Nominated for three Academy
Awards, 1972’s Deliverance is an
influential thriller set along the Chattooga
River in Georgia. For men from Atlanta set
off into the wilderness to take a canoe trip down a portion of river which is
soon to be hundreds of feet below a newly dammed lake. Their trip takes a
decidedly and unexpectedly dangerous turn when some of the locals take a
disliking to the party. Famous for a distressing scene of rape, the movie is
much harder than I expected and must have rattled censors forty years ago. As
well as the distress caused by these and other scenes, there is also great
beauty to be found in the landscape and it’s captured wonderfully by Director
John Boorman.
The movie features what we’d
consider today to be an all-star cast with Hollywood
heavyweights Jon Voight and Burt Reynolds leading the cast. Ned Beatty makes
his screen debut alongside Ronny Cox, also a first time screen actor here. The
acting is great throughout and the characters are well defined from the start.
From the very first scene the audience is made aware of exactly who is who and
what their main traits are. This helps to get the film off to a good start as
well as easing the audience in.
The film and its setting have
become influential in the last forty years of thriller and horror movies. It
felt very familiar to me, a child of the 90s, having grown up with the likes of
Wrong Turn and other films set in the
deepest, darkest, hill-billiest parts of Georgia. As soon as you set eyes on
the first locals you say to yourself, “Right, this is where the movie’s
heading. Strap in”. Knowing little about the movie, I assumed it was about some
guys who got into trouble in the water or with developers but as soon as the
stereotypical locals make an appearance, you know where it’s leading.
There’s a fantastic early scene
which has become known as ‘duelling banjos’. In it, Drew (Ronny Cox) plays
guitar with a local inbred and deformed boy who shows incredible aptitude for
the banjo. The music is brilliant and its effect resonates through the entire
movie. The single song forms the basis of the sparse score, popping up for just
a bar or two here and there. For the most part though, the only sound to be
heard is that of the river and surrounding forest. This gives the film a
frequent roaring sound which is peppered with moments of still silence. Occasionally
I got sick of the sound of the rapids but its deafening effect helps to
separate the characters from the rest of the world and heighten the feeling of
being cut off.
The scenes of canoeing through
the white water can be quite exhilarating and there were several moments where
I was expecting a capsized canoe and men in the water. The actors navigate the
river with quite some skill and Burt Reynolds in particular looks very at home
in both his character and in the water. The famous attack scene is deeply
unsettling, especially as I had no idea it was coming. Even when the ‘chase’
begins, I was still expecting a physical rather than sexual assault. Jon
Voight’s helplessness in this scene only helps to play the violence up and acts
as a mirror for our own helplessness while watching.
Other than the more adult scenes,
the film as a whole reminded me a little of the boy’s own adventures that would
become popular a decade or so later. Films such as Stand by Me and The Goonies
were in my head as I watched the four men set out on a blind adventure. This
film has much more adult themes and isn’t aimed at a young audience but the
general gist of the film is quite similar.
On the whole I was very impressed
with Deliverance. It’s what I’d call
a surface film as it doesn’t delve into the reasons behind why things are
happening but that’s not always a bad thing. Perhaps if the reasons for the
attacks had been made clear, the acts would have lost some of their barbarism? Deliverance is an often intense film
with some distressing but also beautiful scenes, a couple of which will stay
with me.
8/10
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