Pacific Rim states early
that we always expected extra-terrestrial life to come from above, in reality
it came from beneath our feet. Following the opening of a giant crevasse, deep
under the Pacific Ocean, a series of monsters
christened Kaiju began attacking costal cities, flattening them and killing
tens of thousands. To halt the unexpected onslaught the world put aside its
differences and initiated the Jaeger programme which constructed giant robots
used as weapons to defend humanity from the alien invasion. The Jaegars are
piloted by two individuals who have their minds interlocked, each controlling
one hemisphere of the Jaegar’s brain. Slowly, we turned the tide of the battle.
When I first heard about Pacific Rim and
more importantly who was directing it, I was filled with excitement. Vague but
tantalising descriptions of giant monsters battling human built robots across
the planet sounded like an epic idea for a blockbuster but it also sounded
dangerously familiar. When I think of giant robots I think of Michael Bay
and those two words aren’t the sort to get me excited about a film. Thankfully
the director’s evident love of the monsters and genre and attention to detail
in the huge fight scenes raise this movie above the normal smashy, smashy, what’s going on type of summer Blockbuster.
As the release date for Guillermo
del Toro’s ‘operatic monster movie’ approached, I began to see trailers and my
heart sank. The trailers did nothing to excite me about seeing the movie and in
the end it was only a couple glances in the direction of four and even five
star reviews, coupled with my girlfriend being away that drew me to the cinema
to watch the film. Now I’ve seen it, I can’t say that I was hugely impressed
overall but there were a few areas that really stood out above the usual summer
fare. The first is that I really like the premise for the movie. Just when you
think you’ve seen all of the world ending, alien attacking ideas out there,
this one comes along and gives us something new. Although I say new, the idea
has been explored in great abundance in Japanese cinema but in the West we’ve
become accustomed to aliens heading for a major US
city where they battle it out with a lone US hero.
Pacific Rim does take the fight to a global scale and there are
battles in several cities all around the Pacific from Hong Kong to Sydney to Manila
and many others. The problem is that although this is a global battle, it often
feels as though it’s just a dozen or so people in it against the monsters. Only
twice in the entire movie is there any sort of suggestion of outside
interference or even interest in the giant battles as the film shows the events
purely from those in the Jaeger project. While I applaud the lack of the
over-used shot of people in different countries watching the events unfolding
on the TV (Bedouins in tents, Frenchmen in berets with the Eifel Tower
outside their window etc), the film seemed to forget the outside world as a
whole. As such I found it difficult to connect with the movie. It also suffers
from something which is rife in Hollywood
at the moment and that is indifference to mass slaughter. In both Man of Steel and this movie, as well as
several others in recent years, whole cities are flattened but there is never a
thought for the millions who are losing their lives. We’ve become accustomed to
witnessing huge CGI city-busting battles and barely batting an eyelid or
considering what it means for those outside of the five or six principle
characters.
The film also suffers from some terrible
dialogue and exposition. Everything is explained for the audience and I
expected a little more from a script which was co-written by de Toro. He
strikes me as the sort of man who respects his audience’s intelligence but with
the frequent explanation as well as some rather large plot holes and
inconsistencies, we’re heading closer to Michael Bay
territory than I’d like to be. There are several situations and instances which
didn’t make sense and it took me out of the film. One really strange thing is
that the Jaegar programme is being decommissioned by world Government’s in
favour of building walls. This is a ridiculous idea as the Kaiju could
obviously just climb or break through. This decision leaves just a few people
working on the project which from a plot perspective helps to keep speaking
parts to a minimum. Here though you have another problem. I just don’t believe
that with the fate of humanity in the balance, our hopes would be left to two
squabbling scientists, a washed up ex-pilot and a guy with a nosebleed. It’s
just not logical. I also had a problem with the idea that in one scene our hero
didn’t know who his co-pilot would be until seconds before departure and that
the first time two minds are connected is on a live mission. It’s really silly
and makes no sense.
There are plenty of cheesy lines
peppered throughout the movie and some of the acting isn’t great either.
Charlie Hunnam fails to convince in the lead role, suffering like Taylor Kitsch
in John Carter with a lack of
charisma. His accent though is excellent. I had no idea that he was English
until looking him up after the film. Other actors serve up some terrible
accents with the two Australian characters sounding like caricatures who don’t
really know what an Australia
is. Robert Kazinsky and Max Martini should be ashamed. Thankfully there are
cast members who shine. Idris Elba puts in a trademark gruff and grounded
performance which lacks emotion at all the right moments but pours it out when
necessary. Rinko Kikuchi is also excellent as the woman out to prove herself.
Charlie Day and Burn Gorman had a habit of both annoying me at times but both
act their parts well and provide some often needed comic relief. Ron Pearlman
is aptly cast and is one of the most enjoyable actors to watch. In addition to
the central cast, there’s a welcome aural appearance from Ellen McLain whose
voice will be familiar to those who’ve played the Portal games.
The film lays on the drama and
emotion for the human element of the story and the various relationships are
generally well handled for a blockbuster. I enjoyed the non-conventional love
story but was often bored by the more dramatic moments. The film really suffers
from some thinly written central characters. Where the film really excels is in
its well choreographed fight scenes. The movie opens with a great battle and
there are three other large scale fights throughout the film. Each differs in
location and are very different in their look and feel. They reminded me of a
well thought out boxing movie in that I cared about what was happening and was
interested in how the moves were thought out as well as what was coming next. I
was also impressed that I could usually tell what was going on despite the often
dark and rainy (always raining?) settings. The camera movement is slower and
seemingly better planned than in most modern action movies and the editing is
less frantic. This allows you to really see what’s going on and take in the
wonderful visuals much easier.
The CGI is nothing short of
astounding and the Kaiju look incredible. I could have just watched the
monsters move all day, never mind see them fight. I loved seeing them move
through the water or walk through cities and they seemed to react in a
realistic way when confronted with a Jaeger. They also adapt and learn which is
something you rarely see in this type of movie. The design of the Jaegers is
also very good with each nation’s machine being reminiscent of their country. The internal design of the Jaegers was also visually stunning and worked extremely well.
My only problem is that I just couldn’t get Transformers
out of my head when watching them. Even so, the visual effects are fantastic
and a highlight of the film. The battles look terrific but the action in
between them and their spread is formulaic, leading to an obvious ‘boss
battle’.
In the end I’m on the fence when
it comes to summing up Pacific
Rim. While I applaud its individuality, style and look, I was
bored by the human elements and feel like there are too many missed
opportunities in the story. It also feels as though the audience is being
talked down to at times and there are far too many illogical situations and
ideas present. I’m really surprised that there are five star reviews out there
for this movie because although it does a lot right and is massively
entertaining at times, it gets bogged down with exposition, dull characters and
poor acting, all of which hamper the final product.
6/10
I really enjoyed it. You're right that there are a few daft plot points (rather than holes I thought) but they didn't really bother me too much, I was having too much fun. I disagree about the destruction, I thought there was far less than there was in Man of Steel; sure Hong Kong got a bit of a battering, but not half as much as Metropolis. I also thought Charlie Hunnam was not a great choice for leading man, still it could've been worse, it could have been Sam Worthington! But Idris Elba made up for it.
ReplyDeleteI can't believe I forgot to mention Glados and Portal in my review!