Shedding light on the incredible true events of the 1979
Iran Hostage Crisis, Director Ben Affleck stars as CIA evacuation specialist
Tony Mendez. After the US Embassy in Tehran is stormed by Militants in 1979 and
more than fifty staff are taken hostage, six manage to escape into the custody
of the Canadian Ambassador where they remain hidden for weeks while the State
Department and CIA try to figure out a way of extracting them from the most
watched and most anti-American city in the world. Mendez has the idea of
creating a fake movie and giving himself and the six hidden embassy staff fake
identities as Producers, Scriptwriters and the like, on a location scouting assignment
before simply flying out of the country. The idea is met with scepticism by the
CIA and State Department as well as the hidden six but with no other viable
options, Mendez is given the green light.
Despite co-writing Good
Will Hunting with Matt Damon in the mid 90s, Ben Affleck soon became known
for his celebrity relationships and mediocre performances in overblown and critically
disappointing films such as Pearl Harbor and Armageddon.
It came as a surprise to many then that Affleck’s Directorial debut Gone Baby Gone was as good as it was and
he then followed this up with another critical success The Town in 2010. With Argo,
Affleck is now three for three and seems to be going from strength to strength as
a Director.
Argo is an
excellent film that is tense and taught and has an almost unbelievable story.
Although I was aware of the Hostage Crisis before I had no idea about the Argo
side of the story and it seems ripe for the big screen. Affleck pulls it off
with aplomb. The film opens with a brief history of Iran and an explanation as to how
it got to boiling point in 1979. The blame for many of the problems is thrown squarely
(and rightly) and the USA
and Britain
for their role in overthrowing the secular, elected leader of the country in
the first place. With Iran back in the headlines and with a possible war
looming, I thought it was brave for a Hollywood film to share some of the blame
on the West and not simply use the film as a piece of propaganda. Images of the
embassy storming are shot using a mixture of excellent traditional camerawork
and what appears to be newsreel footage though is in fact all produced for the
film. The late 70s look is extremely authentic.
Once the embassy is under attack the actors and direction
create a palpable sense of fear that puts you inside the embassy with them. The
whole sequence feels very claustrophobic and tense. Scenes of female embassy
staff being blindfolded and taken away are also very scary. The whole sequence
and indeed film, is drenched in realism. The level of detail throughout the
film is extremely high with costumes, props and dialogue feeling just right.
Although it is all excellent it isn’t until the end of the film when pictures
of the actors appear next to pictures of their real life counterparts that you
notice just how detailed the film is. Every single actor looks the spit of the
person they’re playing. Not only do hair, makeup, glasses and clothes match but
even the physical features are remarkably similar. It’s almost eerie. There are
a couple of GCI shots which don’t look great but other than that the film on
the whole looks incredible. I also need to say something which is quite strange
and that is that Ben Affleck has almost exactly the same hair and beard as me.
It’s really strange. My girlfriend even turned to me and said “You look just
like Ben Affleck in Argo. He’s hot in
it and you look like him. Do I look like Jennifer Garner?” I replied “Only if
she was painted by Picasso…” Ahh sofa my old friend…
One of the great things about Argo is that as well as an espionage thriller you also get a behind
the scenes The Producers style
comedic element to the film as Mendez goes to Hollywood to try and put the fake movie into
pre production. An important part of the plan is to convince anyone in Iran that the
film is real and to do so the CIA hires makeup artist John Chambers (John
Goodman) and Producer Lester Siegel (Alan Arkin). Both actors are excellent in
their roles as characters who appear to enjoy manipulating Hollywood to their whim. The Argo side of the
film is also quite funny and often surreal which helps to balance the tense
nature of the Tehran
side of the plot. I loved seeing behind the scenes of early 80s Hollywood and the Star Wars rip off Argo looked like a lot of fun. Crap fun, but fun nonetheless.
As well as excellent performances from Affleck, Arkin and
Goodman, the six hidden staff are also very good. Kerry Bishe stands out
amongst them though and Scoot McNairy is also well cast. All of them though and
indeed the whole cast appear to fit perfectly. The soundtrack too is something
worth noting. Containing a mixture of Iranian music and Western rock from the
period, it works really well. I was chuffed to bits to hear Led Zeppelin’s When the Levee Breaks. I can’t recall ever
hearing it in a film before and it also works well as a metaphor for the world
crumbling around Mendez at the point at which it is used.
At times the film appears to oversimplify things and you have
to perhaps question the portrayal of Iran and its people. Canada’s role
also feels a little sidelined but overall it is a wonderfully crafted thriller
which looks set to be a contender come awards season. Affleck once again proves
that he is a Director worth taking note of and the tense yet darkly comic
script is something that I can’t believe I hadn’t heard of before.
9/10
Good review Tom. Wasn't perfect, but I liked it enough to the point of where I felt involved with the story, just not involved with the characters. Still, a very good movie that is probably going to get a lot of Oscar nominations.
ReplyDeleteI'm confident that it will receive best Picture, Screenplay and Director nominations and I think a Supporting Actor nod for Arkin and or Goodman too but that is more of a long shot.
Delete