Already attracting awards buzz and with seven Golden Globe nominations to its name, David O. Russell’s American Hustle is one of the early showers from this year’s awards season. Set in the late 1970s and making use of an ensemble cast plucked from his most recent productions, the film is set in the world of an experienced and successful con artist called Irving Rosenfeld (Christian Bale). Irving and his partner Sydney (Amy Adams) are caught by cocksure and ambitious FBI Agent Richard DiMasso (Bradley Cooper) who offers immunity in exchange for help in capturing more prized targets.
The plot isn’t a strong area of American Hustle which is why I’m surprised its screenplay has received many of the film’s plaudits. Although it spirals seemingly uncontrollably into deeper recesses of confusion, subterfuge and double cross, it features a sagging belly larger than that sported by Bale and drags on for too long before reaching its always expected conclusion. The movie’s strengths lie elsewhere, primarily in the design and acting, two areas for which the film deserves all the plaudits its being given.