Top Secret

Part of the 80s onslaught of spoof and parody movies, Top Secret was written and Directed by Jim Abrahams and David and Jerry Zucker, the men behind the likes of Airplane!, the Naked Gun series, Hot Shots! and latter Scary Movie titles. Top Secret is primarily a spoof of Elvis’ movies and the stereotypes of East Germany, mixed with a little bit of World War Two. Nick Rivers (Val Kilmer in his first screen lead) is an American pop star with a stereotypical late 50s sound. He is invited to East Germany as part of a cultural event but soon becomes involved with a beautiful woman (Lucy Gutteridge) who is in turn trying to rescue her father (Michael Gough) from an East German Prison with the help of the French Resistance. Rivers soon becomes imbedded in the Resistance and uses his wit, charm and good looks to help save the day.

The Room

In 2003 an unknown filmmaker called Tommy Wiseau wrote, produced, directed and stared in the independent film The Room. Although thousands of independent movies are released every year, Tommy’s was different. The Room was perhaps the worst film ever made and has since gained cult status, growing with popularity all the time as it is discovered by new people. If you search for The Room on YouTube you will find clips with views in their millions and about two years after first being told about the film, I finally watched the entire thing today. Although I’d seen the clips and had heard the stories, nothing could quite prepare me for the ninety-nine minutes I saw. I have never seen a film that was as bad as The Room but I have seen plenty which I have enjoyed less and although billed as a drama, I laughed as much as I have during any film this year.

The plot centres around three people in a love triangle. Johnny (Tommy Wiseau) is a fairly successful banker living with his fiancé Lisa (Juliette Danielle) who is a bit of a bitch. Jonny piles his unusual love on her and they seem very happy together but she has eyes for his best friend Mark (Greg Sestero). Lisa begins an affair with Mark who is at first worried about destroying his friendship with Johnny but soon finds Lisa too irresistible to ignore. Lisa’s mother get’s cancer but this is swiftly ignored and never mentioned again. Johnny begins to get depressed and becomes even more incoherent that usual. Then he pets a dog and plays football in a tuxedo. Mark becomes increasingly agitated and as a result his beard sometimes disappears only to come back in the next scene. The film comes to a head at Johnny’s birthday party where Lisa invites all of Johnny’s friends. Johnny tells her that this was a good idea but is still suspicious about his fiancé and best friend…

My Week with Marilyn

In 1956 the world’s most iconic film star, Marilyn Monroe travelled to England to star in a new romantic comedy, The Prince and the Showgirl alongside famed actor/director Sir Laurence Olivier. Throughout an arduous shoot a young man called Colin Clark who joined the production as third AD kept a diary which became the basis of his memoir and this film. The production took place at a difficult time in the lives of both stars and Clark became very close to Monroe in particular, allowing him to present a rare glimpse into the private life of one of Hollywood’s biggest stars.

My Week with Marilyn was generally well received upon its release in 2011 and was nominated for seven BAFTAS and two Oscars. I unfortunately missed it on its theatrical release but felt very happy when I caught up with it on DVD. The film is an enjoyable watch with some occasional dark turns which gives an almost unprecedented look into a brief snippet of the life of one of the world’s original mega stars.

Iron Sky

In 1945 the Nazis went to the Moon, in 2018 they’re coming back. The film with possibly the best tagline of 2012 turns out to be pretty much what I expected, a nice idea which is overstretched, a film which can’t sustain itself for a full 90 minutes and unfortunately a film that isn’t enough fun. In planning and development for around six years, the trailer was first taken to Cannes in 2008 in order to drum up finance and that’s when I first heard about it. After four years of excitement the end product is a little bit of a let down but I have to commend the Finnish film makers for their tenacity and drive.

The plot can be pretty much explained by the tagline but there is a little more to it. The Nazis have been living on the dark side of the Moon since 1945 and are preparing an invasion. When America’s Sarah Palin-esque President (Stephanie Paul) sends a mission to the Moon in order to win an election, the astronauts come across the Nazi Moon base and one of them (Christopher Kirby) is taken in and interrogated. Earthologist (Julia Dietze) takes an interest in the Earth man but her fiancé and future Fuhrer (Gotz Otto) has plans for world domination and leads a small expeditionary force to Earth ahead of the main attack.

Black Book

Paul Verhoeven’s tale of injustice, romance, duplicity and war is one of just a handful of films I’ve watched twice this year. I saw it first in early January and was blown away by the story and acting and jumped at the chance to watch it for a second time. Carice van Houten, best known to English speaking audiences as fiery Priestess Melisandre in Game of Thrones plays a young Jewish woman in hiding from the Nazis in the Dutch countryside towards the end of the Second World War. After her hiding place is destroyed and following a traumatic encounter with the Germans she joins the Dutch resistance, going undercover inside the German Headquarters in The Hague where she agrees to seduce the local commander (Sebastian Koch - The Lives of Others).

