A Dangerous Method

David Cronenberg’s A Dangerous Method is a visual joy that charts the birth of Psychoanalysis in the early part of the 20^th Century. Michael Fassbender stars as Carl Jung, the father of analytical psychology opposite Viggo Mortensen’s Sigmund Freud, the father of psychoanalysis. In between these great historical figures is Keira Knightley who plays Sabina Spielrein, a young Russian woman who is sent to Jung for analysis as she is suffering from hysteria.

Cronenberg is known for intertwining the physchological with the physical and in a way that is the shortest description of this film that one could conger up. The relationship between the psychology and the principle characters personal and physical relationships are wonderfully played out here. Cronenberg’s use of focus is masterful. He is able to create a better 3D effect that I have seen in even the best 3D films. Quite often, and especially when two people share a scene, the focus is set on the actor in the distance with the actor closest to the camera out of focus. Occasionally, this setup is reversed. The rest of the frame is in very soft focus and this can also include the actor’s clothes. The audience’s eyes are drawn to the actor’s faces in an exceptionally clever and visually pleasing way. The background is always beautiful but Cronenberg wants the audience to know that it is what is being said is the focus, not where they are saying it.

An example of the soft focus used by Cronenberg

The story itself is fascinating and rekindled my interest in psychology which first developed during my A Levels. I felt as though I could listen to Freud and Jung talk for hours or even days. I understand that the subject matter is not for everyone however and this is perhaps why we had to travel to our local Art House Cinema rather than our usual multiplex. In addition to the absorbing psychological debate the audience are also treated to a magnificent personal story which revolves around Jung and Spielrein. It has anticipation, romance and heart and is full of twists and turns.

Many scenes are shot with unusal acting positions

All three principle actors are fantastic. Keira Knightley delivers a wonderfully outrageous and over the top performance as the confused and frenzied Spielrein. She is as accomplished as I have ever seen her. It was a pleasant surprise to see her push her physical acting abilities in ways which I had not seen in the past. Fassbender gives a somewhat subdued performance but he too is more than competent. Mortensen’s Freud is understated but occasionally vicious and calculating. His voice is both relaxing and seductive, a cross between John Hurt and The Cheshire Cat from Alice in Wonderland. Mortensen and Fassbender are at their best when sparring opposite one another. The three leads are joined by an able supporting cast which includes an all too brief cameo from Vincent Cassel who is excellent here as the sex addicted Otto Gross.

I am unable to think of a single facet of this film which I didn’t enjoy or thought could have been improved in some way and am utterly delighted that I took the time to see it. It has been one of the highlights of an already stellar couple of months at the cinema.

9/10

Tell No One

Tell No One is a wonderfully confusing French thriller from director Guillaume Canet. It is the story of a man who, eight years after his wife is murdered, receives an anonymous email featuring a live video of her with the caption “Tell no one”. He then sets about trying to discover what happened on the night of his wife’s murder and if she could possibly still be alive.

I thought I had figured the film out three or four times during its two hour running time but was pleased to discover I was way off. Even when the film explains what has happened, there is still more to it and it was a pleasing conclusion to a complex story. The ending itself was lovely and touching to watch. The film is full of twists and turns which helps to wrong foot the audience.

The film appeared on a number of Top 10 films of the year lists and I’m not surprised by this. It is very good indeed. The acting is excellent throughout. There isn’t a weak link in any cast member and I thought that Francois Cluzet was outstanding playing the principle character. I also felt that British actress Kristin Scott Thomas was superb as Cluzet’s friend and sister in law and Gilles Lellouche was menacing yet kind hearted as gangster, Bruno. The film had a good mix of pace, featuring one or two fast paced action scenes and a lot of slower paced dramatic scenes. A scene where Cluzet has to run across a motorway was extremely exhilarating.

I wholeheartedly recommend watching this film if you like mystery-thriller films such as Zodiac or The Machinist or just very well acted and put together films in general.

