Iron Man 3

With Iron Man 3 Marvel Studios found themselves in a somewhat precarious situation. Coming off the back of the super hit superhero extravaganza The Avengers, they had a lot to live up to and in a sequel to the poorly received Iron Man 2, they had some damage to undo. Stuck between a team of superhero rocks and an iron suited hard place they’ve managed to pull it out of the bag once more and produce a thoroughly entertaining action movie which is in my view, the best Iron Man movie to date.

Our arrogant, former playboy hero Tony Stark (Robert Downey Jr) is now settled with his live in girlfriend Pepper Potts (Gwyneth Paltrow). While Potts manages Stark Enterprises, Stark himself tinkers in his basement on new designs and upgrades for his Iron Man suit. Unwanted flashbacks to the events at the close of The Avengers movie provide a distraction to his work and coupled with insomnia he begins to lose focus on what really matters in the life of Stark, instead focussing on his alter ego. With his dedication to Iron Man reaching addictive levels he finds he needs to focus when a new menace threatens the world in the form of shady terrorist The Mandarin (Ben Kingsley) and a small army of indestructible men whom he has at his disposal.

L.A. Confidential

Intertwining the stories and cases of three LA Cops while also managing to focus on both the glamour and seedier side of 1950s L.A., L.A. Confidential is a fantastic and gripping neo-Noir thriller set towards the end of Hollywood’s Golden Age. With Micky Cohen in jail, L.A. finds itself free of Organised Crime and the LAPD wants to keep it that way. On the front line are three very different Detectives; the brutish Bud White (Russell Crowe), book smart and career orientated Ed Exley (Guy Pearce) and Jack ‘Hollywood Jack’ Vincennes (Kevin Spacey). The three inhabit different worlds within the same department and a run in between White and Exley causes mass tension amongst the whole of the force. A murder at the Night Owl Café one evening sparks an investigation which involves all three officers, corruption, racism, organised crime, prostitution, glitz, glamour and grime.

I saw L.A. Confidential several years ago and it didn’t really have an impact on me. I can only assume I saw it too young because yesterday I saw it again and thought it was spectacular. Director Curtis Hansen and Cinematographer Dante Spinotti create a realistic version of L.A. full of bright, soft light and period detail but the film avoids going for an all out Noir feel and incorporates more of a modern feel in amongst its 50s setting. The setting and fantastic design are a mere backdrop however for what is essentially a character study. The film may look beautiful but it is in its characters where it truly shines.

Memento

Leonard Shelby (Guy Pearce) is a man who suffers from anterograde amnesia from a knock to the head on the same night that his wife was killed. The affliction means that although he can remember things from before that night, he is unable to store any new information for more than just a couple of minutes. His lack of short term memory causes huge problems for Leonard, especially as he is in the middle of a man hunt to track down his wife’s killer. In his pursuit Leonard is aided or hindered (he’s not quite sure) by a man named Teddy (Joe Pantoliano) and a woman called Natalie (Carri-Anne Moss). All Leonard has to rely on are photos with notes written by himself and tattoos drawn all over his body which point to clues and reminders.

I shouldn’t be surprised that Memento is completely mad, difficult to follow and ingenious all at once as Director Christopher Nolan has since followed it up with the likes of Inception as well as his multi-billion dollar Dark Knight franchise. As twisted and confusing as Inception was though it has nothing on Memento which is presented in two separate but ultimately converging narratives. The first is filmed in black and white and is presented in a traditional linear way with scene following scene until the finale. The second and certainly more unique narrative strand is in colour and opens with the film’s finale before working its way back to the opening. The result is an incredibly complex and often frustrating plot which can leave you with more questions than answers.

Lawless

Lawless is a prohibition era gangster biopic about three brothers from Virginia. Jack Bondurant (Shia LaBeouf) is the youngest of the brothers and lacks the courage, strength or attitude to violence that his older brothers Forrest (Tom Hardy) and Howard (Jason Clark) possess. Forrest especially is a sort of Clint Eastwood figure; strong, silent and deadly. All three are involved in the moonshine business but their trade comes under threat when a new Special Deputy (Guy Pearce) arrives from Chicago to put a halt to their operations.

The film shares traits with Director John Hillcoat’s previous film The Proposition. Both focus on brothers outside the law in semi-desolate locations who must battle across a thin line between right and wrong against corrupt officials. The visually stunning but run down locations and decaying beauty also help bring to mind Hillcoat’s The Road. This film though is more of a coming of age story as young Jack Bondurant fights for respect from his brothers and the gangster who inhabit his world. It is also a tale that blurs the lines between good and evil, right and wrong with the Bondurant boys becoming anti heroes who the audience will be routing for from start to finish.

