Internal Affairs

Driven by a twisting, well fleshed out script and some very well honed performances, 1990’s Internal Affairs is a police crime-thriller about the investigations into corruption in a Los Angeles police precinct. Ambitious and well liked cop Raymond Avila (Andy Garcia) joins the department’s Internal Affairs Division where his first assignment is to investigate a former colleague (William Baldwin) who is linked to a possible evidence plant. His initial investigations hint at something more sinister going on in the department and his attention is soon diverted towards respected cop and attentive family man Dennis Peck (Richard Gere).

This movie was recently recommended to me and I can understand its appeal. The script is tight and well written and I was kept on tender hooks by the various twists and reveals. The story goes down avenues you don’t expect from the setup and the characters are wonderfully created and performed. Richard Gere’s Dennis Peck in particular turns into something I haven’t seen the actor become before. I’ve always had a bit of a problem with Gere as I’ve often found him to be too clean cut and weedy. Here he is anything but, playing a vicious, womanising, near psychopath who builds and builds in a creepy and quite way as the film progresses. Andy Garcia’s Raymond Avila is tormented by his prey and the interactions and bust ups between the two are some of the highlights of the film.

The Return of the King

The third and final chapter of Peter Jackson’s Lord of the Rings trilogy, The Return of the King broke records both financially and critically. It became only the second film to surpass $1 Billion at the box office and received a record equalling eleven Academy Awards having won in every category it was nominated for. It also became only the second sequel to win Best Picture and the first to win when its predecessor hadn’t. Much like The Fellowship of the Ring and The Two Towers, I loved the film upon its initial release and also like the first two; my affinity has waned in the subsequent years. Personally I don’t think it is much better than the other two films and have a feeling that its huge awards haul has more to do with the series as a whole than the individual film.

While Frodo, Sam and Gollum edge ever closer to Mordor, Gondor’s capital Minas Tirith comes under attack from an even larger Orc force than was present at the battle of Helms Deep. Gandalf sends word to Rohan and an old alliance is rekindled as the two nations of men stand side by side one final time. Even with help, Gondor looks set to fall unless Aragorn is able to muster fresh troops and Frodo is able to destroy the Ring.

The Two Towers

Following on from 2001’s The Fellowship of the Ring, the second instalment of Peter Jackson’s Lord of the Rings trilogy finds the Fellowship disbanded. The plot follows what remains of the party in three separate storylines which barely cross paths. Aragorn, Gimli and Legolas set about trying to find Merry and Pippen while killing as many Orcs as they can along the way. The aforementioned Hobbits meanwhile end up in a strange forest full of giant tree herders known as Ents and Frodo and his companion Sam head on towards Mordor, determined to destroy the One Ring. It isn’t long though before they are joined by another companion, Gollum, the former owner of the ring, a creature torn apart by its power and hold over him.

Much like The Fellowship I loved The Two Towers when I first saw it but as my enjoyment of the first has diminished over time, the same can be said for its sequel, only more so. In terms of how much I enjoy the trilogy, this middle part is my least favourite, though not by much. This instalment also has themes which stretch beyond the reach of Middle Earth such as industrialisation and ecology. It also features a battle which lasts close to forty minutes and is considered by many to be one of the greatest ever committed to the big screen.

The Fellowship of the Ring

In December 2001 the film world was enthralled by the first part of New Zealand Director Peter Jackson’s Lord of the Rings trilogy. Not since Cecil B. DeMille’s Biblical epics of the 1950s had filmmaking been seen on such a scale as Jackson’s Fantasy adaptation. Going on to make close to $900 million worldwide and the recipient of four Oscars and five BAFTAS including Best Film, The Fellowship of the Ring helped to shape the way films began to be produced in the early part of cinema’s second century. Shot entirely in the Director’s home nation over several years the Lord of the Rings trilogy soon became one of the most successful and critically acclaimed film trilogies of all time and eleven years ago I thought it was one of the best things I’d ever seen.

Featuring a large ensemble cast the plot of the first film focuses on the grouping of nine individuals who team up to destroy a powerful ring that threatens to destroy peace in Middle Earth. Hobbits Frodo, Samwise, Merry and Pippen join Wizard Gandalf, Dwarf Gimli, Elf Legolas and men Aragorn and Boromir as they set out from the Elven city of Rivendell on a quest to Mordor to ‘cast the ring into the fiery chasm from whence it came.’ Along the way their progress is halted by suspicion, in fighting, and Orcs, a vicious Elf like creature, bred for war.

