Six years ago a NASA probe carrying possible alien life forms crash landed in
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The political aspects of the film become more apparent towards
the end when the two characters are confronted with a giant wall to get across the
border having undergone a dangerous journey to get there. Aside from a few
other political moments such as talk of Kaulder being paid handsomely for a
photo of a dead child but nothing for a smiling child and people talking of
America sealing itself off in its own prison, the main focus of the film is the
relationship between the two lead characters who happen to be a couple in real
life. This familiarity helps to add to the connection and understanding between
the two of them and comes across well on screen. Both actors do a good job of
reacting to their surroundings and the ordeal they face. Most of the film’s dialogue
was ad-libbed but the finished film is coherent while remaining natural.
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As I mentioned earlier, the CGI is for the most part
excellent, especially considering that it was not an outside Special Effects company
that did the 200 plus effects in the film but the director on his own computer.
The creatures themselves, though they only appear a handful of times, look
spectacular from far away. This is not more so than in a quite superb scene in
which two of them appear to be dancing as they either court or mate with the
two human characters watching a gasp with tears in their eyes. When we see
close ups of the creatures, the effects aren’t so great but the shots of
destroyed buildings and downed helicopters are.
One criticism of the film is that it is hard to believe that
the aliens who show few signs of the capabilities could have caused as much
damage as they have. Another problem is that Sam’s father is incredibly wealthy
so why would he ask a photographer to save her rather than chartering a helicopter
or something similar? These are only minor faults however in a film which on
the whole is a triumph and shows what is possible when a film maker has a
vision and the ability to carry it through. With many film makers becoming ever
more marginalised by big budget remakes and franchises, we could see more of
this type of film making in the coming years and if they’re half as good as Monsters, I for one can’t wait to see
them.
9/10