Dinner for Schmucks

Based on a French comedy called Le Dîner de Cons, 2010’s Dinner for Schmucks is a politically incorrect screwball comedy. Featuring likeable leads and an overstretched central idea, the film stars Paul Rudd as ambitious financial executive called Tim Conrad. After impressing his managers, Tim is invited to an exclusive dinner which he hopes will lead to a long overdue promotion. The only catch is that each guest must bring a plus one, chosen for their ability to compete for the prize of ‘biggest loser’. Tim’s in two minds about attending the insensitive dinner but when he literally runs into the sweet but simple squirrel taxidermist Barry Speck (Steve Carell) and thinks to himself, what’s the worst that could happen?

Despite being a fan of pretty much everyone in front of the camera in this movie, it passed me by until now. I remember its release but the trailers and reviews did nothing to pull me to the cinema. It’s not a film I’m gutted to have missed three years ago but I came out the other side thinking that it was an average comedy which was short on laughs and story but enjoyable nonetheless.

Star Trek Into Darkness

After the success of 2009’s Star Trek and with a large and loyal fan base waiting eagerly, there was no doubt that another Star Trek film would follow the recent reboot. The film picks off pretty much where the first one left off, thematically and cast wise at least and finds the crew of the USS Enterprise on a previously unexplored planet, attempting to save a primitive civilisation. Several set pieces and un-followed directives later and Captain J.T. Kirk (Chris Pine) is stripped of his captaincy while his first officer Spock (Zachary Quinto) is reassigned. When a rogue officer attacks Starfleet in London, Kirk is given command once more and tasked with tracking the extremely dangerous Khan (Benedict Cumberbatch) to the Klingon home planet and ordered by his superiors to set phasers to kill.

For about an hour I was really enjoying this second updated Star Trek movie and had few complaints but into the second hour the plot begins to sag and then fall away completely. There is a set piece, which is also in the trailer, and shows the Enterprise hurtling to Earth in an uncontrollable spin. For me this was an apt metaphor for the film as a whole following a second act reveal. Up until that point I was engaged and intrigued but once the torpedo truth was made known, the film hit a brick wall and relied on admittedly excellent special effects and action set pieces to see it to its soppy conclusion.

Place Beyond the Pines

Place Beyond the Pines is the longest film in cinema history. Wikipedia and IMDb might tell you that it’s only two hours and twenty minutes long but believe me, Place Beyond the Pines is the longest film in cinema history. Three years ago writer/director Derek Cianfrance and actor Ryan Gosling teamed up to create the memorable and enormously underrated Blue Valentine and now they’re back to try again. The problem is that instead of making one great film, they’ve put together three poor ones and have thrust upon the audience a long, mess of a film which as well as being convoluted, goes nowhere, slowly.

As advertised the film initially focuses on a motorcycle stunt rider called Luke (Gosling) who discovers that he has a one year old son with a former fling (Eva Mendes). Luke quits the road and attempts to settle and help raise his child but turns to bank robbery as a means of doing so. Considering you have Ryan Gosling on screen, robbing banks, this is all very dull. The film heats up at a crossing of paths and passing of the lead actor torch when police officer Avery Cross (Bradley Cooper) tracks the bank robbing Luke to a house in which he is holed up. This brief five minutes or so is entertaining and well done and marks a change in plot. The film then turns in to a tale of ambition and police corruption before heading into the future to attempt to tie everything together in a sort of father son retribution thriller kind of way.

The Challenger

On January 28^th 1986, the Space Shuttle Challenger broke up 73 seconds after the twenty-fifth Space Shuttle launch, killing all seven of its crew members. The disaster was, at the time, the most catastrophic loss in NASA history and is still remembered as one of the most disastrous and heartbreaking days in human space exploration. Following the tragedy a Commission was set up to get to the bottom of the disaster and uncover the cause of shuttle failure. The Commission contained former and current astronauts including the first American woman in space and the first man on the moon. It also contained a former Secretary of State, Air Force generals and physicists. One of these physicists was perhaps the most famous of the twentieth century, Richard Feynman. Feynman was crucial to the Manhattan Project which developed the atomic bomb and won the Nobel Prize for Physics in 1965 on the back of numerous papers and discoveries.

The Challenger (formerly titled Feynman and the Challenger) is a made for TV movie which first aired on the BBC on March 18^th 2013. The film focuses on the role Richard Feynman (William Hurt) played in the Commission and the lengths that he went to; to prove what was really behind the Shuttle’s failure that January morning. The film intersperses real footage, including that of the actual event with dramatisations of Feynman’s quest for answers which are taken from Feynman’s autobiographical book What Do You Care What Other People Think? The movie is well researched and generally very well made and features a terrific central performance and compelling story.

Flight

Prime Oscar bait Flight is Director Robert Zemeckis’ return to live action following more than a decade producing animated and computer generated movies. The movie tells the story of a crashed aircraft and the following weeks for its functioning alcoholic pilot (Whip Whitaker) Denzel Washington. Whip is a well trained and long serving pilot who has got by all throughout his adult life despite being drunk and stoned everyday. On the morning of the fated flight he is seen drinking beer and vodka and snorting cocaine and even drinks vodka during the fifty minute flight. Despite some miraculous instinct and skill which manages to save many lives Whip is due in front of a tribunal with a failed toxicology report hanging over his head.

It’s fair to say that Flight is one of the weaker of the Oscar season films and the intense crash and admirable Washington performance are all that separate it from mediocrity. The movie is full of religious babble, poorly chosen music and a code era ending which make the excellent opening instantly forgettable and sets up an hour and a half which passes the time but does little to induce much of an emotional response past the odd laugh and one tense moment.

Meek's Cutoff

In 1845 a small band of settlers travel across the Oregon Desert under the guidance of Stephen Meek (Bruce Greenwood). What was meant to be a two week journey is stretched to five as the group begin to wonder if Meek actually knows the way. With food and water scarce and tensions running high, the settlers’ chance upon a local native, capture him and attempt to get him to lead them to water. Will they find it? Will he actually lead them to it? And, will they ever make it across the desert?

I’ve become quite a fan of modern Westerns recently and have really enjoyed the likes of The Assassination of Jesse James, There Will Be Blood and True Grit amongst others. Meek’s Cutoff shares little with those films though other than its time in history and genre. This is a film about the isolation of the old west and the physical and mental pain that one must go through in order to continue the expansion west. Unlike most other Westerns, this is also told from mostly the female perspective.