Happy Feet

2006’s Academy Award for Best Animated Feature winner, Happy Feet is the story of a young Emperor penguin called Mumble (Elijah Wood) who is born with an inability to sing but happens to be a fantastic tap dancer. In the film, a penguin must choose a song to attract a mate so Mumble finds it difficult to fit in. His dancing puts him on the outskirts of penguin society and he eventually leaves his colony in search of aliens (humans) who are stealing his colonies fish. Along the way he meets some Mexican (for some reason) penguins and has an adventure on his way to saving his colony.

For me the film can be viewed in to ways. The first is as a children’s animation and the second is as a contemporary political analogy. As far as being a good children’s film goes, I don’t think it is funny enough and lacks the adventure of the likes of Finding Nemo. The penguins are cute though and it is funny to see a penguin tap dance. I think the film is much more successful in its subtle look at modern political, racial and religious tensions. The film goes to great lengths to have its lead character treat religion as superstitious nonsense which is very brave for a children’s film. Mumble is at logger heads with the religious establishment throughout the film and tries to uncover rational explanations for questions that the rest of the colony attributes to their penguin god. Like the fantastic Wall-E, the film has strong ecological themes. It is a damming study of the problems caused by human activity in and around the Antarctic.

Where the film’s solid political stance falls down is in its racial stereotyping. The only black inspired penguin is portrayed by Robin Williams as a jive-talking religious preacher while Mumble is joined by four Latino inspired penguins that are all party animal, women harassing Adelie penguins. The female Adelie’s are even more stereotypical than the males. I think that this type of stereotyping is lazy at best.

The songs are all fairly modern and well performed and the dancing is funny. Unfortunately, not much else is. The jokes are cheap and fall flat. Also the films central romantic thread feels a bit forgotten. On the plus side the animation looks great. Some scenes look real and the film makes great use of camera angles.

Overall, the film is a bit of a letdown. While I think its attitude towards religion deserves praise and the animation is very good, it is quite boring and not very funny. It has a good idea at its centre and I liked the central character but little else.

5/10

Deep Impact

High School amateur astronomer Leo (Elijah Wood) discovers a comet on a collision course for Earth but he doesn’t realise it and sends his photos to an observatory where the find is undiscovered for several months. Meanwhile, reporter Jenny Lerner (Tea Leoni) believes she has a scoop regarding a sex scandal but has actually stumbled upon E.L.E. the Extinction Level Event comet which is on course to strike the Earth. To attempt to combat the comet, the USA and Russia build a space ship which is landed on the comet’s surface to drill nuclear bombs deep under its surface in an attempt to blow it up and save mankind.

It’s unfortunate for Deep Impact that it was released during the same summer as Armageddon, a film which is probably better remembered, cost twice as much and had a better known cast. That being said, Deep Impact comes off well against the aforementioned film. It’s CGI has held up well and the various family goodbyes are very emotional. The plot unfolds at a decent pace and features a couple of twists. On the downside there are some quite sizable holes. Firstly, it is extremely unlikely that an amateur astronomer would discover a comet heading for earth, especially in the Northern Hemisphere. Even if they did, the observatory they sent their discovery to would have more than one staff member and it would be thoroughly studied. Another problem is that if we were facing the end of the world, why would the Government only build one space ship? With all of the world’s resources at their disposal, why not build two and send them up a few days apart for backup? News network MSNBC also makes Tea Leoni their lead anchor for the biggest story in history despite never having done it before. How unlikely it that?!

The acting was mixed. I thought that Elijah Wood was alright and his girlfriend Sarah (Leelee Sobieski) was excellent. She bought a lot of emotion and sadness to some scenes. The crew of the space ship which featured Robert Duvall, Jon Favreau, Blair Underwood and Ron Eldard were all fine. They were all convincing as astronauts. Morgan Freeman was convincing and comforting as the US President although his main job appeared to be explaining the plot. It is a shame that lead actress Tea Leoni is so disappointing as it is extremely rare that an actress has such a pivotal role in an action-disaster movie. I didn’t feel that her performance was convincing as a reporter and she appeared to have little emotion given the circumstances. Overall I think that director Mimi Leder created an average disaster movie which is in no way great but passes a couple of hours. Leder’s record breaking success with the film however, (this was the highest grossing female directed film until 2008’s Twilight) is a damming statistic on the number of female directors working in Hollywood.

6/10