8/10

Sucker Punch

I really don’t know where to begin with this terrible, misogynistic excuse for a film. The plot is as good a place as any but I don’t even know how to put it into words. As far as I could tell, Emily Browning (seen here in Sleeping Beauty) plays a girl who after the death of her mother, accidently kills her sister and is committed to a mental asylum. The asylum is populated entirely by good looking women in their early 20s. She is told that she will require four items to escape the asylum before she is lobotomized and for some reason enters a fantasy world where she attempts to find them. There are two fantasy worlds with one inside the other. In the first she is, for some reason a kind of lap dancer/prostitute. This world is populated by young women dancing around in their underwear. Why a 20 year old woman’s fantasy would be to be trapped in an evil lap dancing club I don’t know. The second level of fantasies occurs when she starts to dance. During these, Browning is transported, along with four other girls to some sort of battle scene where they must defeat the bad guy to get the map/knife/whatever they are looking for. During these scenes, the girls wear different skimpy outfits. And other than some borderline rape scenes, that’s basically it.

The film is massively over stylised. Zack Snyder well is known for this and although it worked ok in Watchmen, here it just looked stupid. The opening five minutes felt like a music video and from there on in it was a mixture of a computer game and a fourteen year old boy’s daydream. There were far too many slow motion shots which all zoomed in slowly. It was repetitive and unnecessary. The film dragged on and the slow motion made it feel even longer. By the time Browning’s character went in to her third fantasy featuring a Lord of the Rings style Orcs vs Knights battle, I let out a grown as I realised we were only about half way through.

This is the most video game like film I’ve ever watched. Each fantasy acts as a level which the characters must complete before moving onto the next and the CGI was like watching a trailer for a fantasy game. Browning’s character even dressed like a Japanese girl in one of those platform-fighting games.

Like all women, the cast wear their 'sex clothes' to coffee mornings

The film seems to suggest that the objectification of women is somehow empowering or makes them stronger. I find this assumption to be disgusting. I’m a little surprised that the film was even made given its clearly misogynistic tones. Why if the female characters are constantly on the brink of being raped are they seen in their own fantasies as fetishised versions of themselves? I would have thought that the fantasy versions of themselves would be as un-sexual as possible but instead we see them dressed as ‘sexy school girls’ in more up skirt shots than you’d find in the Daily Star. This film’s sexual politics are so unbelievably skewed that I am surprised that the actors agreed to appear in it.

The acting isn’t atrocious but when all the actors have to do is dress as sex workers and fight imaginary monsters, there’s not much you can do wrong. The Very Hungry Caterpillar probably has more dialogue than this film and that story is more compelling. The actors spend half of their time posing in their underwear and the rest of the time kicking giant Samurai warriors or German soldiers with red eyes.

For a film that contains so much action and titillation, it is incredibly boring. I think its astonishing that I was bored by two hours of scantily clad young women hitting monsters but I didn’t care what happened or when or even why. There is one nice moment towards the end where I thought to myself “Ahh that’s why she…” but for the other 108 minutes I was left feeling bored and angry. I don’t know why the film was made. If people want to see near naked women, they can go online. If they want to play a video game, they can. If they want to watch a film, they should avoid this pile of nonsense crap.

1/10  

Star Wars Episode I: The Phantom Menace

When Avatar 3D became a huge box office hit in 2009, taking over $2.8bn in theatres alone, one had the feeling that it was only a matter of time before George Lucas recycled his Star Wars franchise one more time with retro-fitted 3D. The first film to be released in 3D is the worst of the bunch The Phantom Menace.

The plot is basically the back story of Luke Skywalker’s parents, Anakin Skywalker and Queen Amidala. It shows their first encounter as well as about an hour of nonsense politics that even I with a Politics degree couldn’t care less about. Anakin is a slave on Tatooine who gains his freedom with the help of Liam Neeson’s Qui-Gonn Jin while Queen Amidala is under threat from The Trade Federation who with backing from Darth Sidious is attempting an invasion on her home planet of Naboo.

The first problem to address is the 3D. There is absolutely no need for it whatsoever and it actually detracts from what was already a quite bad film. At times I had to take the glasses off due to the background being fuzzy and sometimes it was like I had double vision in certain areas of the screen. It looked really shoddy. I had two pairs of 3D glasses with me and the problem was consistent with both. While I had the glasses off, it became apparent that only about half of the film was even in 3D. But this at least meant that it only looked crap half of the time. I can’t think of one scene in which the 3D enhanced my viewing experience. One can’t help but feel ripped off when the quality of the product is this poor. My 3D hopes had been raised after Scorsese’s Hugo but with poor retro-fitted 3D like this around, it is surely only a matter of time before people say enough is enough.

