Martin Scorsese’s latest motion
picture comes hurling towards its audience as though thrown from an amusement
park ride. Loud, vulgar and covered in vomit, it’s the director’s most
controversial movie in years, not to mention his longest and perhaps his most
unabashed. The auteur is proving that even into his seventies he still has the
power to enthral, entertain and repulse with a wild film about greed and intemperance.
The Wolf of Wall Street is based on
the memoir of the same name written by Jordan Belfort, a former New York stockbroker who
lived a life filled with excess thanks to his shady stock market dealings in
the 1980s and 90s.
Joining Scorsese for a fifth time
as lead actor is Leonardo DiCaprio who plays Belfort with all the grace, charm and
sophistication you expect from a Wall Street swindler. DiCaprio is nasty, vile,
cruel and disgusting and yet you can’t help love both him and the character as
you watch him snort cocaine from a hooker’s anus or throw hundred dollar bills
in the trash. He’s made it, he’s living the American dream and he’s loving
every minute of it. Criticism has come from the fact that the central character
suffers no real comeuppance, no fall from grace. I disagree slightly with this
but would also argue that Scorsese and screenwriter Terrance Winter are showing
you how it is. The bad guy doesn’t always lose and in this case, he might not
win all the time but it makes no difference. You know he’s a dick and you know
he’s in the wrong but you also know that you want what he’s got.
The film opens with Belfort at his decadent
height, a brief glimpse into his repugnant and glamorous life before Scorsese
pulls a Scorsese and takes you back to the beginning. At twenty-two, Belfort is very
different. He’s a driven, slightly arrogant young man who wants to reach the
top. His first job on Wall Street is low paid but he learns the ropes fast,
thanks in large part to his boss and mentor Mark Hanna (a fantastic Matthew
McConaughey). Hanna teaches the impressionable and water drinking Belfort that the keys to
success are taking what you want, cocaine and strangest of all, frequent
masturbation. Following a disastrous Black Monday in late 1987, Belfort finds
himself without work and stumbles into the world of Penny Stocks, several rungs
down from the blue chips of Wall Street but ripe for the taking. As Belfort’s business grows,
as does his over the top lifestyle and addiction to drugs and sex. The
debauchery of the following couple of hours is at times hilarious, often eye
watering and occasionally tiresome.
Although The Wolf of Wall Street sometimes appears to lack the directorial
flair we’ve come to associate with the director, there’s no getting away from
the fact that this a Scorsese picture. The film begins in the middle, features
a corrupt central figure, a popular music soundtrack, an ethereal blonde
leading lady and a typical slow motion shot in a critical scene. The cutting is
also fast and there’s aggressive camera movement. Scorsese’s movie is bright
and vibrant and he somehow creates the illusion that you’re on drugs with the
characters. As they plunge deeper and deeper into drugs, the cutting gets
quicker and the camera moves around more, getting close to a character’s face
before suddenly backing away. This isn’t done in an obvious way though and
helps the audience to get lost in the parties, orgies and paper strewn offices.
At three hours in length there
can be no argument that the film isn’t too long. It just is. The problem is
that after I’d seen it, I couldn’t think of scenes I’d want to lose. The ending
does drag on a little and it’s bloated all the way through but I can’t
personally think of any of the film I’d want to snip and drop to the cutting
room floor. Speaking of cutting rooms, it’s noteworthy to mention that this is
Scorsese’s second film in a row to be shot digitally and first traditional 2D
film to use digital photography. Scorsese, one of the last bastions for
shooting on film appears to have joined his peers to shoot digitally. R.I.P
film.
