Before Sunset

I can’t imagine having to wait nine years for Before Sunset to come around. Released nearly a decade after Before Sunrise, a film with a remarkable and original will they/won’t they conclusion, the film picks up the lives of Jesse (Ethan Hawke) and Céline (Julie Delpy) after their one night romance in Vienna in 1995. It should be noted before I go on that this review may well contain spoilers for Before Sunrise so if you haven’t seen that movie yet, beware. I saw Before Sunrise earlier today and the hour long wait between films felt like a lifetime to me, so engrossed in the character’s stories was I. I can’t believe that there are people who had to endure nine years of not knowing what happened after Céline and Jesse went their separate ways.

The film opens in a Parisian book shop where Jesse, now an author is answering questions about his latest book. Towards the end of the interview he notices Céline standing in the corner and instantly loses his train of thought. He manages to sneak away for a coffee with his former fling before a 7:30 pm deadline to catch a flight. It’s on the way to the café that we the audience have our hearts broken. The pair didn’t meet in Vienna six months after the end of the first film. They in fact haven’t seen each other since that magical night nine years ago.

Before Sunrise

A chance meeting aboard a train from Budapest to Paris results in a wonderfully constructed whirlwind romance for two strangers. Jesse (Ethan Hawke) is travelling alone through Europe when he begins talking to the pretty French lady across the isle from him. That woman is Céline (Julie Delpy) who is on her way back to Paris after visiting her grandmother in the Hungarian capital. They strike up a friendly conversation which continues in the dining car before Jesse’s stop in Vienna approaches. Sensing a connection he suggests that Céline disembarks with him to continue their discussion. She impulsively agrees and the duo spends the night wandering Vienna together.

Before Sunrise lacks any sort of plot but is nevertheless beautifully written and structured. I never once wished for something to happen besides the continuing conversation and discovery. The dialogue is deeply woven and superbly delivered by two actors on top form. Their connection seems so real that it’s hard to believe that the actors themselves didn’t end up together. Nothing is forced and the conversations meander naturally while at all times remaining high brow and intellectually stimulating. Occasionally there is a lull in the engagement I had with the dialogue but this still works as it’s how one would react when listening to any long conversation.

The Woman in the Fifth

A writer and University Professor (Ethan Hawke) arrives in Paris with hopes of relocating to the French capital and reconnecting with his estranged daughter. After tracking down his ex wife and child he is shunned by the former and warned to stay away. His ex tries to convince the daughter that her father has been in prison but he claims he was just ill. The writer soon finds himself robbed of all his possessions and manages to secure a small room in a hotel run by a gangster in exchange for acting as a night guard, an ask no questions role. One evening he meets a mysterious widow (Kristen Scott Thomas) and the two begin a strange affair, ruled by her odd request of meeting at 5pm sharp in her 5^th arrondissement apartment.

This is a film with a lot of build up and minimal payoff. I spent seventy five minutes waiting for the reveal in an ever increasingly bizarre film but it never came. It’s very difficult to discuss the film without spoilers so I’ll write what I thought and then present my opinions at the bottom of the page in case anyone doesn’t want any spoilers.

Before the Devil Knows You're Dead

"Andy... that's Mom and Dad's store"

Two brothers (Phillip Seymour Hoffman & Ethan Hawke) in very different situations but both desperately in need of money decide to rob their parents Jewellery store. As you’d expect the heist goes wrong and leaves one family member dead while the others try to come to terms with the consequences.

I don’t want to give anymore away than that as spoilers are like a minefield with this film. It is presented in a non linier way with scenes chopping back and forth through the narrative, often from different perspectives. It’s never difficult to follow though. While the back and forth storytelling was interesting I didn’t feel that the different points of view made a difference. I had never heard of this movie and was recommended it by our building’s concierge. As a result I didn’t know what to expect but I was pleasantly surprised when the excellent cast popped up on screen. Each time a new character came on screen I was thinking “ooh its Hoffman, ooh it’s Hawke. Ooh Albert Finney’s in this. And Rosemary Harris. Ahh, Marisa Tomei (with her contractual topless scenes). Cool, Amy Ryan. Ah, nice one it’s Michael Shannon”. The cast is excellent. The film however isn’t.