The film cost just $200,000 and while being remarkably well
made and cast for that amount does look a little rough and cheap. This is not
to the film’s detriment though as I don’t think that a shiny or glossy looking
film would have worked quite so well. The science behind the story is fairly credible
and as someone who is fascinated by astronomy, it had me going along with it.
Although problems such as tides and light were ignored by the film makers, I didn’t
let them distract me. There will be obvious comparisons to Lars von Trier’s Melancholia but they are mostly
misplaced. The film lacks the sense of impending doom and instead views the
second Earth as a chance for redemption and opportunity.
The two central characters relationship changes in a not so
subtle way throughout the film. There are a total of three adjustments to their
relationship and they drive the story in a compelling way. The second
alteration though was fairly unwelcome. The relationship that had the most
heart for me was that of Rhonda and Purdeep (the marvellous Kumar Pallana Every Wes Anderson Film who is still
going strong aged 93). These two characters have only each other and though
little is ever said between them, it is obvious that they find solace in each other.
The relationship between Rhonda and John is very different although both are
people whose lives have fallen apart and find comfort in each others company.
A couple of scenes really stand out for me and these are the
‘first contact’ scene which is absolutely thrilling and the saw playing scene
which was incredibly deep and touching. The saw sounded like an alien communication
and was extraordinary. The film uses music to create fantastic atmospheric
tension throughout, interspersing classical piano with unusual electronic computerized
noises that reminded me of the noises you’d hear in a Planetarium. The
conjunction works very well.
Brit Marling, who also co wrote the film with debut Director
Mike Cahill gives a wonderfully sombre and understated performance, rarely
coming out of her shell but showing enough of her true self to gain empathy
from the audience, despite her crime. William Mapother is also very well cast (and
took a fee of just $100 a day) and delivers a complex but also subdued
performance. Cahill’s direction is very good but occasionally I felt that he
focussed to long on people staring at the second Earth. Also, it seemed the
planet was visible no matter which way you looked.
Overall this is an interesting study of science and of us.
The acting is superb, the CGI excellent and the ending is left to the
interpretation of the audience. I wouldn’t recommend it as a Friday night ‘popcorn
movie’ but for anyone interested in the psychology of human interaction and
guilt or the writing of Isaac Asimov then this is a film for you.
8/10
Thank you for your kind words about the musical saw scene! The music of this scene (as well as a video) is on the composer's website http://www.scottmunsonmusic.com
ReplyDeleteI know this because I'm the one who played the saw on the soundtrack :) (This is me http://youtu.be/lPvTTc7jAVQ )