The Wolf of Wall Street

Martin Scorsese’s latest motion picture comes hurling towards its audience as though thrown from an amusement park ride. Loud, vulgar and covered in vomit, it’s the director’s most controversial movie in years, not to mention his longest and perhaps his most unabashed. The auteur is proving that even into his seventies he still has the power to enthral, entertain and repulse with a wild film about greed and intemperance. The Wolf of Wall Street is based on the memoir of the same name written by Jordan Belfort, a former New York stockbroker who lived a life filled with excess thanks to his shady stock market dealings in the 1980s and 90s.

Joining Scorsese for a fifth time as lead actor is Leonardo DiCaprio who plays Belfort with all the grace, charm and sophistication you expect from a Wall Street swindler. DiCaprio is nasty, vile, cruel and disgusting and yet you can’t help love both him and the character as you watch him snort cocaine from a hooker’s anus or throw hundred dollar bills in the trash. He’s made it, he’s living the American dream and he’s loving every minute of it. Criticism has come from the fact that the central character suffers no real comeuppance, no fall from grace. I disagree slightly with this but would also argue that Scorsese and screenwriter Terrance Winter are showing you how it is. The bad guy doesn’t always lose and in this case, he might not win all the time but it makes no difference. You know he’s a dick and you know he’s in the wrong but you also know that you want what he’s got.

This Is the End

I was a little worried when I first saw trailers for This is the End as the premise seemed to be remarkably similar to the forthcoming conclusion of the Three Flavours Cornetto Trilogy, The World’s End. Fortunately though, it appears that the films have very little in common. This is the End is an apocalyptic comedy film written and directed by Seth Rogen and Evan Goldberg. The pair, who have collaborated in the past with the likes of Superbad and Pineapple Express here deliver a film in which some of the funniest names in Hollywood (and Danny McBride) play versions of themselves during an apocalyptic event.

Rogen meets old friend and actor Jay Baruchel at the airport for one of Jay’s infrequent visits to Tinsletown. Hoping to catch up, Jay instead finds himself at James Franco’s house-warming party where he feels uncomfortable and out of place with fellow actors and celebrities. As he nips out for some cigarettes, Jay bares witness to what at first appears to be an earthquake but soon becomes apparent to be something much more destructive. As the end of the world turns the Hollywood Hills to ash, a few actors are left holed up in James Franco’s house with nothing but a few beers, some drugs and a milky bar to sustain them.

Knocked Up

After young up and coming TV reporter Allison Scott (Katherine Heigl) gets promoted she heads out to celebrate with her sister Debbie (Leslie Mann). She ends up having a drunken one night stand with an unemployed, pot smoking; man child called Ben (Seth Rogan) and a few weeks later discovers that she is pregnant. Knocked Up follows the nine months of pregnancy and the difficulties faced by unprepared soon to be parents Ben and Allison and married couple Debbie and Pete (Paul Rudd).

I saw Knocked Up on a transatlantic flight a few years ago and remembered enjoying it but remembered little of it. With a sort of sequel This is 40 released this month I thought I’d go back and give the film a second watch. For me it is average in terms of laughs for a Judd Apatow produced film but considering his films can be very hit and miss this is one of the most entertaining and also sweetest.

Forgetting Sarah Marshall

Produced by go to comedy guy Judd Apatow and written by lead actor Jason Segel, Forgetting Sarah Marshall is a comedy that I was never in much of a rush to see. I vaguely remember it being around in 2008 but it didn’t entice me to the cinema. I’ve since become more familiar with Segel’s films and when someone at work offered to lend me the DVD I thought why not? I’m glad I did borrow it as it’s a remarkable romantic comedy that completely surprised me with its extremely funny script, well drawn characters and endearing storyline.  

Peter Bretter (Jason Segel) is a fairly successful TV Composer who is in a five year relationship with the actress Sarah Marshall (Kristen Bell). One day and almost out of the blue Sarah tells Peter that she is ending their relationship and leaves him. Depressed and heartbroken Peter decides to go away for a few days and heads to Hawaii where, yup, you’ve guessed it, Sarah is also staying with her new rock star boyfriend Aldous Snow (Russell Brand). Feeling even more depressed than he was back in L.A, Peter attempts to at least try and forget Sarah and is helped by the hotel staff which includes the attractive concierge Rachel (Mila Kunis).

