Saturday, 28 April 2012

TT3D: Closer to the Edge

"We know the danger. It isn't tidlywinks"

TT3D: Closer to the Edge is a 2011 Documentary which brings the world famous Isle of Man TT motorbike race to the big screen. Beginning in 1909, the TT is one of the most famous and dangerous motorsport events in the world and involves riders taking to the roads of the Isle of Man off the North West Coast of England and reaching speeds of up to 200mph on roads that would usually feature cars, busses and taxis travelling at no more than 30mph. The film follows the contrasting preparations and styles of three riders in the build up to the week long race event and follows their fortunes and misfortunes during the event itself.
The men who feature most prominently are 17 time TT winner John McGuinness, 8 time winner Ian Hutchinson and 30 year old Guy Martin who becomes the focus of the documentary. Guy is yet to win the event and is quite a character. He is a fast talking, old fashioned Lincolnite who is a lorry mechanic during the week. He is described as a maverick and as eccentric by fellow riders and is popular with riders and fans alike due to his unique take on life and take-no-bullshit persona. It is Guy Martin’s character that helps to make the film so interesting. While other riders sleep in their huge trailers, have massages and arrive at scrutineering on time, Martin sleeps in the back of his van, turns up when he wants and complains about anything and everything. As a result he comes over as a bit of a dick at times but is generally very likeable.

American Pie

Dude that chick's a MILF! Dude! MILF! MILF!

It’s the summer of 1999, I’m 13 and somehow myself and about eight friends get into our local two screen cinema one afternoon to see American Pie. 95 minutes and a lot of thrown popcorn later and we leave having seen the funniest film we think we’ll ever see. Now it’s 2012, I’m 26, I have a beard and I’ve gone back to watch the film that my 13 year old self fell in love with before watching the forth instalment of the franchise next month.

Towards the end of the senior year at High School four friends; jock Oz (Chris Klein), awkward geek Jim (Jason Biggs), quirky Paul Finch (Eddie Kaye Thomas) and regular guy Kevin (Thomas Ian Nicholas) are struggling to lose their virginity before they each embark for college. Having seen classmates like loud mouth Stifler (Seann William Scott) have success on this front and after one party believing that even the dorkiest guy in the class Chuck ‘Shermanator’ Sherman (Chris Owen) has lost his virginity, the four friends make a pact that they will help each other to get laid by Prom Night.

Friday, 27 April 2012

The Avengers

"I have an army..."
"We have a Hulk."

The Avengers or Marvel’s Avengers Assemble here in the UK for ridiculous reasons is the long awaited teaming up of the characters from Marvel’s recent and successful movies. Loki (Tom Hiddleston) returns to Earth and steals The Tesseract, an energy source being worked on by scientists at S.H.I.E.L.D. In response, S.H.I.E.L.D Director Nick Fury (Samuel L Jackson) activates the Avengers Initiative and assembles a team of superhuman men and women that comprises of Captain America (Chris Evans), Iron Man (Robert Downey Jr), The Hulk (Mark Ruffalo) and Loki’s brother Thor (Chris Hemsworth) who join S.H.I.E.L.D Agents Black Widow (Scarlett Johansson) and Hawkeye (Jeremy Renner) in attempting to stop Loki from subjugating the world’s population.

There was always the danger that things could go ‘tits up’ for Marvel when producing a film on this scale and with so many well known characters and actors/personalities involved. I’m delighted to say that they have pulled it off and that The Avengers is a terrific film. The plot itself plays second fiddle to the assembling of the team and I don’t think this was a bad thing. Obviously Marvel will be hoping for a sequel or five to come after the film so it was essential that the characters interactions and developments with each other were given high priority. The sharp dialogue is thrown between the characters with more force and precision than a throw of Thor’s hammer.  In the end the story is similar to every other superhero movie; bad guy brings destructive forces to Earth in an attempt to rule and/or destroy humanity while superhero(s) attempt to stop them. In Loki and Tom Hiddleston though, there is a bad guy who carries great menace and feels more dangerous when he is doing nothing than when he is thrashing his weapon around. I think that Hiddleston gives the best performance of the piece.

Thursday, 26 April 2012

Contagion

A married woman (Gwyneth Paltrow) stops off in Chicago on her way back from a business trip in Hong Kong to engage in extra marital activities with an old boyfriend. When back home in Minneapolis she feels ill and believes she has contracted a cold while away. It turns out to be something much more serious though when she suffers a fit and is rushed to hospital. Unable to save her, doctors inform her husband (Matt Damon) that she has passed away and medical examiners begin tests to figure out what the deadly virus is. Meanwhile people all over the world are contracting the virus and it soon becomes clear that there is an epidemic on a global scale. WHO epidemiologist (Marion Cotillard) travels to Hong Kong to try to find the source of the infection and Disease Control boss (Laurence Fishburne) sends field agent (Kate Winslet) to Minneapolis to get a grip on events there. In a final strand to the story, blogger (Jude Law) is informing millions of his readers about Government cover-ups and conspiracies but has an agenda of his own.

