His New Job

Chaplin’s first Essanay Picture was released in February 1915. Chaplin is at a film studio looking for a job. After several bits of humorous business he is hired as an extra but after being a nuisance on set is instead demoted to Carpenter’s Assistant. Through a mixture of wit and luck, Chaplin regains his position in front of the camera and ends up accidentally wearing the lead actor’s costume. All hell breaks loose when he arrives on set to find Chaplin in his clothes and Chaplin again uses a mixture of wit, luck and this time also violence to continue in his job and get revenge on several characters who had wronged him.

The film marks not only Chaplin’s first film with Essanay but also his first with fellow comic actor Ben Turpin. The two share a couple of great scenes together, the first of which involves a fight to get through a door and is excellent. It’s such a shame that the two actors couldn’t find a way to work together because on screen at least, they made a great partnership. Unfortunately a mixture of Turpin’s impatience with Chaplin’s methodical methods and Chaplin’s jealousy of Turpin’s ability to get laughs, their partnership went no further. 

Charlie Chaplin - The Essanay Films

Just a year after his screen debut and after he had earned his chops with Keystone, Charlie Chaplin had become one of the biggest stars in the new medium of film. After appearing in 36 films for Keystone, Chaplin moved on to the Essanay Film Company having received an offer of $1,250 a week and a promise that he could write and direct all of his own films.

Essanay had been formed in Chicago in 1907 by George K Spoor and Gilbert M Anderson who took their surname initials of S and A to form the name Essanay. Anderson was himself an actor and director and became famous under the pseudonym Broncho Billy. He also had a role in the first ever Western, the now highly regarded The Great Train Robbery. In search of better shooting locations for his Westerns, Anderson travelled with a small crew to California where he eventually set up a studio in Niles, CA. Chaplin shot his first Essanay picture at the Chicago studio but being unimpressed with the conditions subsequently produced the rest of his films at the Niles studio.

In total Chaplin made 14 films for Essanay between February 1915 and May 1916. Although today these films are not generally considered to be amongst his best, they were produced at a time when Chaplin went from being a star to the world’s first movie super star and show the development of his craft. They also introduced Chaplin to Edna Purviance who over a span of eight years appeared in more than thirty of his films. Chaplin’s Essanay films were more coherent and less frenetic than his Keystone pictures and featured greater character development. Not everything was well inside Essanay though. Chaplin had a fraught relationship with fellow Essanay star Ben Turpin and despite working well together on screen; Turpin appeared in only a couple of Chaplin’s films. When Chaplin left the company in 1916 it caused a rift between the two founders and the company eventually collapsed in 1920.

I will be watching each of Chaplin’s Essanay films in order and writing a brief summary and critique which I’ll link to below. Also, The Charlie Chaplin Film Club have also very kindly compiled my reviews here.

1. His New Job  3/5
2. A Night Out 2/5
3. The Champion 4/5
4. In the Park 3/5
5. A Jitney Elopement 4/5
6. The Tramp 4/5
7. By the Sea 2/5
8. Work 2/5
9. A Woman 2/5
10. The Bank 5/5
11. Shanghaied 2/5
12. His Regeneration 2/5
13. A Night in the Show 4/5
14. Burlesque on Carmen 4/5
15. Police 3/5
16. Triple Trouble 1/5

The Expendables

"First of all, I don't feel comfortable talking business with a giant carrying a shotgun"

The Expendables are a group of mercenaries led by Barney Ross (Sylvester Stallone) who are sent by CIA Operative ‘Church’ (Bruce Willis) to overthrow a Latin American Dictator, General Garza (David Zayas) who is in reality a puppet of ex-CIA man James Munroe (Eric Roberts). Joining Ross on the mission is ex SAS man Lee Christmas (Jason Statham), Martial Art expert Yin Yang (Jet Li), sniper Jensen (Dolph Lundgren), weapons specialist Caesar (Terry Crews) and demolitions expert Toll Road (Randy Couture). The team may be a little long in the tooth but they still pack a punch and the fate of a country is in their hands.

