Showing posts with label Jeremy Renner. Show all posts
Showing posts with label Jeremy Renner. Show all posts

Wednesday 1 January 2014

American Hustle



Already attracting awards buzz and with seven Golden Globe nominations to its name, David O. Russell’s American Hustle is one of the early showers from this year’s awards season. Set in the late 1970s and making use of an ensemble cast plucked from his most recent productions, the film is set in the world of an experienced and successful con artist called Irving Rosenfeld (Christian Bale). Irving and his partner Sydney (Amy Adams) are caught by cocksure and ambitious FBI Agent Richard DiMasso (Bradley Cooper) who offers immunity in exchange for help in capturing more prized targets.

The plot isn’t a strong area of American Hustle which is why I’m surprised its screenplay has received many of the film’s plaudits. Although it spirals seemingly uncontrollably into deeper recesses of confusion, subterfuge and double cross, it features a sagging belly larger than that sported by Bale and drags on for too long before reaching its always expected conclusion. The movie’s strengths lie elsewhere, primarily in the design and acting, two areas for which the film deserves all the plaudits its being given.

Monday 27 August 2012

The Bourne Legacy


Running parallel in time to The Bourne Ultimatum, The Bourne Legacy stars Jeremy Renner as black ops operative Aaron Cross. After completing a gruelling hike across the Alaskan wilderness, Cross arrives at an isolated cabin where he meets a fellow operative (Oscar Isaac). Due to events elsewhere, linked to the plot of the first film in the series, the people running the secret Operation Outcome of which Cross is a member decide to shut it down by killing all staff involved. A drone attacks Cross but he manages to escape and tracks down scientist Dr. Marta Shearing (Rachel Weisz) who he hopes can lead him to stocks of the pills he needs to remain a superhuman.

With a plot that I didn’t fully understand and some decent action set pieces, The Bourne Legacy is a film that is not without some merit but overall I could probably have lived without seeing.

Friday 27 April 2012

The Avengers

"I have an army..."
"We have a Hulk."

The Avengers or Marvel’s Avengers Assemble here in the UK for ridiculous reasons is the long awaited teaming up of the characters from Marvel’s recent and successful movies. Loki (Tom Hiddleston) returns to Earth and steals The Tesseract, an energy source being worked on by scientists at S.H.I.E.L.D. In response, S.H.I.E.L.D Director Nick Fury (Samuel L Jackson) activates the Avengers Initiative and assembles a team of superhuman men and women that comprises of Captain America (Chris Evans), Iron Man (Robert Downey Jr), The Hulk (Mark Ruffalo) and Loki’s brother Thor (Chris Hemsworth) who join S.H.I.E.L.D Agents Black Widow (Scarlett Johansson) and Hawkeye (Jeremy Renner) in attempting to stop Loki from subjugating the world’s population.

There was always the danger that things could go ‘tits up’ for Marvel when producing a film on this scale and with so many well known characters and actors/personalities involved. I’m delighted to say that they have pulled it off and that The Avengers is a terrific film. The plot itself plays second fiddle to the assembling of the team and I don’t think this was a bad thing. Obviously Marvel will be hoping for a sequel or five to come after the film so it was essential that the characters interactions and developments with each other were given high priority. The sharp dialogue is thrown between the characters with more force and precision than a throw of Thor’s hammer.  In the end the story is similar to every other superhero movie; bad guy brings destructive forces to Earth in an attempt to rule and/or destroy humanity while superhero(s) attempt to stop them. In Loki and Tom Hiddleston though, there is a bad guy who carries great menace and feels more dangerous when he is doing nothing than when he is thrashing his weapon around. I think that Hiddleston gives the best performance of the piece.