The Color Purple

"I'm poor, black, I might even be ugly, but dear God, I'm here. I'm here."
It’s 1909 and a young girl who has had to endure terrible sexual abuse from her father, baring him two children in the process, is given to another man as a wife. Despite being freed from her father’s clutches this is extremely painful for her as it means she is separated from her sister to whom she is very close. Her new life is no better than her last as she soon discovers that she is to be treated like a servant by her new husband, a man much older than her and who shows her no love, affection or kindness. Tasked with raising his children (one of which is barely younger than her), maintaining the house and satisfying him sexually, the film follows her life over the course of the next thirty or so years as she and other black female characters have to endure some of the worst of the racism, sexism and poverty that people had to face during those times.

Monday, 23 April 2012

Le Donk & Scor-zay-zee

Shane Meadows (This is England) directs this mock music documentary about Le Donk (Paddy Considine), a Nottingham based roadie working for The Arctic Monkeys and managing rapped Scor-zay-zee (playing himself). The film blends reality and fiction and is set and filmed in five days leading up to an Arctic Monkeys gig in Manchester. Le Donk has recently separated from his pregnant girlfriend (Olivia Coleman) and travels to Manchester with Scor-zay-zee for work and with the hope that he can somehow get the rapper on the bill at the gig.

Paddy Considine is brilliant as Le Donk and carries the entire movie. Most of his lines are improvised and the majority work, with hilarious results. He appears to be channelling David Brent and Alan Partridge at times but is thoroughly convincing.  The film itself outstays its welcome after about 45 minutes. Despite a promising start the joke kind of gets old by the mid way point and although the film comes in at only 71 minutes, it feels long. I couldn’t help feeling that it was more suited to TV and perhaps would have worked better as a 45 minute or one hour special. I’m glad that I didn’t see it at the cinema myself.

Sunday, 22 April 2012

Delicacy

Nathalie (Audrey Tautou) is left devastated after the death of her new husband Francois (Pio Marmai) and spends the next three years mourning him, in a daze, floating through life. One day unexpectedly she kisses a new colleague of hers, Markus (Francois Damiens), an unattractive, balding Swede in an act that leaves him perplexed and creates tensions at work.
The first half of this film was incredibly dull and bland. I was beginning to regret seeing it until the introduction of Damiens as Markus. He bought a spark to the film and took it from a magnolia tragedy to a sweet and funny romantic comedy. Up until this point it felt like the film was going nowhere. Nathalie had been hit on by her boss in a scene which bought nothing to the film; she had somehow gone from selling programmes at the theatre to having her own office and running some sort of case (which was never explained). Then Damiens arrived and lit up the screen. His character was bumbling and nervous but sweet and kind and it is clear why Nathalie is drawn to him. Their relationship creates many funny scenes as well as some that verge on melancholia.
Tautou is fine as Nathalie but she is hardly stretched. She has to play a pretty young widow who looks glum, something her face seems to do naturally. The supporting cast are all fine too and include a Christina Hendricks lookalike(Audrey Fleurot) who plays a secretary, wears the same outfits as ‘Joan’ from Mad Men and even has the same pen around her neck! The star of the show though is Francois Damiens who steals the film. He plays the sort of character that you would love to be friends with and you know would always look out for you. He also gives the ordinary man hope by getting together with Audrey Tautou. He also provides most of the film’s comic relief.
One of the problems with the film is that it suffers with the same musical trouble as Little White Lies. Obviously film makers choose music that conveys a certain mood but here as in the aforementioned film, it is so palpable it verges on being ridiculous. I also have a problem with the dull first act but overall this is a throwaway romantic comedy which features strong central performances and a message that it doesn’t matter how someone looks but what matters is what sort of person you are.

7/10

The Cove


2010 Oscar winner The Cove is a documentary that looks into and questions the morality of Japan’s dolphin hunting policy. The film shows viewers evidence of the 23,000 dolphins which are killed in Taiji, Japan each year. It also touches upon the trade of catching and selling dolphins for the entertainment industry.

The main interviewee is Ric O’Barry, the man responsible for training dolphins for the 1960s TV show Flipper. After his favourite dolphin is said to have committed suicide, O’Barry turned away from dolphin training and vowed to free every captured dolphin he could. After discovering the cruel practice of dolphin killing in Taiji, O’Barry has spent many years fighting the local fisherman and government and trying to bring the killing to the attention of the international community, with little success.

