Lore (pronounced
Laura) is an Australian-German co production set in the Spring of 1945. As
World War Two comes to an end, a young woman finds her world turned upside down
as everything she believed to be true, turns out to be false. Lore (Saskia Rosendahl)
is the teenage daughter of hard-line Nazis whose parents leave to go into
hiding as the Allies tighten their net around Germany. Lore is left to look after
herself and four younger siblings in a Germany in which their Aryan
superiority is now a handicap. As the children set out for the weeks long walk
towards their Grandmother’s house in Hamburg they are followed by a young man
called Thomas (Kai Malina) who occasionally helps them but turns out to be a
Jew, recently freed from a camp.
I’d never heard of this film until two nights ago when I was
watching last week’s Film 2013 and it
got a glowing review. Knowing my girlfriend and I were heading into the city
centre the next day we decided to see it at our local art house cinema on the
recommendation of the TV critics. I’m glad that we did. I found Lore to be a compelling coming of age
drama and a fresh story set in a micro world around a much farmed era of film
making.
I found Lore fascinating as the central character, whose age
is never stated but we assume to be around sixteen. She has been bought up in a
world of a single ideology in which she is only taught one thing – she is
superior to all others. Lore has typical Aryan looks and it turns out, a
typical Nazi view of the world. Even after she is told of Hitler’s death she
still believes that the final victory is just around the corner and states that
“Before victory, there must be pain”, a phrase that could have come straight
from the Fuhrer’s mouth. Lore slowly begins to realise as she struggles to get
food and encounters first American and later Russian soldiers that perhaps the
final victory won’t be coming but her indoctrinated ideology remains steadfast.
The film could be seen as an allegory for belief in ones or
ones country’s superiority over others. We look back with shock at Nazi
ideology but there are still many countries today, including the most powerful,
who teach their children that their country is the best in the world. I found a
parallel in Lore’s story and that of modern American children. When Lore leaves
the comfort of her Nazi upbringing and enters the real world she is shocked and
disgusted to discover other races and people living just like her. This
reminded me of a scene in the Documentary The Imposter in which an American woman left Texas
for the first time for Spain
(which she believed was on the other side of the country) and was shocked to
find Coke on sale. People who are taught one thing or gain all of their
information from one source are much more likely to fear and distrust outsiders
much as Lore does.
With Nazism at an end and a young family to care for, Lore’s
world is further twisted when a young Jewish man helps them to survive, at
first by pretending to be their brother and later in more violent ways. You can
see the distrust in Lore’s eyes and the hatred once she discovers the young
man’s race although there is a crack of realisation that perhaps not everything
she has been told is correct. The central relationship is an interesting one
and features violence and a burgeoning sexuality which was only hinted at and
I’d like to have seen explored more. I thought that the performances were
remarkable. Saskia Rosendahl has the perfect Ayran look with almost model like,
angular features and piercing blue eyes. She is excellent as the young woman
whose world has ended and carries the film. Kai Malina is also good and
maintains a lot of mystery about his character. Unusually too for a film about
the fall of Nazism, as the Jewish character he isn’t particularly likeable although
I don’t see this as a reason to label the film as apologist. There were no
likeable characters in the entire film. Nele Trebs was also very good as the
second oldest child.
Overall Lore is an
interesting film about a girl who enters the real world for the first time. Her
bubble has burst and her dreams have died and with them so has her innocence.
The film is about her coming to terms with the lies that she has been fed since
birth and I thought it conveys the emotions and state of mind of its central
character well. I occasionally thought that the family managed a little too
well for middle class children who now have the whole world against them but
strong characters, beautiful cinematography and excellent story telling make up
for any imperfections.
8/10
GFR 6/10
Very good review. I might check this film out these days :)
ReplyDeleteThanks. It's well worth searching out.
DeleteA fine performance from Rosendahl and I loved the visuals that Shortland works with. Glad to see this film is finally getting wider release.
ReplyDeleteI think it was only released here last weekend but is only playing at one cinema in my city which has a population of 3 million. It deserves to be seen.
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