"Now you got three hours to get your ass back before those bombs drop, and make no mistake THEY WILL DROP! with... or without you"
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This is a film with a multitude of problems which start with
the character introductions. For a start there are too many, all introduced
with a minute or two of back story. They are all stock characters which have
been seen a thousand times. We have the guy who’s getting married, the untested
Officer, the guy whose brother was killed, the guy in therapy, the guy from New
Joizey, the guy from Texas and perhaps more unusually the guy from Nigeria who enlisted
for citizenship. I couldn’t tell you any more about the characters than that
and never really cared for any of them. Later they are joined by a female Air
Force (pilot? I think) (Michelle Rodriguez) along with five civilians, three of
which are children.
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The plot has many inconsistencies, problems and holes. I
could go on for pages but the things that annoyed me the most included the fact
that Eckhart and co were sent in to a Police Station to extract the five
remaining civilians in Santa Monica. Five? Just five in the whole city, and
they happen to be in the same place? Another annoyance was that the aliens
introduced a powerful new weapon about halfway through. Why didn’t they just use
it from the start? The Marines often only reloaded their gun immediately before
a battle, rather than after the last one and the whole plot comes down to
finding the mother ship, after which “we won, we won!” is shouted by a Marine. It’s
just ridiculous. While ridiculous isn’t always bad, the fact that I was
noticing so many problems indicates that I wasn’t involved or enjoying myself.
I actually felt quite bored all the way through and checked how long was left
at least three times.
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The acting isn’t actually too bad and Aaron Eckhart does a
surprisingly good job. Adetokumboh
McCormack and Jim Parrack also stand out. Most of the performances are spoiled
though by clunky, cheesy dialogue.
It seems obvious
that this film is trying to cash in on the success of the likes of Call of Duty. The squad based dynamic is
added to with an enormous amount of first person and cross hair camera work.
The whole film is like watching someone play a video game only without some
twelve year old from Minnesota
calling you a gay bender. As well as its video game impression, the film also
feels like military propaganda. The Marines all have beautiful girlfriends and
drive fast cars and the film is shouting at you to join.
3/10
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