I’ve been watching a lot of 80s films recently so it’s quite apt that I’ve watched this which although made in 2010, is well and truly grounded in the 1980s. Most of its stars made their names in the action movies of the period and they are joined by the action heroes of today. It’s an impressive action movie cast, a bit like a corny version of The Avengers only with fewer superpowers and more muscle.

The Raid

"Pulling a trigger is like ordering a takeout"

The Raid/ The Raid: Redemption/ Serbuan maut - Deep inside one of Jakarta’s slums lays an apartment block that is the base of one of Indonesia’s most wanted gangsters, Tama Riyadi (Donny Alamsyah). After being a no go area for the Police for years, they plan a raid to take the gangsters out. Early one morning a 20 man SWAT team descend on the building with the aim of clearing it out once and for all. Amongst the team is rookie cop Rama (Iko Uwais) who has left his heavily pregnant wife at home that morning, possibly for the last time. The SWAT team slowly make their way through the building, taking prisoners as they go before they get to the 6^th floor where they are discovered. Soon an army of drug dealers, criminals and gangsters is on top of the small team of Police and what began as a mission to clear the building turns into a battle for survival and escape.

Id’ been looking forward to this film for months, having heard great things from the countries in which it has already been released. I’d heard rumours that it was the best Action film in a long time and having now seen it I have to agree that it probably is. The action is frenetic and features five or six scenes which are equal to the Oldboy corridor scene. That is enough on its own to make a great film but there is also a fairly engaging story of deceit, courage and duty. The story takes a back seat for a lot of the film but there are some nice twists in there. What this film is really about is hitting people, repeatedly and in ever differing ways. Director Gareth Evans cleverly balances the action with several short rest bites in which the audience can regain their breath before throwing another superb fight scene at them.

Aliens

"Get away from her, you bitch!"

After surviving the onslaught of Alien, Ripley (Sigourney Weaver) has spent 57 years in stasis, floating aimlessly through space. By chance she is picked up by a salvaging vessel and woken up from her deep sleep. Upon telling her story to the Weyland-Yutani Corporation she is met with scepticism and is reduced to working in a loading dock. Later she is visited by Burke (Paul Reiser) who informs her that Weyland Co has lost contact with colonists on LV-426 and he requests that she returns to the planet with a group of Colonial Marines to discover the fate of the colonists. Ripley reluctantly agrees and joins the expedition only to discover that the aliens have struck again, only this time on a much greater scale.

Unlike Alien which was a sci-fi/horror, Aliens is more of an action-adventure in the mould of director James Cameron’s recent super hit Terminator and reminded me a little of Predator. In the end the slight genre change had little effect on the final product as the film is in my view very close to as good as the original. The sets look incredible and realistic. I’m a big fan of a well designed and dressed set and those in Aliens are superb. The sets of 80s science fiction movies always look more impressive to me than those of today because you get the feeling that the actors are really there, interacting with their environment as supposed to being stood in front of a green screen and stepping over green boxes. The ships, vehicles, planet and colonist’s HQ all look great. The design of the guns is also very good. They remain grounded in reality but with a slight futuristic edge to them. The effects are a mixed bag with some looking as good as anything today but others looking noticeably aged.

The Ides of March

"All the reporters love you. Even the reporters that hate you still love you"

The Ides of March is a political thriller set during the Democratic Primary in Ohio in which Governor Mike Morris (George Clooney) is running for the Party’s nomination for President. His team includes Campaign Manager Paul Zara (Philip Seymour Hoffman) and young up and comer Stephen Myers (Ryan Gosling). Myers is convinced that Morris is the man to lead the country but receives a tempting job offer from rival Campaign Manager Tom Duffy (Paul Giamatti) which opens up a torrent of problems for all involved.

The film is full of twists, turns and surprises and kept me glued throughout its fairly short 101 minutes. Clooney’s Morris felt like a Candidate too good to be true to me, being pro choice, atheist, pro alternative energy and with plans for free college education. He was a candidate with the sort of policies that appealed to me. To be honest, knowing what I do of American Politics, his platform felt a little unrealistic but I’d vote for him. As well as a candidate I was on board with, the film kept my interest up as I never knew which direction it would turn next. It felt like a good episode of The West Wing crossed with a crime mystery.