My problems with the film are two fold. Firstly it is really boring. I hadn’t seen it for a couple of years so thought maybe id been overly harsh on it before, but if anything I wasn’t harsh enough. There are a few scenes which get the blood pumping but these are usually interrupted by an annoying character. For the most part it is like you are watching an episode of The Daily Politics in a country you no nothing about and care even less. My second problem is with the films the characters. Upon its release, many people complained that Jar Jar Binks was just an opportunity for extra commercial tie-ins but I see him as more of a lazy, racist stereotype. It is quite clear that he and his race of Gungan’s are based on the people of Jamaica and it is quite incredible that no one during the films production pointed this out and had the character altered in some respect. The Trade Federation also sound like a ten year old doing a Chinese impression and slave owner, Watto is a hideous caricature of an Arab trader. Where the human characters are concerned, it cant be often that Yoda comes across as one of the most natural speakers in a film but here he is surrounded by Natalie Portman who sounds as though she is trying to do an English accent while eating peanut butter, Ewan McGregor who seems like he is acting with a baseball bat up his arse and Jake Llody who gives one of the worst performances of any child actor I’ve ever seen. The only actor who comes out with any credibility is Liam Neeson who does a decent job playing Jedi Master Qui-Gon Jinn.

On the plus side, while the thirteen year old CGI looks quite cartoony, it has held up well to the test of time. I liked the character of Darth Maul and his fight scene was good. Also, some of the scenes did look spectacular. The pod race in particular looked very nice but was incredibly boring. Another positive note is that it’s over now and we only have two more films to sit through until Episode IV.

5/10

If you don't like my review then try this from the BBC's Mark Kermode. click here for short video

DVD Extra --- I've seen the film at least four times now but yesterday I noticed something new. When I got home I googled what I thought I saw and it turns out I was correct. During one of the long, boring Senate scenes, have a look out for a well known alien from outside of the Star Wars franchise. When you see him you can 'phone home'...

Modern Times

1936’s Modern Times finds Charlie Chaplin’s iconic Tramp character at work in a modern, mechanized factory. He struggles to keep up with the ever quickening pace of the production line where he screws nuts onto bolts and suffers a mental breakdown. After being released from hospital, The Tramp finds himself as the accidental leader of a Communist rally and is thrown in jail. Once released he finds life in the Depression ruined 30s difficult but meets an orphan girl with whom he develops a friendship. The film then follows their ups and downs as they try to scrape by and stay out of jail.

Modern Times is one of Chaplin’s best remembered films and features some wonderful set pieces. Just some of the iconic scenes include; when he gets caught up in the cogs of the factory machines, when he mistakes cocaine for salt, when he roller skates blindfolded and when he is used to test a new feeding machine. All of these scenes are laugh out loud funny. While the film features some of Chaplin’s funniest moments, the laughs are spread more thinly than in some of his earlier films. This is much more of a comedy/drama than out and out comedy.

Chaplin’s politics are obvious to see throughout. The opening scene shows sheep being lead out and then cuts to men streaming into a factory. Once inside, the workers are worked to exhaustion and we see the harsh conditions of the unemployed. Chaplin is later falsely accused of leading a Communist march and gets thrown in jail, an eerie premonition of what later happened to him. It is obvious that Chaplin blames modern industrialization for the conditions of the Great Depression and understandable why it came under scrutiny at the time.

Chaplin is joined on screen by the beautiful Paulette Goddard, who was also his wife at the time. Despite playing a homeless orphan she still manages to dazzle and is also superb in the more touching scenes. Chaplin as always is sublime. There are little touches in every scene that cement him as cinema’s greatest entertainer.

The beautiful Paulette Goddard

The film is still considered ‘silent’, despite it containing ‘talkie’ moments. Most of these moments come from inanimate objects or from one or two characters but I wish it had been one way or the other. It’s a bit of a cop out to be a mixture of silent and spoken but by 1936 silent films were considered very old fashioned so its understandable why the decision to introduce some dialogue was made.

Unfortunately, Modern Times was one of Chaplin’s final films and the last to feature his Tramp character. For that reason its ending carries even greater significance and is wonderful. The film contains some of Chaplin’s best moments and is a wonderful reminder of his genius and the class of his film making.

Farewell to The Tramp...

10/10

The Chaser

The Chaser is yet another fantastic thriller from Korea, the country that bought us Oldboy and Thirst. Joong-ho is an ex-cop turned pimp who is getting pissed off that his girls keep running away. What he doesn’t know is that they are in all being murdered by the same man, Young-min, played by Jung-woo Ha. After another of his girls gets into trouble, Joong-ho sets about chasing down Young-min. He is thwarted in his attempts by bad policing and also has the added worry of caring for the missing prostitute’s young child.