But back to this particular film
and I’d heard stories from America
of disgusted audiences tutting and booing at the frequent swearing, sex, nudity
and drug taking exhibited on screen. Personally I didn’t even notice the
swearing even though this film is said to hold the world record for the most
uses of ‘fuck’ in any film. The sex, well yes, there’s lots of it. Obviously
the nudity comes hand in hand. It’s not tasteful and neither should it be. Belfort is shown to order
hookers by the bus load and has no qualms about it. It’s not particularly
sensitive but he’s not a sensitive man. No area of a man or woman’s body escapes
Scorsese’s lens but this is an adult film (an 18 Certificate in the UK) and adults
can choose to watch what they want. Scorsese doesn’t hold back with any facet
of the story and neither should he. Belfort
was a man who was living fast and easy, doing what he wanted, to who he wanted
and Scorsese is replicating this on the screen.
Not only is this the director’s
most brash work to date, it’s also amongst his funniest. Scorsese has
successfully navigated comedy before with the likes of The King of Comedy and After
Hours and this follows on from those in its dark comedic styling. Scorsese
doesn’t make you laugh but is rather urging you to laugh even though you know
you shouldn’t. The humour is sometimes derived from the sort of frat boy comedy
that has critics running for the hills but there’s also a lot of throw away
lines and surrealism – always in bad taste. On average I laughed a lot less
than the audience I saw the film with and for large swathes I didn’t laugh at
all but when at its best, the film is capable of being hilarious. The stand out
scene featuring a delayed reaction to some pills and a monumental ten yard
journey to a car is brilliant yet cringe worthy. A lot of the laughs come by
the way of Jonah Hill, now two time Academy Award nominee. His comic timing and
over the top persona and teeth are always on hand to bring laughs.
Alongside Hill, there are a
number of excellent performances in the film. Matthew McConaughey, who I’ve
already mentioned, comes and goes far too quickly and steals the early fifteen
minutes. Rob Reiner is good as Belfort’s
stressed out father and Jean Dujardin has a couple of decent scenes sparring
with DiCaprio. National Treasure Joanna Lumley has a cameo and is fantastically
sophisticated and seductive while Margot Robbie really stands out as Belfort’s wife. I’ve long
been a fan of hers and her decision to go full frontal here was most welcome
but for the first time, her incredible looks play second fiddle to her acting.
She performs brilliantly, switching between siren and vixen, taking her husband
to both heaven and hell in a matter of moments. In the lead role DiCaprio is
fantastic. Like Robbie surely aspires to, he’s an actor who has long let his
acting out talk his looks and seems perfectly at home in Belfort’s skin. He’s arrogant and rousing,
intelligent and conniving and always out for number one. This is one of his
best performances and he deserves the numerous awards been thrown his way.
The soundtrack is one final area
that deserves mention. Opening with Elmore James’ Dust my Broom, the blues trend continues with Willie Dixon’s Spoonful and Bo Diddley’s Road Runner but departs from the blues
in search of hip-hop in the form of Cyprus Hill’s Insane in the Brain and even Sir Mix a Lot’s
Baby Got Back. Adding in The Foo
Fighter’s Everlong and Inspecter 7’s One Step Beyond, it’s an eclectic mix of
great music which is used perfectly by a director we’ve come to expect nothing
less from.
Overall I found The Wolf of Wall Street a bit messy.
It’s all over the place but in a good way. It’s full of loud, obnoxious scenes
and equally loud and obnoxious people. It treats them fairly and lets the
audience decide what to think about them rather than spoon feeding and as a
result you come to both love and hate them. You admire the guts and despise the
methods, covert their lives but not their deeds. Scorsese puts everything up on
screen and for good or for bad it’s there for us to decide how we feel about
what we’ve seen.
8/10
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yes the movie was a bit messy but it is all reality. But again I would like to point out that the stock market is not that such a bad place. It so happens that Jordan Belfort made money out of others money. Now a days lots of people are going to the stock market for the wrong reasons and the movie clearly depicted such.
ReplyDeleteI hope those who has seen the movie would rather see the bright side of the stock market and not only be trapped in the story of Jordan Belfort. As they say the true source of evil is not money itself but rather the "love of money".