The Big Sleep is a 1946 film noir starring the married couple of
Humphrey Bogart and Lauren Bacall. Bogart plays Private Detective Philip
Marlowe who is employed by a retired General to help resolve the gambling debts
of one of his two attractive daughters. Marlowe soon discovers that there is
more at stake than simply some unpaid debts and a confusing and ever deepening
plot unfolds, one which contains blackmail, duplicity and murder.
The movie is powered along thanks
to some great dialogue and obvious chemistry between the two leads. Its plot
however is as impenetrable as a Nun’s chastity belt and just gets more and more
confusing as it progresses. The story throws out leads and clues which
subsequently lead to more leads and clues, many of which ultimately end
nowhere. Raymond Chandler, the writer of the novel upon which the film is
based, famously stated that not even he could answer some of the questions the
plot places in front of the viewer.
The film is at its strongest when
Bogie is on screen, doing what he does best; asking questions, getting to the
bottom of mysteries and sucker punching bad guys. His character is fantastic, a
hard man who operates alone, mostly without a gun. He’s calm and cool and the
ladies love him. Quite hilariously, every single female character, from co-star
to a taxi driver, throws herself at the leading man. It’s great fun to watch
his magnetism displayed on screen. Some of the innuendo is risqué for the time
and much of it was added once the film was initially completed in order to ramp
up the Bogart and Bacall scenes. By 1945 their private relationship was well
known and the studio wished to exploit the public’s interest by shooting
additional racy scenes. The movie’s release was delayed to allow these scenes
to be completed as well as to allow Warner Bros. to release their remaining War
Pictures, fearing the public would lose interest in these with the war’s
conclusion.
Bogart plays his character as the
ultimate cool guy and he plays him excellently. Lauren Bacall struggles at
times alongside him and fades into the background more often than not. Her
sultry looks aid her performance but she’s hampered by a charismatic co-star
with a great character to play with. She’s also out-shined by her on screen
sister, the lively and playful Martha Vickers. Vickers steals her scenes, even
up against the illustrious Bogart. One of the problems with the plot is that
there are so many side characters that no other actor is given much of a chance
to shine. They come and go with such regularity that as soon as a character
beds in, they’re either killed off or scarper from Marlowe’s watchful eye. The
handsome John Ridgely is the only actor besides those mentioned who sticks in
the mind.
The film is shot in an assured
manner by Howard Hawks, a director who was at the very top of his craft by the
mid 1940s. It’s not particularly flashy and the noir stylisation is much
subtler than in the likes of The Maltese Falcon or Double Indemnity but
all the central themes of the genre are there. The score works well alongside
the visuals, increasing in ferocity when required by the drama or tension that
unfolds. The cars, suits and hats are all suitably appealing to my 1940s loving
eyes. As I’ve already mentioned, the film’s main drawback is its plot which
just doesn’t allow the audience to settle in and enjoy. You expect mystery but
you also expect to be rewarded by paying close attention and unfortunately The Big Sleep doesn’t reward its
audience, it merely baffles them.
7/10
GFR 8/10
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I really enjoyed it, Bogie was magnetic, smooth yet sharp and witty. The plot was rather obtuse and we had to give it a second viewing to really get what was going on! Still, I haven't really seen much Film Noir, but based on this I want to try and see more.
ReplyDeleteIt's a genre I've only touched upon lightly but love the style and mood of what little I have seen.
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