Lars von Trier’s censor terrorising, award winning 2009
horror film Antichrist was the first
film I saw from the Danish art house Director and its beauty, graphic violence
and almost pornographic visuals left me stunned for days. For the last couple
of years I’ve been trying to get my girlfriend (who disliked Melancholia more than I did) to watch
it, in part because I knew it would disgust her. Much to my relief it did. Antichrist is one of the most violent
and certainly the most sexually explicit film I’ve ever seen but it isn’t
simply a trashy exploitation Tits & Guts horror, it is a well crafted,
beautifully made and deeply traumatic horror film.
Antichrist begins
with a prologue featuring a married couple who are never named (Willem Defoe
& Charlotte Gainsbourg) making love in super slow motion. The scene is
filmed in black and white and using a camera capable of capturing a thousand
frames a second. While the couple pound away their young son climbs out of his
cot and heads towards an open window before falling to his death. The couple
enter into the grieving process in very different ways with the husband taking
a clinical approach while the wife spirals deeper and deeper into depression. The
film is divided into chapters which mirror Gainsbourg’s emotional state with
Grief being followed by Pain and Despair. The couple make the decision to
relocate to a cabin in the woods but the wife’s emotional state takes a dark
and bloody turn for the worst.
Depending on which cut of the film you watch, Antichrist is about 110 minutes long.
Most of the memorable scenes take place during the final frantic, bloodcurdling
twenty minutes. I’d forgotten much of the earlier parts of the film but was
happy to see them again. Antichrist
is one of the most beautiful films you’re ever likely to see. The mood,
framing, camera work and cinematography are stunning and many of its awards
came by the way of cinematography. There is also some dazzling use of CGI which
remains mostly hidden in amongst the scenery of the film. Apart from the
obvious talking fox and a couple of other shots I hadn’t realised until
watching the extra features just how much CGI was used. It’s some of the best
fitting CGI I’ve seen. The prologue scenes, filmed in ultra slow-mo and black
and white are perhaps the most beautiful in the film but there isn’t an ugly
shot in the whole piece.
There are plenty of grizzly, eye watering scenes though. Antichrist became famous for its graphic
depictions of sexual violence upon its initial release and it’s easy to see why
feathers were rustled. To begin with there are clear shots of vaginal
penetration as well as male and female full frontal nudity. The sexual scenes
straddle the boundaries between cinema and porn but thanks to von Trier’s
beautiful imagery, never feel cheap. Later on, during the most chaotic scenes
there are some unbelievable shots which I’m surprised got passed the censors.
We see not only male and female masturbation (close up) but also ejaculation
(though not semen) and genital mutilation. These are some of the most difficult
scenes to watch but bring about a sense of uniqueness to the movie. There are
few Directors who could get away with putting these sorts of shots in their
movie and not many actors who would be willing to shoot them. I personally have
no problem with the sexualised violence. Movies are people’s visions and as
adults we have the right to view art in an undoctored, uncensored way. If you
don’t want to see it then don’t watch it.
Both lead actors give extraordinary performances. Charlotte
Gainsbourg is often described as ‘brave’ for bearing all but even aside from
the nudity; hers is a deeply nuanced, well thought out performance which shows
an actress at the top of her craft. Gainsbourg took specific direction from von
Trier during some of the breakdown scenes as von Trier himself has experienced
many of the emotions and fears which plague the character. He was released from
a psychiatric hospital shortly before filming began. Gainsbourg won Best
Actress at Cannes
as well as receiving several other well deserved awards nominations and wins.
Willem Defoe is equally incredible in his role as the clinical and arrogant
husband. His transformation and role isn’t as complex as Gainsbourg’s but he
throws everything at it and comes out extremely well. His deeply lined and
weathered face somehow enhances the cinematography around him and he looks
great in super slow-mo.
Lars von Trier drew criticism not only due to the violence
and sexual imagery but also because of the plot. Essentially the plot appears
to postulate the argument that women are inherently bad or evil. Von Trier has
stated this isn’t how he feels personally but as a man, I know it to be true.
Women are mental little buggers. Sometimes you will be talking to a woman and
all of a sudden the atmosphere will change. You don’t know what you’ve said or
done but a dark, cold cloak descends over the room. The atmosphere turns
prickly and you stay perfectly still. Suddenly the room erupts into a cacophony
of anger and commotion. You remain calm, knowing that you can only anger the
beast more if you rise to challenge or defend against the onslaught. You find a
way to leave the room and if you’re lucky you’ll find a book or DVD in another
room and be able to hide out for a little while. Some time later you’ll hear
the creak of a door and footsteps drawing ever closer. You brace yourself as
the hairs on the back of your neck once again stand to attention. Then, when
you’re resigned to the approaching round two, a soft “I’m sorry” is uttered
from dark pink lips and sweet doe eyes look up at you. You are enveloped by
arms and the smell of fruity shampoo enters your nostrils. It’s over. You’re
safe once more.
Not every day living with a woman is like that though.
Occasionally they aren’t angry. Sometimes they’re asleep. Of course I jest but
what a lot men watching Antichrist
will be thinking is “One day she’s gonna go mental like this. I need to hide a
wrench somewhere close at hand.” Because we are used to the horror trope of the
evil man or the male serial killer, being confronted with a female version and
a study of the female psyche is much scarier than if the roles were reversed.
Gainsbourg’s character spends so much of the film as the frail, wounded woman
that the evil that lurks inside surprises and terrifies the audience. Antichrist isn’t a perfect film and it
will be the subject of much taste and decency debate for years to come. It is
occasionally a little slow and dull but for the most part it is a thoroughly
gripping, sublimely shot, beautiful gem of a film which makes me want to search
out every previous von Trier film.
8/10
GFR 7/10
Titbits
- Porn actors Horst Stramka and Mandy Starship were used for many of the intimate scenes. Lars von Trier has stated that Willem Defoe's penis could not be used as it was 'confusingly large'.
- Willem Defoe also provides the voice of the fox.
- Eva Green was considered for the film but her agent wouldn't allow her to take the role.
Hands down one of the best reviews I have read about this movie. I have seen this movie three times and Imm still finding new things about it. Your statement about how role reversal in horror movies with having the female as the somewhat villian and the male as the victim is great.
ReplyDeleteThanks. I enjoyed writing it. Despite the harsh imagery it is the sort of film that draws you back for another viewing. I'll probably see it again in the next couple of years.
DeleteThat's strange that Eva Green's agent wouldn't allow her to take this, but would allow her to take the Dreamers. I know they are both a tad different in how explicit the content is, but still. Good review Tom. I've never been a huge fan of von Trier and even though I can definitely see his aspirations for this, I still am left a bit dumbfounded by what it all meant.
ReplyDeleteMaybe they were worried about her reputation? But you're right, Dreamers is still fairly explicit. I'm not 100% sure what the film is about either but I enjoyed it.
DeleteGlad you liked it, but I thought the lack of an actual story worked against the film's effectiveness, outside of the unforgettably graphic nature of the sexualized violence.
ReplyDeleteThis is one I'm glad I saw, but will never revisit.
Oh, and my TV killed itself during this. Honestly.
I expect von Trier would be very happy to know that his films are destroying televisions. I watched it again to introduce my girlfriend to it. I would watch it again but not for some time. Thanks for stopping by!
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