The film is very stylish which should not come as a surprise given that Korea is known for making some of the most visually arresting cinema anywhere in the world. What else should come as no surprise is the violence. A couple of scenes are quite disturbing and although they don’t show as much as you think they do, they are difficult to watch. The Mangwon district of Seoul in which the film is set feels like a maze and adds to the tension of the search. You feel for the characters as they have a near impossible task.

The acting is great. Jeoung-woo Ha is every inch the crazed killer. He seems innocent and almost childlike for much of the film but is capable of turning on his dark and destructive side. Yoon-seok Kim is also excellent as Joong-ho. He starts out as quite unlikeable but his character transformation is impressive. His anguish and desperation regarding the circumstances are apparent. The little girl who plays the missing woman’s daughter is also very good, especially for someone so young in this type of film.

The film has a couple of plot holes as most thrillers do. For some reason the police release the killer despite a confession of twelve murders. Maybe this is down to some sort of Korean law I don’t know about but it was a bit odd. Other than that, The Chaser is an excellent crime/thriller which will have you on the edge of your seat for two hours.

8/10

Brighton Rock

2010’s Brighton Rock is a massive disappointment. Despite nice period detail and a great cast it is unbelievably boring.

Sam Riley plays Pinky, a member of a Brighton gang who after killing a rival gang member, befriends Angela Riseborough’s Rose in order to keep an eye on her as she has witnessed the gangs behaviour before the murder. She falls head over heels in love with Pinky and the film charts their relationship and Pinky’s subsequent role within the gang.

1960s Brighton looks wonderful here and the clothes, hair and makeup all look genuine. It is a very nice film to look at. Angela Riseborough is the pick of the cast, outshining the likes of Helen Mirren and John Hurt. She is wonderful as a shy and impressionable young waitress who falls for the sociopathic Pinky. Riley’s Pinky is deeply unlikeable and without any redeeming features. He is played well by Riley. Andy Serkis plays rival gang leader Colleoni and is also wonderful. The acting as a whole is marvellous but the film is just so boring. I couldn’t engage with the film and didn’t care what happened to any of the characters.

The transportation of the film to the 1960s to coincide with the Mods and Rockers clashes seemed pointless. There was no reason for it to have been set in that time and would have worked just as well if it had been set in the 1940s like the original. The film didn’t make any use of its time change. Sam Riley is also too old to have played the character in my view. Riseborough looks and acts like a girl in her late teens or early twenties but Riley looks about thirty. He is too old to be an up and coming gangster.

5/10

The Grey

I read somewhere the other day that in the last three years, Liam Neeson has had more number one movies than Brad Pitt, Angelina Jolie, Matt Damon, George Clooney or Denzel Washington. This is down to movies such as The Grey. It is a no nonsense stupid action movie that draws in the teenage and young adult audience like a chav to a velour tracksuit.

Neeson plays John Ottway, who is employed by an oil company to kill wolves in the wilds of Alaska. During a flight back to Anchorage, the plane crashes, killing most on board but leaving a few survivors to fend off the isolation, bitter cold and a pack of ravenous wolves who seem hell bent on killing everyone. Joining Ottway in his quest for survival are a bunch of typical action movie characters; there’s a cocky, arrogant man who learns cooperation is better than going it along, an annoying, say what you think guy, a geeky type with glasses and a notepad and a few more cliché characters who have the task of speaking briefly with Neeson before being eaten alive. 

Fight for survival

The freezing Alaskan landscape creeps into the audience during the film. It feels very cold! You feel like the actors were really there, freezing their bits off. A faulty multiplex heating system also helps add to the cold feeling so I have our local Cineworld to thank for the freezo-vision.

The animatronic and CGI wolves look quite realistic and behave in a menacing way throughout. The human actors are also quite good and there is an unexpected emotional scene just after the crash which surprised me. It was really good.

The plot is fairly formulaic. It is obvious that the men will be picked off one by one until there is only one left, and I bet you can’t guess who that one will be? This being said, the ending was very satisfying. The film happily wastes 117 minutes of your life and goes along at a decent pace. There are some silly bits and plot holes and it is extremely annoying when Neeson, who is obviously in the wolf’s den, almost turns to camera and says “I’m in the fucking wolfs den!” But other than this, The Grey is thoroughly enjoyable. 