Saturday, 21 April 2012

Marley

Marley is a 2012 Documentary film that tells the story of legendary Jamaican reggae artist Bob Marley. The film charts his life from his humble beginnings in a small country village without electricity, through his rise to fame in Jamaica, to his exile in London, subsequent return to his Island of birth and eventual death at the age of just 36.

Before going in to the cinema I wouldn’t have classed myself as a Bob Marley fan and although I have a couple of his albums and love his best known songs I knew very little about him. The film gives an honest account of his life and of Marley as a man. The story is told using achieve interviews with Marley himself but mostly through interviews with his friends, family and ex colleagues who are still living. Some of the interviewees are great characters and speak with wisdom. Others are hilarious and most have a fantastic Jamaican Patois which is delightful to listen to. The film also gives some background to Rastafarianism, something else that I knew little about.

The whole film is backed with over sixty Marley and Bob Marley and the Wailers songs which start with the song he first recorded aged sixteen and ends with One Love. This film has one of the greatest soundtracks of any film I’ve seen. The highlight for me was Marley’s triumphant return to Jamaica for the One Love Peace Concert in 1978. After years living in London following an attempt on his life, Marley returned to Jamaica and performed in front of 32,000 people and bought the leaders of Jamaica’s warring Political Parties up on stage where he managed to get them to hold hands above their heads in a sign of peace. It was an amazing thing to witness, even in the cinema and its impact was obvious.

The final quarter of the film takes on a deceivingly sadder tone as we reach the final years of Marley’s life. After a battle with cancer he died in 1981 in Miami, USA. There were many people crying in the theatre, including my girlfriend after a very sad few moments on screen. The film ends on a positive note though by showing how Marley’s music and message is still being used to educate and unite people today.  
The film shows Marley to be both a great musician and great man but isn’t afraid to look at his less impressive traits. His womanising is mentioned on several occasions, as is his poor parenting. His willingness to do anything to make it is also a constant theme. He was willing to change his style as well as drop his friends in order to become better known or appreciated and the film doesn’t shy away from letting this be known. A thread I’d like to have seen explored further was his lack of success with black audiences outside of Jamaica. It was hinted at several times but is an interesting area which could have been looked at further.   

Marley is a fantastic biopic documentary which sheds light on one of the world’s best loved musicians. It isn’t afraid to show both his good and bad sides and does a good job of illustrating his life from start to finish. It is accompanied by a soundtrack that head my head bobbing and feet tapping throughout and made me want to go out and further explore his back catalogue as well as his message of One Love.

9/10

En Vivo!

En Vivo is a live concert film from British Heavy Metal group Iron Maiden. Filmed in Santiago, Chile in front of 50,000 fans in April 2011 it was part of their Final Frontier Tour. While not technically a film, it is the most cinematic concert film I’ve seen.

The film starts with a montage that includes the band landing, preparing and arriving for the concert and is interspersed with some pretty poor computer graphics of explosions, planes and the band’s mascot, Eddie.


The concert is nearly two hours long and includes a total of seventeen songs, of which six are from their latest album The Final Frontier. Classics such as Iron Maiden, Fear of the Dark and Number of the Beast also feature. There are many notable absentees though such as Run to the Hills but when a band has a back catalogue stretching back to 1980 there are bound to be a few tracks that could have been included which weren’t. Many older songs have been featured on previous concert DVDs anyway. For my money, the best performed and received songs were Dance of Death and Iron Maiden.


The film uses split screen to great effect which gives the viewer the chance to see several pieces of the action at once. It is a great technique and something I haven’t seen before. It allowed the audience to feel more a part of the proceedings and gave greater insight to what was happening on stage. The editing is superb.


I’ve seen Maiden once, in 2005, and remember being amazed by the amount of energy they bought to their performance. Now, with an average age of around 57 the band still run and jump around like six year olds and its sometimes a bit funny. The band has never been known for their great fashion sense and some of their outfits are also pretty amusing. Iron Maiden isn’t Lady Gaga however and they let their music do their talking and it is incredible to see 50,000 people all jumping up and down in unison to some of the greatest heavy metal music in history. Eddie inevitably makes an appearance but his ‘Eddie cam’ doesn’t really work. His second appearance as a giant head and hands behind the set is very impressive however.

I think this is a concert that can be appreciated on an aesthetic level even if you aren’t an Iron Maiden fan. It looks stunning on Blu-Ray and the split screen editing works marvellously. The old songs still sound great after 30 years and their newer stuff has to potential to become the classics of the future.  

8/10