The film marks not only Chaplin’s first film with Essanay
but also his first with fellow comic actor Ben Turpin. The two share a couple
of great scenes together, the first of which involves a fight to get through a
door and is excellent. It’s such a shame that the two actors couldn’t find a
way to work together because on screen at least, they made a great partnership.
Unfortunately a mixture of Turpin’s impatience with Chaplin’s methodical
methods and Chaplin’s jealousy of Turpin’s ability to get laughs, their
partnership went no further.
The film contains a few moments of great ‘business’ but they
lack the inventiveness of Chaplin’s later work. Most of them involve some sort
of hit to the head and are fairly generic. The opening a door into someone’s
face gag was repeated about seven or eight times and a lot of the jokes can be
seen a mile off. The sets also look paper thin but the film allows us a glimpse
behind the scenes of a 1915 film set, something that I for one found
fascinating.
Towards the end of the film there is a nice tracking shot
which follows Chaplin and a co star as they walk deeper into a move set. The shot
was still in it’s infancy at the time and gives the scene a bit of depth. It’s
a nice little addition and shows Chaplin is experimenting with new ideas and
techniques. One of the fight scenes also contains a sequence which bears
resemblance to Chaplin’s great boxing scene from 1931’s City Lights. The sequence is not as successful here but funny
nonetheless.
Overall the film is not amongst Chaplin’s best but is one of
the better of his early films. It features the Tramp getting into trademark
mischief and bother and a nice cameo from fellow silent star Ben Turpin. Most
of all though it gives a slight glimpse behind the scenes of a 97 year old film
set and for that reason alone it is worth a watch.
6/10
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