Don't be Afraid of the Dark

"La Di Da Di, We likes to party, we don't cause no trouble, we don't bother nobody"

Sometime in the past, the owner of a large Rhode Island mansion summons his housekeeper to the basement where he kills her and removes her teeth with a hammer and chisel. The man offers the teeth to some unseen creatures inside a fireplace and asks for the return of his son. He doesn’t get his wish. Fast forward to the present day and a man (Guy Pearce) and woman (Katie Holmes) move into the mansion along with Pearce’s estranged and reclusive daughter (Bailee Madison). Sally, depressed at being separated from her mother discovers the now hidden basement (which was somehow missed by surveyors, estate agents and owners but discovered by an eight year old) and awakens whatever lies inside the old fireplace. Once the creatures are out they want one thing; to take someone back down with them.

Considering this is a horror film it's less scary than when Nemo’s dad loses his son. The slow and tedious opening lasts for half an hour, during which time there is no atmosphere and little tension. One of the reasons that The Woman in Black was so successful is that it created atmosphere and suspense. Here there is none. We just get panning shots of what feels like quite a nice and not at all creepy house.

The Proposition

"Ah Australia. What fresh hell is this?"

After a gang commits a horrific crime in 1880s Australia, local Police Captain (Ray Winstone) offers to spare the lives of two Burns’ brothers if one of them, Charlie (Guy Pearce) kills their older brother Arthur (Danny Huston) who was responsible for the crime. As the youngest brother (Richard Wilson) rots in jail with his execution looming, Charlie has just nine days to track down Arthur and bring his body to the Captain.

The film’s opening titles show original photos mixed with stills from the set which are made to look aged. This is a nice little touch which helps to create the period setting. The look and feel of late Victorian Australia is captured wonderfully with a mixture of fantastic sets, costumes and locations. There is a fabulous juxtaposition between the Captain’s little bubble and the rest of the film’s locations. He often remarks that “I will tame this land” and his house, garden and wife look as though they have been neatly dropped from a London suburb. Outside of this however the land is sweaty, dusty and grim. People are unwashed and clothes are stained brown and torn.

Prometheus

"A king has his reign, and then he dies. It's inevitable"

It’s 2089 and two archaeologists, Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) discover the same star map amongst paintings and artefacts from various different ancient civilisations which had no interaction with each other. Convinced that this map is somehow connected to our origins the two enlist the help of Weyland Industries and visit the moon LV-223 aboard the ship Prometheus. Four years later they and the crew, totalling seventeen are woken from Stasis by robot David (Michael Fassbender) and with specific instructions from Weyland representative Meredith Vickers (Charlize Theron) not to interact with any species they might encounter, set off into an unidentified structure on the Moon’s surface.

Firstly I’ll get the Alien stuff out of the way. It definitely helps if you have seen the Alien franchise but is in no way a necessity. The film can be viewed as both a stand alone movie and as a prequel. I’ve only recently watched the series for the first time so it is still fresh in my mind. As such on a few occasions I thought to myself “ooh I recognise that” and “aahhh, so that means…” but the film also made me want to watch the original Alien again as I was a little confused at times. I think that my confusion was due to two reasons. Firstly the plot is fairly complex and you have to pay close attention. Secondly, there are far too many plot holes. I won’t go into them here in order to avoid spoilers but if you’re interested then fellow blogger Life vs Film has compiled an extensive list here.

For me the film’s biggest strength was its atmosphere. The film isn’t as tense as I’d expected it to be but is rather more like a mystery. Unlike say Alien you aren’t waiting for something to jump out and scare you but rather it unfolds very slowly, creating more questions as it progresses. Many of the questions are subsequently answered but some are left open which I liked but left me feeling slightly frustrated. The tone was much less about horror and more about what, why, where and how and tone wise it is closer to Scott's Blade Runner than Alien. I loved how slowly the plot unfolded but wonder if the Transformers generation will have the patience to stick with it?

The Road

"You think I come from another world, don't you?"

In the years following an unspecified apocalyptic event a man (Viggo Mortensen) and his son (Kodi Smit-McPhee) spend life on the road, constantly moving south in search of food and shelter and hoping to avoid bands of hungry cannibals.

I first saw this film in the cinema a couple of years ago and was blown away by its bleakness and beauty. I’ve mentioned before how much I love the look of decaying beauty and there are few films that show that so much as this. The screen is filled with various shades of grey and the sun never shines. The backdrop to the family’s struggle is filled with decrepit landscapes ruined by an unknown catastrophic event. These scenes are further heightened by flash backs to before the event in which Mortensen and his wife Charlize Theron are seen to be enjoying life in a colourful and vibrant world. Other flashbacks show life in the years after the apocalypse during which Theron is pregnant and subsequently where she struggles to deal with her harsh new surroundings.