7/10

Martha Marcy May Marlene

If anyone ever writes a book of the worst film titles in history, Martha Marcy May Marlene will be sure to feature. This is a great shame as the film itself is fantastic.

Featuring Elizabeth Olsen in a breakout role, the film cuts between Martha’s (Olsen) time as a cult member and after fleeing, her stay with her older sister and brother-in-law. The scenes of Martha in the cult are often dark and chilling. She is degraded and abused but seems powerless to resist what is happening. Later, we watch as she is in the cult’s inner circle and now the one who is doing the abusing. While with her sister, Martha is distant, confused and scared. She often doesn’t know how to act around ‘normal’ people and this results in inappropriate and odd behaviour. Martha is obviously deeply traumatised by her time with the cult and becomes increasingly paranoid that they are still watching her and waiting to take her back.  

Martha feels uncomfortable back, in the real world

Olsen’s central performance is outstanding. Innocent and awkward yet beautiful, she is thoroughly believable as the sort of young girl who could get caught up in a cult. She is also excellent while back in normal society, playing a young woman who is trying to forget what she has been a part of. Her performance is the highlight of the film. John Hawkes who plays cult leader, Patrick, is also fantastic. He is domineering and powerful yet has an air of attraction about him. You can feel and understand why the young men and women are drawn to him and kept under his spell. His is a performance that should also draw great plaudits.

Martha under Patrick's spell

There are two disappointing things about this otherwise exceptional film. The first is the title. I spent the whole film trying to remember what it was called and it left a nagging feeling in the back of my mind throughout. I went through all the female names I could think of beginning with ‘M’ and tried combining them. ‘Is it Mary Martha Maud Marlene? Mia Michelle Margaret May? It became very frustrating! My second problem is the ending. The film builds up ninety minutes of tension and just as it reaches a crescendo, ends. This was a shame as it kind of left the audience hanging. I understand that sometimes a film wants to leave the ending up to the interpretation of its audience but I didn’t think it worked this time. It wasn’t The Sopranos.

Apart from those two, admittedly small problems, Martha Marcy May Marlene (is that right?) is a wonderful film with a fantastic central performance from Elizabeth Olsen, who we are sure to see much more of in the future.   

8/10

Young Adult

I had heard great things about Young Adult but after watching it, I felt let down. While I didn’t think the film was a masterpiece, Charlize Theron’s performance was excellent. I haven’t seen Monster for which the actress won an Oscar in 2003 but this was the best I’ve seen her.

Theron plays a 37 year old divorcee, author of a young adult book series who upon receiving an email from her High School boyfriend featuring a photo his new baby decides to go back to her hometown in the mistaken belief that they are soul mates.

Theron’s inability to properly enter the adult world is the main theme of the film. Despite a reasonably successful career we see that her apartment looks like a college dorm, her car is filthy and she drops clothes, makeup and rubbish wherever she feels like it. Her diet consists of Diet Coke, whiskey and ice cream. She is basically living the life of a teenager and as the film progresses we begin to suspect that she is also like a teenager on the inside. As a character study, the film is brilliant. Unfortunately, I was just expecting more from the rest of it. Perhaps if I’d gone in without great expectations I’d be writing a glowing review right now.

The other actors do a fine job of supporting Theron but are complexly outclassed by her. You can see minute details in her face such as a slight glimmer of hope when she believes she may have a chance to win back her ex. If not for her I wouldn’t have enjoyed the film. The script is reasonable and features some good lines for Theron’s character. I also liked the character of the geeky, fat guy from high school who becomes Theron’s confidant.

What annoyed me most about the whole film was that it was like one 93 minute Diet Coke ad. I understand that sometimes the drink was used as a device to show that Theron doesn’t look after her body and only drinks coke but it featured in about half the scenes in the film. Sometimes there would be a can on a table, its label facing the camera. In another scene, Theron bends down and the camera goes to her feet which are next to two large boxes of Diet Coke. I understand that some films are part financed by product placement but when it’s that obvious it just gets annoying. Other product placement in the film included Pizza Hut, KFC and Taco Bell. It was a bit OTT and the fact that it was so obvious shows how little I cared about the characters and plot.

When it comes down to it, I didn’t dislike Young Adult; I’m just finding it difficult to think of reasons why I did like it. 

6/10