The Dictator

Admiral General Aladeen (Sasha Baron Cohen) is the dictator of the fictitious North African Republic of Wadiya. After his attempts to build nuclear weapons are announced he is summoned to the UN to explain his and his country’s plans. While in New York he is betrayed and an attempt is made on his life. After escaping he discovers that he has been replaced with a double and finds himself working in a vegan, shared earth coop where he becomes friends with Zoey (Anna Farris). Aladeen uses the coop to try to regain his identity and his grip on power in Wadiya.

For his 4^th feature, Baron Cohen has moved away from the mocumentary style for which he has become synonymous and The Dictator is mostly played as a straight forward comedy feature. The character of Aladeen is based on a hodgepodge of various real life dictators and draws from the West’s perceptions of them and their countries. The result is that Aladeen is a racist, sexist, cartoon who while being occasionally funny, generally fails to impress. The humour of the film on the whole failed to resonate with me and the majority of the audience I saw it with, indeed a man on the row in front of me walked out about an hour in having not laughed once.

Jeff, Who Lives at Home

Jeff (Jason Segel) is a thirty year old man with a puncheon for the film Signs and lives in his mother Sharon’s (Susan Sarandon) basement. His older brother Pat (Ed Helms) still lives close by with his wife Linda (Judy Greer). He and Linda are in the midst of serious marital problems. One day while she is at work, Sharon asks Jeff to go to the shop to pick up some wood glue. Convinced that the name Kevin is some sort of sign he ill advisedly follows various Kevins’ around the city bumping into his brother along the way.

To me the film was like a cross between a Wes Anderson film and The Office. It has the odd, quirky indie charm of an Anderson picture but the awkward humour and filming style of The Office. Unfortunately it was neither as good as any Wes Anderson film I’ve seen nor The Office. At times it was quite funny but these moments were usually fleeting and there weren’t many of them. The story was reasonably interesting and the film had a sweet ending but it just didn’t mesh together. The whole ‘the Universe will show me the way’ nonsense was really annoying and although the ending was very sweet, it was obvious and annoyed me.

Silent House

Sarah (Elizabeth Olsen) is helping her father (Adam Trese) and uncle (Eric Sheffer Stevens) to renovate the family’s old lakeside house before selling it. It’s a place they have rarely visited in years. Local kids have smashed all the windows and blown the electrics meaning that the boarded up windows let in no light. The only light available is that which comes from a torch or handheld lamp. While in the semi darkness and after her uncle has left for the day, Sarah hears a noise which her father goes to check out. He never returns. Sarah is left alone in the house with someone or something out to get her and her family and no way out.
 

The whole film was shot in such a way as that it looks like one continuous shot. I noticed the odd cut here and there but overall the idea is very successful. It genuinely feels as though Elizabeth Olsen is in the house for 85 minutes, running, hiding from and fighting whatever is after her. Using just one camera, Olsen is on screen for about 84 of the 85 minutes and has to carry the entire film. She does so with great aplomb. The one shot idea isn’t original and indeed the film itself is a remake of a 2010 Uruguayan film but it’s a nice gimmick that is well used.

Norwegian Wood

"What if I can't get wet ever again?"

Set in 1960s Japan, Norwegian Wood (Noruwei no mori) is a film about depression, loss and sexuality. After his best friend Kizuki commits suicide aged 17, Watanabe (Ken-ichi Matsuyama) moves to Tokyo and enrols at University in an attempt to escape the depressing nature of his home town. By chance one day he meets his dead friend’s ex-girlfriend Naoko (Rinko Kikuchi) and the two begin a loving but strained relationship. Naoko has never truly got over the death of Kizuki and one day disappears, eventually turning up in a sanatorium deep in the forest. Watanabe tries to maintain both a friendly and sexual relationship with the depressed Naoko but this is made difficult by her mental state and the introduction of the outgoing and self confident Midori (Kiko Mizuhara) who vies for Watanabe’s affections.