhalia, working in the English language for the first time. Amanda Seyfried stars as Jill, a young woman living with her recovering alcoholic sister Molly (Emily Wickersham) after an alleged attack on her the previous year. The police dismissed her abduction and attack claims after finding no evidence and Jill was eventually admitted to a mental institute. Back in the present, Jill returns home one morning, after a nightshift as a waitress to find that her sister has disappeared. With little help from the police Jill takes it upon herself to track down Molly and her assailant, attracting the attention of the law towards herself in the process.

The film has frequent flashbacks to Jill’s alleged attack which come to her as she edges closer to tracking down Molly. The plot also opens lots of avenues for possible answers but leaves the audience feeling disappointed once the answers start arriving.