Red State

Red State, more thriller than horror, is a film inspired by those nonsense sprouting, humanity hating people of the Westboro Baptist Church as well the as current terrorism policy. Three teenage boys peruse the internet looking for local women to have sex with but discover that their chosen woman isn’t all that she said she was online. The boys find themselves locked inside a church with hate preacher Abin Cooper (Michael Parks) talking about the end of days. He puts humanity’s demise down to homosexuality and has the bought the boys to his church to help free the world of sexual deviancy. Unfortunately for Cooper, a routine police patrol drives past his compound and discovers a car wanted in connection with a road traffic accident. When the police officer hears shots from inside the church he calls for backup and soon an ATF team lead by Joseph Keenan (John Goodman) is on the scene.

I’m generally in favour of any movie which highlights the evil of organised religion. Whether through subtle satire or full blown exploratory investigation, if religion is getting a kicking then I’m on board. What Red State does though is make both sides the bad guys. The despicable, murdering in the name of Jesus loons obviously get a hard time from the film makers but so do the Government Agents bought in to take them down.

Oblivion

I’m a big fan of clever, great looking science fiction but wasn’t really excited by the prospect of the latest Tom Cruise vehicle, Oblivion. The trailer seemed to suggest the great looks but gave little indication of the ideas to back up the visuals. I was wrong. Oblivion is a film which I enjoyed much more than I anticipated and as an overall package is a pretty decent film. It’s 2077 and the Earth has been partially destroyed by a war between humans and an alien force known as Scavengers. Although we won the war, we couldn’t save the planet as the use of atomic weapons left it mostly uninhabitable. With most of humanity relocated to Titan and the rest aboard an orbiting space station awaiting their departure, the last two people on Earth live above the clouds and form a skeleton crew in charge of maintaining drones which protect vital sea based energy converters from the few remaining Scavs.

Jack Harper (Tom Cruise) is drone mechanic 49 who spends his days servicing downed drones while dodging the occasional Scav attack. His partner is Victoria (Andrea Riseborough) who monitors Jack from the clouds and she reports back to Control (Melissa Leo) aboard the orbiting space station. Jack finds himself suffering unusual flashbacks to a time before his birth and when a craft crashes into his sector he discovers that its only survivor is the woman from his flashback dreams. As Jack uncovers new and disturbing evidence after an encounter with the Scavs, it appears that all is not what it seems on Earth. Oblivion isn’t a fantastic film but when science fiction blockbusters these days are either comic book based or just loud, shouty, exploding Michael Bay style affairs, Oblivion harks back to the 1970s period of sci-fi about ideas which are set in a fleshed out and realistic world. Oblivion not only looks brilliant but has an engaging plot which is full of surprises.

Flight

Prime Oscar bait Flight is Director Robert Zemeckis’ return to live action following more than a decade producing animated and computer generated movies. The movie tells the story of a crashed aircraft and the following weeks for its functioning alcoholic pilot (Whip Whitaker) Denzel Washington. Whip is a well trained and long serving pilot who has got by all throughout his adult life despite being drunk and stoned everyday. On the morning of the fated flight he is seen drinking beer and vodka and snorting cocaine and even drinks vodka during the fifty minute flight. Despite some miraculous instinct and skill which manages to save many lives Whip is due in front of a tribunal with a failed toxicology report hanging over his head.

It’s fair to say that Flight is one of the weaker of the Oscar season films and the intense crash and admirable Washington performance are all that separate it from mediocrity. The movie is full of religious babble, poorly chosen music and a code era ending which make the excellent opening instantly forgettable and sets up an hour and a half which passes the time but does little to induce much of an emotional response past the odd laugh and one tense moment.