Black Book is a fantastic film which is full of moral ambiguity set in a time of deep mistrust and hardship. One of the greatest things about it is that very few characters can be described as good or bad. The vast majority of the large cast of characters lie in a grey area somewhere in between and I think this adds reality to the film. The film bravely suggests that not all Nazis were bad and that not every resistance fighter was good or moral. There is a great deal of anti-Semitism even amongst the so called good guys. It’s an interesting idea which works incredibly well and helps to keep the viewer on their toes.

Shoulder Arms

Set partly amongst the trenches of the First World War, Shoulder Arms was a bold film for Charlie Chaplin to make in 1918 given the wide reaching criticism he received for failing to sign up to fight. He was advised by close friends to abandon the film for something less controversial but Charlie battled on and despite the possible outrage and backlash the film became Chaplin’s most critically acclaimed and financially successful film up to that point, was particularly popular with returning Doughboys and features a couple of scenes which may well be recognisable to people who have never even seen a full Chaplin film.

Charlie plays a young recruit who is sent over to France to join the war. Despite typical problems to begin with he soon discovers that he is a more than competent soldier and after numerous brave exploits ends up in the house of a French woman (Edna Purviance) who tends to his wounds. With the help of his new love and a dear friend from the trenches, Chaplin ends up winning the war for the allies. Or does he?

The Prestige

Christopher Nolan’s The Prestige is a story of obsession and sacrifice and stars Hugh Jackman and Christian Bale as two up and coming magicians whose lives are transformed into an increasingly disastrous struggle of one-upmanship following a tragedy on stage. Each tries to out wit and out trick the other by disrupting each others acts, leading the other down blind alleyways and twisting reality through illusion and showmanship.

Mirroring the rest of Nolan’s filmography, The Prestige is a smart and beautiful film that is full of big ideas, well explored themes and unexpected twists and reveals. Nolan appears to take great delight in playing with his audience and treating them as intelligent equals, almost leading them along with him, through his twisted and mystifying subjects, knowing that by the time they reach the other side they will thank him for it. Nolan’s films are about ideas and he doesn’t shy away from presenting them to the audience without subtlety. Where he is perhaps more subtle is in his delivery which as usual is pitch perfect here.

The Bond

A half reel propaganda film, funded by and starring Charlie Chaplin, The Bond is a unique film in Chaplin’s cannon in that it is the only film he ever made to be filmed in front of a plain black set. There are just a few dimly lit props littered around the stage alongside the actors, Chaplin regulars Edna Purviance, Albert Austin and Sydney Chaplin. The film depicts several sketches along the theme of bonds, from friendship to marriage to the most important, Liberty Bonds.

Though not in the least bit funny the film is still an interesting watch and Chaplin’s simple to understand depiction of what Bonds actually did would have been seen by millions of people across the world. In a very simple sketch Chaplin offers up his savings to Uncle Sam who in turn gives it to Industry who finally furnishes soldiers with rifles. The idea is simple and easy to understand despite the lack of dialogue. In the final scene, Chaplin uses a large hammer with the words Liberty Bonds engraved on the side to smash the Kaiser into submission, thereby further expressing the idea of the difference the bonds can make.

Chariots of Fire

Winner of Best Picture at the 1981 Oscars, Chariots of Fire is set around the 1924 Paris Olympics and concerns two young British runners who are not only running for themselves and their country but for deeper, more personal reasons. Cambridge Undergraduate Harold Abrahams (Ben Cross) has faced anti-Semitism throughout his life and wants to run and win to put that out of his mind and show he is not deterred by the hateful language and attention he receives. Scottish Christian Eric Liddell (Ian Charleson) is devoutly religious and believes that his speed and determination is a sign from God that he should run. Both runners along with their friends Aubrey Montague (Nicholas Farrell) and Lord Andrew Lindsay (Nigel Havers) enter the Paris Olympics with dreams of winning gold.

Chariots of Fire, though now over thirty years old has recently returned to the spotlight thanks to the 2012 London Olympics. The film’s famous opening has been repeated over and over and was even used as the basis for a comedy skit by Rowan Atkinson during the Opening Ceremony. Vangelis’ famous score also featured during medal ceremonies. I’d never seen the film before today and although I think it was worth seeing, I certainly won’t be in a hurry to watch it again.

Hotel Transylvania

Fed up with being persecuted by humans, Count Dracula (Adam Sandler) decides to build a hotel for monsters that is protected from humanity by haunted forests and zombie filled graveyards. His ulterior motive though is to keep his daughter Mavis (Selena Gomez) safe and secure and away from anything that can hurt her. Dracula is planning a huge birthday party for Mavis with all of his monster friends in attendance when he is shocked to discover that a human (Andy Samberg) has found the hotel and is threatening to bring his and his daughter’s peaceful existence to an end.

Having been disappointed by ParaNorman and still waiting to see Frankenweenie I went into Hotel Transylvania with some trepidation. This feeling of weariness was heightened by the fact that I deeply dislike the majority of the voice cast. Even so I went in with an open mind and came out the other side thinking, “meh”. Overall I enjoyed the film more than ParaNorman but the initial conceit, which was a very good idea, couldn’t be sustained for ninety minutes. As a result there were large chunks of the film which were quite boring but were occasionally livened up by a decent joke or some attractively busy animation.