Paul Verhoeven’s tale of injustice, romance, duplicity and
war is one of just a handful of films I’ve watched twice this year. I saw it
first in early January and was blown away by the story and acting and jumped at
the chance to watch it for a second time. Carice van Houten, best known to
English speaking audiences as fiery Priestess Melisandre in Game of Thrones plays a young Jewish
woman in hiding from the Nazis in the Dutch countryside towards the end of the
Second World War. After her hiding place is destroyed and following a traumatic
encounter with the Germans she joins the Dutch resistance, going undercover
inside the German Headquarters in The
Hague where she agrees to seduce the local commander
(Sebastian Koch - The Lives of Others).
Black Book is a
fantastic film which is full of moral ambiguity set in a time of deep mistrust
and hardship. One of the greatest things about it is that very few characters
can be described as good or bad. The vast majority of the large cast of
characters lie in a grey area somewhere in between and I think this adds
reality to the film. The film bravely suggests that not all Nazis were bad and
that not every resistance fighter was good or moral. There is a great deal of
anti-Semitism even amongst the so called good guys. It’s an interesting idea
which works incredibly well and helps to keep the viewer on their toes.
The film is almost unique, at least in my film watching
history in that it creates a sympathetic character out of a leading Nazi.
Sebastian Koch’s Hauptsturmführer Ludwig Müntze realises that the war is coming
to an end and wants to avoid further bloodshed. You actually feel sorry for him
at times and at others feel very warm towards him. His positive traits also
help to fuel his relationship with van Houten’s Ellis de Vries and make it easy
to understand why she becomes emotionally involved with him beyond her
assignment. In the same way, the film makes it clear that the actions of the
resistance aren’t all above board either and several resistance characters are
viewed with suspicion from the start. The dynamics between the characters are
exploited with some incredible acting from van Houten and Koch in particular.
The two began a four year relationship during filming which makes the
relationship seem even more real.
The plot is full of twists and surprises and I don’t want to
give too much away but the things that de Vries has to go through are almost
unimaginable. Although not based on a true story, many of the aspects are based
on facts and real events of the time and this only increases the sense of
horror in the viewer’s eyes. Scenes involving family, faeces and betrayal are
heartbreaking to watch and the character’s strength and tenacity are all that
stop her from being captured. Something which really stands out is the period
detail. There isn’t one moment or scene which doesn’t feel authentic. Every
costume, prop and location is perfect and this is testament to Director
Verhoeven’s eye for detail. He and co-writer Gerard Soeteman had been working
on the script for over fifteen years and what shows is that the film is a
labour of love for the Director.
As I’ve mentioned already the acting is superb. Carice van
Houten steals the show as the Jewish resistance woman. She is incredible in
some quite horrific scenes and yet wonderful in the more sexual ones. It should
be noted that she spends a lot of the film (at least it feels like a lot),
naked, and this is something which I didn’t not mind one bit. She is very
beautiful. The actress and her Director go to extreme lengths to portray
authenticity and this even extends to a scene in which van Houten is seen dying
her pubic hair. That’s dedication! I can’t help but wonder whether the film
would have been as successful with another actress in the central role, Carice
van Houten is just that good. Co star Sebastian Koch is also excellent, showing
a caring and human side of a Nazi. The actor not only appeared in this film in
2006 but also the Oscar winning The Lives of Others. That’s quite a year. Thom Hoffman is also excellent as the
resistance group’s young leader. Waldemar Kobus is fantastic as the villain of
the piece. To be honest though there isn’t a poor performance in the film.
Occasionally the film pulls on the heartstrings a little too
much and sometimes there are unbelievable coincidences but the realism of the
characters and situation helps to mask the few flaws and helps to create a film
which is a visually stunning, emotionally complicated gem. The story and acting
are both superb and it’s a film I’d recommend to anyone. Looking back through
my diary I notice that in January, before blogging, I gave the film 9/10. On
second viewing I think that was perhaps a little too high but it is excellent
nonetheless.
8/10
I totally love this film, for all the reasons you say; but I also love the way that the Germans speak German, the Dutch speak Dutch, and the Brits speak English. Sebastian Koch is tremendous, as he is in the Lives of Others. And to think that the director also made Total Recall and Starship Troopers!
ReplyDeleteThat's a good point you make about the languages. It's something that often annoys M.D. in films. I guess the film isn't pandering to an American audience so can be more accurate or authentic with accents.
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