Star Trek Into Darkness

After the success of 2009’s Star Trek and with a large and loyal fan base waiting eagerly, there was no doubt that another Star Trek film would follow the recent reboot. The film picks off pretty much where the first one left off, thematically and cast wise at least and finds the crew of the USS Enterprise on a previously unexplored planet, attempting to save a primitive civilisation. Several set pieces and un-followed directives later and Captain J.T. Kirk (Chris Pine) is stripped of his captaincy while his first officer Spock (Zachary Quinto) is reassigned. When a rogue officer attacks Starfleet in London, Kirk is given command once more and tasked with tracking the extremely dangerous Khan (Benedict Cumberbatch) to the Klingon home planet and ordered by his superiors to set phasers to kill.

For about an hour I was really enjoying this second updated Star Trek movie and had few complaints but into the second hour the plot begins to sag and then fall away completely. There is a set piece, which is also in the trailer, and shows the Enterprise hurtling to Earth in an uncontrollable spin. For me this was an apt metaphor for the film as a whole following a second act reveal. Up until that point I was engaged and intrigued but once the torpedo truth was made known, the film hit a brick wall and relied on admittedly excellent special effects and action set pieces to see it to its soppy conclusion.

Identity Thief

Why didn’t I just listen? I have only myself to blame. No actually, I’ll blame my girlfriend as this film was her choice, but no, it’s not all on her, I have to shoulder some of the responsibility. At work Richard, the man behind I Liked That Film told me it was the worst film he’d seen all year and I’d listened to a couple of podcasts and read some reviews which stated similar. But still I went. And now I’ve added another few dollars to an ever expanding pot which makes this waste of talent (at time of writing) the second biggest box office draw of the year so far. How and why is this film so bad? All the ingredients are there. Melissa McCarthy is a fast rising comedy star who was great in Bridesmaids and stole her scenes in This is 40. Jason Bateman is one of the best every man-straight man types in Hollywood today. What happened?

The plot or should I say tenuous excuse to get Bateman and McCarthy in a car together for two hours is that Bateman plays Sandy Patterson. I know what you’re thinking; Sandy is a girl’s name. He must be some kind of girly man, right? Well if you think that’s funny then you’re gonna love the next couple of hours. So Sandy, ha, Sandy works in Denver at a job he’s good at but he doesn’t get the sort of appreciation he thinks he deserves (Amen, brother!). Sandy starts to notice that his credit limit is reduced and eventually his card is declined. He’s all like “What on Earth is going on? I only use the card for gas and coffee…” Meanwhile in Florida a woman (McCarthy) has stolen Sandy (Get it, like a girl’s name) Patterson’s identity and is using it to buy all sorts of hilarious items like hairspray and jet skis. Unfortunately the police can’t help because for some reason they’re not allowed to. So Sandy, wait, sorry. Sandy has to go to Florida himself and play bounty hunter by bringing the woman to Denver to explain to his boss that he’s a good boy really. Also there are bad guys with guns.

Total Recall

Based on the short story by Philip K. Dick which was the inspiration for the 1990 film of the same name, Total Recall takes place after a chemical war at the end of the twenty-first century. Following the fallout, only two areas are left habitable on Earth; The United Federation of Britain (UFB) and The Colony (the landmass of Australia) which is where the workers are forced to live. Each day they must take “the fall”, a kind of superfast lift which takes them through the centre of the Earth and joins up the two habitable areas. One of these workers is Douglas Quaid (Colin Farrell) who wakes up from a reoccurring dream about trying to save a woman from synthetic cops. Upon waking he is comforted by his wife Lori (Kate Beckinsale) but feels as though he is meant for something more. Quaid discovers Rekall, a company which can implant false memories and decides to check it out. This decision creates a ripple effect and leaves Quaid unsure of whom he is and why people, including some of those closest to him want him dead.

I saw Paul Verhoeven’s original 1990 film again recently and having now seen both cannot make up my mind as to which one is better. Although they have a similar plot and share themes they are two very different films, made for different times.