Star Trek Into Darkness

After the success of 2009’s Star Trek and with a large and loyal fan base waiting eagerly, there was no doubt that another Star Trek film would follow the recent reboot. The film picks off pretty much where the first one left off, thematically and cast wise at least and finds the crew of the USS Enterprise on a previously unexplored planet, attempting to save a primitive civilisation. Several set pieces and un-followed directives later and Captain J.T. Kirk (Chris Pine) is stripped of his captaincy while his first officer Spock (Zachary Quinto) is reassigned. When a rogue officer attacks Starfleet in London, Kirk is given command once more and tasked with tracking the extremely dangerous Khan (Benedict Cumberbatch) to the Klingon home planet and ordered by his superiors to set phasers to kill.

For about an hour I was really enjoying this second updated Star Trek movie and had few complaints but into the second hour the plot begins to sag and then fall away completely. There is a set piece, which is also in the trailer, and shows the Enterprise hurtling to Earth in an uncontrollable spin. For me this was an apt metaphor for the film as a whole following a second act reveal. Up until that point I was engaged and intrigued but once the torpedo truth was made known, the film hit a brick wall and relied on admittedly excellent special effects and action set pieces to see it to its soppy conclusion.

Like Crazy

"I just have to say one thing and it's really important that you just listen to me. I just... "

Like Crazy is a 2011 Romantic Drama in which two young students fall in love but get torn apart by problems with immigration. Anna (Felicity Jones) is studying Journalism at college in L.A. on a student visa when she meets and falls in love with Jacob (Anton Yelchin). The two begin a heartfelt and romantic relationship during which Anna overstays her visa. After returning briefly to the UK for a Wedding she is denied re-entry to the US and is forcibly deported. The couple then struggle to maintain a relationship or even a friendship over a distance of several thousand miles and discover that the time and distance is not the only thing that is capable of keeping them apart.

This film produced a flurry of emotions from me. During the first act I kept saying “awww” as it is incredibly cute. The two actors felt like a very realistic and sweet couple and reminded me of being in the first throws of love. By the second act I was screaming at the US Immigration Officials and then ended up telling the central characters off, even though I’m about 80% sure they couldn’t hear me. The film goes up and down, in and out, backwards and forwards, roundabout and back again and I went with it every step of the way.

Fright Night

Fright Night is a comedy horror which is neither funny nor scary. It is a remake of the 1985 film of the same name which I haven’t seen so cannot pass any judgement. The premise of the film is that central character Charley’s (Anton Yelchin) life is turned upside down when a vampire (Colin Farrell) moves in next door to the house which he shares with his mother (Toni Collette). Farrell’s vampire becomes hell bent on killing everyone Charley knows including his friend (Christopher Mintz-Plasse) and girlfriend (Imogen Poots). It is up to Charley to save his friends and family and to save the day.

The film has a stylish look to it. Despite being set in the hot, bright desert (Las Vegas) the majority of the film seems to be set at dusk which gives a very eerie look to the proceedings. In the cinema, it was released in 3D but I watched it at home in 2D (as all films should be watched) and there were far too many pointless pointy things coming towards the screen. Maybe in 3D this would have looked good, though I doubt it. In regular 2D it was just annoying. Despite this the film did have a good horror look to it. It is a shame then that it wasn’t in the least bit frightening. There wasn’t even one moment where I was slightly worried or anxious. It fails miserably on the horror front. In terms of comedy, most of the comedic moments come from either Christopher ‘McLovin’ Mintz-Plasse or David ‘Dr Who’ Tennant but both of their roles are small and I felt could have been expanded. There were no real laughs to be had but the script did contain the odd witty line and was quite snappy and fresh sounding.

Colin Farrell was born to play a vampire. He gives off an air of dangerous sexuality to which the female characters (and my girlfriend) are drawn. He is very well cast and his accent holds up admirably. The rest of the cast were fine. Mintz-Plasse was excellent as I stated previously although he basically just recycled his McLovin character from Superbad. David Tennant has a good cameo, at first as a kind of Russell Brand impersonator but later as a character with depth and back story. He pulled it off well. Anton Yelchin is very good as the hero of the piece. He is turning into an actor to watch for the future. Imogen Poots had little to do to be honest but look pretty and scared and Toni Collette was agreeable, especially when flirting with Farrell’s character.

"You gotta' kill em' with a Crossy Woss"

The film could have been so much more had there been just a few more laughs or just some scary moments. There was potential for a very good film here with a strong cast and excellent central performance from Colin Farrell but in the end it turned into a bit of a damp squib. It isn't terrible but it is in now way good.

5/10