"Why would
they remake something when they can just go see the original?" - Niels
Arden Oplev
Mikael Blomkvist (Daniel Craig) is a journalist who works
for Millennium Magazine in Sweden .
He has recently lost a libel case bought against him by a crooked businessman.
Retired businessman Henrik Vanger (Christopher Plummer) asks computer hacker
Lisbeth Salander (Rooney Mara) to do some background research on Blomkvist
before asking the journalist to help him uncover the mystery surrounding his niece’s
disappearance in the 1960s. Blomkvist accepts the challenge and begins work on
a small island inhabited by many of the Vanger family. Salander, after going
through unbelievable hardships is eventually tracked down by Blomkvist and
agrees to help him with the case. The two of them attempt to get to the bottom
of the mystery but end up uncovering much more.
This is a good film but I have many problems with it. The
first and most major problem is that there is no reason for its existence. The
novel The Girl with the Dragon Tattoo was
made into an excellent feature film (review here) in 2009 and this version
brings nothing new to the table except that it is in English for all the
stupid/lazy tw*ts who can’t be arsed reading subtitles. I do not see the point
in making this film other than to fill the pockets of Hollywood and to further dumb down English
speaking audiences. It isn’t even as though the Swedish version is difficult to
come by. I spotted it in my local HMV for less that £5 just a few days ago. It.
Is. Pointless.
My second major problem is Daniel Craig’s accent, or lack
there of. The film is set in Sweden
with a fine cast of mostly British and American actors doing faux Swedish
accents. Craig however uses his own English accent despite his character being
called Mikael Blomkvist. Why have everyone else doing the accent but not the
star? It bugged me throughout the whole film. My third problem was that the
ending was changed quite considerably. I won’t give it away but it differs from
both the book and the original film and is my view not as good.
Rant over. Not all is bad with the film. It is generally
well made and if I had to choose and American director to direct it then I’d
probably have chosen David Fincher. This is very much his territory. The best part
of the film for me was the opening credits which were brilliant. The black animation
over a cover of Led Zeppelin’s The
Immigrant Song made the hairs on the back of my neck stand up. It’s one of
the best titles sequences I’ve seen in years. I also thought that the film was
very well cast. Rooney Mara is equal to Noomi Rapace in her portrayal of Salander
and is worthy of her Oscar nomination. I also thought that Christopher Plummer
was very good and that Hollywood Swede Stellen Skarsgard was fantastic. Daniel
Craig who I like very much was also excellent at times but gave an uneven
performance. In one vital scene towards the end in which he is enduring
physical and mental pain, he felt a little bland and it wasn’t very believable.
Overall though he was very good.
The film is a little less daring than the Swedish version
with many of the more brutal scenes being toned down. This is understandable as
US
audiences are perhaps not used to the levels of violence in the original.
Nevertheless it is still a violent and disturbing film. My favourite scene in
this and in the original is Lisbeth’s revenge sequence which is done superbly
here.
Overall this is a good film but lacks the tension of the
original. Every part seems slightly less heightened and watered down but it is
still a decent thriller. My main problem as I’ve already stated is that there
is no reason for it to exist.
6/10
You do realize it's not a remake of the Swedish film, right? This film is so much better than Swedish version of the novel - much more understanding of the source material, tense, elegant and disturbing.
ReplyDeleteYes, I probably didn't make that clear and I remember hearing an interview with Daniel Craig in which he said the hadn't seen the film. I understand that it isn't a remake of the film but my point was that I didn't see the point in 'remaking' a two year old film which I thought was excellent. And I personally thought that the Swedish version was much tenser and more disturbing than the US version.
DeleteI wrote a post on this recently, my main concern was that I think Fincher's version glossed over some important plot points very early on. When I first saw Fincher's version I had seen the original and read the book so I could fill in the gaps, but my wife who came in cold to the story was very confused for the majority of the film. To me it appeared almost as if Fincher was assuming his audience had already read the book? Here's the link to the post if interested. http://maloneonmovies.com/2012/05/03/some-thoughts-on-the-girl-with-the-dragon-tattoo-contains-spoilers/
ReplyDeleteI felt more confused by the Fincher version despite having already seen the Swedish film. My female has read the book and seen the films and hated this version.
DeleteI really really like this film. I have not read the novel, but I think this managed to overcome some of the flaws that I felt plagued the Swedish version. A beautiful film on a technical level, and great performances from Mara and Craig. I find it very engaging. Nice write-up though. I understand your qualms.
ReplyDeleteI watched this with commentary from David Fincher and even he admits on certain scenes that he liked what they did in the original and wanted to use it but did not. It's a good movie but not great.
ReplyDeleteYeah it's good. I still stand by my opinion that it was unnecessary though. I don't think it added anything to the Swedish version.
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