21 Jump Street

21 Jump Street is an action comedy based on the late 80s TV show of the same name. It stars Jonah Hill and Channing Tatum as recently graduated cops who are sent undercover at a High School with a drug problem. The two were never friendly at school but have become best friends as cops. While Jonah Hill’s Schmit finds that he fits in much better at his second chance at High School, previously popular Jenko (Tatum) find that things are drastically different from his days as the popular jock and struggles to find his place.

21 Jump Street was new to me having been too young for the original series and I don’t think it was even shown in the UK anyway. I found it very funny and enjoyed it immensely. It is a laugh a minute comedy with great characters and an attention-grabbing idea. The film is aware of itself but doesn’t take itself too seriously. One policeman even says of the Jump Street unit, “We are cobbling together something from the past and hoping no one will notice” in reference to the original show. As I said, the film is very funny and unusually for most comedies, the funniest parts aren’t in the already hilarious trailer. One scene where the central characters are on drugs had me in stitches. Ultimately the laughs to trail off towards the end in favour of resolving the plot but there are little details such as an uncomfortable looking paramedic which keep the humour going when in lesser films it might not be there.

The odd couple relationship between Tatum and Hill works really well. They seem like total opposites and you can imagine how they wouldn’t have got on in High School, but at the same time their later friendship feels real. Jonah Hill plays his familiar chubby loser character which has worked to varying degrees in the likes of Superbad and The Sitter but here is thoroughly successful. He also brings added depth to the character to make him smarter and more caring than in previous incarnations. I have never seen a Channing Tatum film before having been put off by his annoying name and face as well as the type of romantic films he’s appeared in, but in this I thought he was excellent. He has a great double act partner in Hill and plays the dumb meathead well. His comedic moments are also first-rate. I think he was funnier than Jonah Hill. Maybe this is where his career could end up when he’s finished walking on beaches at sunset?

The supporting cast were all great too. Ice Cube was outstanding as the ‘angry black police sergeant’ although I do wonder what 1992 Ice Cube would think about 2012 Ice Cube playing a cop in a mainstream Hollywood comedy. Dave Franco, who is looking more and more like his brother each time I see him was well cast as the arrogant, cock-sure popular kid and The Office’s Ellie Kemper was very flirtatious and funny as a teacher with a crush on Tatum. Rob Riggle plays a strange character but pulls it off well. There isn’t really a weak link anywhere in the cast.

I didn’t work out who the bad guy was before the reveal but the film had me laughing so much that I didn’t even think about whom it was and when we found out I didn’t really care. On the downside, some of the jokes feel a bit stretched and the love story between Hill and the school girl felt forced. Also, it was obvious as soon as she said “I’m 18” for no reason that it was going to happen. That’s the green light to tell the audience that although she’s in school its all legal and above board. There is a great cameo towards the end which both shocked and delighted my girlfriend and despite the formulaic Hollywood ending this is a successful comedy. I look forward to the sequel which was heavily implied at the end.

8/10

The Sitter

Had I known before hand that David Gordon Green, the man behind my least favorite film of 2011, Your Highness was also responsible for The Sitter then I’d have saved myself 81 minutes.

There is very little in this film worth savouring and the highlight for me was hearing Slick Rick’s Children's Story playing over the titles. From there it was all down hill.

The film stars permo-slacker Jonah Hill as Noah, a College dropout who is forced to babysit three caricatures of children so that his long suffering mother can go on a date with a surgeon. It is unfortunate for Hill that the release of this film coincides with his Best Supporting Actor nomination at the Oscars for Moneyball as when we should be reminded of that time a few months ago where we began to believe there was more to him as an actor than wearing baggy T-Shirts while wise-cracking we are presented with him playing a baggy T-Shirt wearing, wise-cracker.

In the opening scene we are meant to feel for Noah as the favour is not returned after he performs a sex act on his girlfriend. I think this scene is also supposed to be funny but its hard to tell. It is difficult to feel sorry for Noah who despite the efforts and encouragement of his mother seems in no mood to do anything about his sad, lonely life.

The three child characters who Noah ends up babysitting are all annoying and ill judged. There is the South American adoptee pyromaniac who is at the heart of most of the ‘capers’ the film lumbers between, a wannabe celebrity daughter and son who seems to be playing Woody Allen in Annie Hall.

If only the film was a fraction as funny or enjoyable as that. I watched the film in a half full cinema with an average age of about 17, the films core audience, and barely noticed a titter. It’s a sad state of affairs that this sort of boring, unimaginative stuff passes for comedy these days.

A couple of years ago the screenplay for The Sitter was on The Black List, an annual poll of the best unproduced scripts in Hollywood. If only it had remained so.

4/10