The winner of eight Academy Awards including the coveted Best Picture, My Fair Lady is based on the
stage musical of the same name and tells the story of a young working class
flower seller called Eliza Doolittle (Audrey Hepburn) who is taken in by an
arrogant phonetics Professor Henry Higgins (Rex Harrison) who bets that he can transform
the young woman’s gutter mouth and slovenly demeanour into that of a lady who
could pass for Aristocracy under close inspection in just six months. The film
can rightly be called a classic and contains some of the most recognisable
songs in all of musical cinema.
The film is lavishly designed and very well made, featuring
some incredible sets which have such a realistic look that I wasn’t totally
convinced they weren’t real, despite being more than familiar with some of the
locations. The entire film was shot in California
but creates a vision of London
as real as I’ve seen in any American film. And not a single shot of Big Ben or
a ‘London, England’ caption. Bliss. It is also
a very well acted film on the whole with just one exception. Rex Harrison won a
more than deserved Oscar for his performance and Stanley Holloway and Gladys
Cooper were also recognised with deserved nominations but the actor who lets
the film down is its lead, Audrey Hepburn.
When one thinks of Audrey Hepburn, the mind looks to the
likes of Roman Holiday or Breakfast at Tiffany’s where she plays
elegant, demure characters with grace and style. This image lasts even to today
where she is still recognised as a sort of classic style icon with her picture
hanging in most young women’s bedrooms (in my experience…). Her character in My Fair Lady starts out as a working
class flower seller with a gutter mouth but she is totally unconvincing in the
role. Her grimace as she talks is embarrassing and her accent is worse than
dreadful, a sort of sub Barbara Winsor squeal. What’s worse is that her singing
wasn’t even considered good enough to make the film so she was dubbed with
Opera singer Marni Nixon providing the vocals to the terrific songs. Hepburn is
infinitely better in the second half once she has undergone her transformation
and plays closer to type. Despite thinking she was poor, I can’t imagine
another actress in the role as she brings such warmth and presence to her
performance that although it’s off, I still think her casting was acceptable.
She is surrounded by such wonderful performances too that her dreadful opening
half could be overlooked.
Rex Harrison is superb as Henry Higgins, a bastard of epic
proportions and someone who I see a lot of myself in. (Not that that is necessarily
a good thing but I’ve been trying to train my girlfriend to talk properly for
years). The way he talks to and treats Hepburn’s Doolittle is extraordinary and
both callous and incredibly funny. His arrogance and misogyny know no bounds
and what’s more, he doesn’t see anything wrong with telling his housekeeper to “wrap
her up in brown paper” or “put her in a rubbish bin”. A lot of the humour
contained in this often funny film comes from the unbelievable things that come
from Higgins’ mouth.
There is a lot that I love about this film and the first
thing is its design. I love the period detail and Higgins’ house is beautifully
ornate and full of books and instruments. If I was asked to picture the inside
of an Edwardian Professor’s house I would probably come up with a very close approximation
of that set. The exteriors too are very well detailed and realistic and filled
with convincing Londoners who help with my second favourite aspect of the film;
the songs. I’m not much of a musical lover, Rocky
Horror being the main exception but I adore the songs in My Fair Lady and
have been whistling Wouldn’t it be
Loverly? for the past hour. I Could
Have Danced All Night and On The
Street Where You Live are two of my favourites while Get Me To The Church On Time has become so famous that I doubt most
of the drunken stags who sing it are unaware of its origins.
My favourite scene is the one at the Ascot Races which
begins with a quite surreal scene that is almost Warholesque in its colour and
composition and continues with Hepburn’s entrance in a beautiful dress before
ending with her forgetting her new found manners following a funny speech about
the death of her aunt. The entire scene is excellent from start to finish. My Fair Lady is a timeless film which
despite being a little too long and featuring an uneven central performance
still makes me smile. There is talk of a remake starring Carey Mulligan and Colin
Firth (or worse Brad Pitt…) but personally I don’t think it needs remaking. It
has aged very well and I can’t see a remake improving upon the original.
9/10
GFR 9/10
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