I was a little worried when I
first saw trailers for This is the End
as the premise seemed to be remarkably similar to the forthcoming conclusion of
the Three Flavours Cornetto Trilogy, The
World’s End. Fortunately though, it appears that the films have very little
in common. This is the End is an
apocalyptic comedy film written and directed by Seth Rogen and Evan Goldberg.
The pair, who have collaborated in the past with the likes of Superbad and Pineapple Express here deliver a film in which some of the funniest
names in Hollywood
(and Danny McBride) play versions of themselves during an apocalyptic event.
Rogen meets old friend and actor
Jay Baruchel at the airport for one of Jay’s infrequent visits to Tinsletown.
Hoping to catch up, Jay instead finds himself at James Franco’s house-warming
party where he feels uncomfortable and out of place with fellow actors and
celebrities. As he nips out for some cigarettes, Jay bares witness to what at
first appears to be an earthquake but soon becomes apparent to be something
much more destructive. As the end of the world turns the Hollywood Hills to
ash, a few actors are left holed up in James Franco’s house with nothing but a
few beers, some drugs and a milky bar to sustain them.
The film originated with a 90
second trailer which was posted on YouTube in 2007 but is expanded here to
include themes of friendship, celebrity and survival. I’ll say off the bat that
I enjoyed the movie and laughed a lot but it isn’t without problems. Something
which works both with and against the film is the set-up. Seeing the likes of
James Franco, Jonah Hill and Seth Rogen hanging out is great fun and it made me
want to be a part of their group, wisecracking, smoking weed and generally
titting about. As fun as this is to watch, it occasionally feels as though
you’re standing in the window, looking inside, uninvited to the party. It
almost feels as though your face is being rubbed in their fun and I found this
annoying at times.
Something else which I’m on the
fence about are the characters themselves. The closing credits reads ‘Seth
Rogen – Seth Rogen’ ‘Craig Robinson – Craig Robinson’ etc rather than ‘Seth Rogen
– Himself’. This helps the audience to understand that the actors are playing
characters, rather than heightened versions of themselves though of course
there is a lot of each actor in the roles the play. I do think though that
there is a subtle difference in the two methods and that by going down the
route the film chooses, it can get away with much more. I liked that a lot of
the characters were recognisably versions of themselves while others were
totally different to how you’d imagine them but some of the characters grated
with me. Jonah Hill’s nice guy act soon wore thin and I found Danny McBride
deeply annoying from start to finish. There were others though, most notably
Michael Cera who pitched themselves perfectly. Many of the best early scenes
are Cera based.
There’s a nice spread of
recognisable faces that appear in cameos of varying sizes and importance. Being
from across the pond, there were a couple of people I didn’t recognise who I
expect are on US TV but the likes of The Rihanna, Jason Segal and Mindy Kaling
pop up. It’s obvious that some actors were only on set for a day or even a
couple of hours but for the most part, the cameos work well. Paul Rudd’s felt
wasted though but the best cameo is saved for last. The script is loose which gives the actors the chance to riff
off each other and some of the best lines are those which are thrown away and
barely register. There are times in the middle third where the film falls a bit
flat and occasionally it drags but due to the comedic talent on screen it isn’t
long before a witty or outrageous line brings everything back on track.
I like what the film says about
the nature of celebrity in both that the actors ponder whether what they do has
meaning and are worthy of being saved as well how an ascent towards celebrity-hood
can affect relationships with old friends. Something else which works well is
that the actors aren’t afraid to make fun of themselves. Had egos got in the
way then the film wouldn’t be half the fun it is but in jokes about failures (Your Highness) pepper the script
alongside talk of success. There’s even a nice little mini-movie of Pineapple Express 2, done on an ultra,
ultra low budget. This is one of the many comedic highlights. Once the film
moves beyond the confines of the Franco house I felt that it lost its way
slightly but this is towards the end and it has to go somewhere I guess. There
are several action scenes late on and I found the direction in these was
sometimes messy and overly clustered. At times though, it was excellent and
overall the direction was fine from the first time co-directing team.
The film has moved towards the
top of my girlfriend’s greatest ever film endings and while I won’t spoil it
here, those who have seen it will be able to guess why. Like a lot of the film,
I had mixed feelings about the conclusion. It’s a bit too ‘Hollywood’ for me
but it’s pretty funny and the film does enough in the previous 95 minutes to
let it off. Overall, despite a couple of missteps and some fluff in the middle,
This is the End is a very enjoyable
movie which made me laugh more than enough times to class it as a hit in my
books.
7/10
GFR 9/10
Saw it last night. Totally self-indulgent, but it's more than funny enough. I mean even though we're stuck in a single room with these guys it never really starts to drag. Forgettable, but decent saturday night fun. Nice review.
ReplyDeleteAs you said, different reviews and the same score. Biggest opinion difference is Danny McBride and Michael Cera. I basically found it the other way round; thought McBride was pretty good and found Cera irritating and couldn't wait for him to leave (though, granted, the scene in the bathroom was very funny).
ReplyDeleteOne touch I loved was how many times James Franco changed his outfit, whilst the rest remained in days-old clothes. Makes sense given that they were at Franco's house, but still tickled me.
I didn't notice Franco's clothes. I suppose it adds to the egotistical nature of his character. Good spot.
DeleteMy problem with Danny McBride started with Your Highness and I still can't stand him because of that film.