True Romance

Despite initial commercial failure, True Romance’s strong performances and savvy script have made it a cult classic. Written by Quentin Tarantino and Roger Avery before the release of Reservoir Dogs, Tarantino once intended to direct the film too but eventually sold the script after losing interest. Tony Scott took over in the director’s chair and threw out Tarantino’s non-linear storyline in favour of a more traditional linear approach but the bulk of Tarantino’s story remained. The film features a central love story which gets tangled up in the worlds of drugs, organised crime and Hollywood before untangling itself in a hail of bullets following a very Tarantino-esque Mexican Standoff.

The movie is famous for its cast which rivals any in cinema history. Christian Slater and Patricia Arquette star as the young couple who find love at a triple bill Kung Fu movie night but are joined on screen by a vast array of the great and good of their profession. Names and faces recognisable to all include Michael Rapaport, Dennis Hopper, Brad Pitt, Samuel L. Jackson, James Gandolfini, Gary Oldman, Val Kilmer, Chris Penn, Tom Sizemore, Victor Argo and Christopher Walken. I’m struggling to think of any cast which matches the one assembled here and if you have a suggestion, I’d love to hear it.

Nil by Mouth

Nil by Mouth is acclaimed actor Gary Oldman’s debut as writer/director and is set in deepest, darkest, scariest South London. The film follows a single family and various friends as they struggle with drugs, alcohol, poverty and violence. Never an easy watch, Nil by Mouth features a grounded and gritty script and some accomplished directing and won numerous awards on its release in 1997.

Raymond (Ray Winstone) is a wheeler-dealer type who gets by with various scams and small time crimes. His wife Valerie (Kathy Burke) is pregnant with their second child and her brother Billy (Charlie Creed-Miles) scrounges off the pair and his mother Janet (Laila Morse) to feed his heroin habit. During the two hour, ten minute run time the various family members are attacked, beaten and arrested in what is a thoroughly depressing tale of abuse; both the abuse of substances and of each other.

About three minutes into Nil by Mouth my girlfriend, who was only half watching, turned to me and said “This is a naughty film, isn’t it?” That is putting it incredibly mildly. According to IMDb the film holds the record for the most uses of the word “cunt” which is uttered 82 times in total, mostly by Ray Winstone. The language itself is terrifying but is nothing compared with the violence. In the film’s most shocking scene a pregnant woman is beaten senseless by her husband. It makes for excruciating viewing and isn’t easy to watch. The film brings to the screen a side of London which is never seen by tourists or indeed the vast majority of its eight million residents but it remains recognisable due to its recognisable setting and naturalistic acting.

Lawless

Lawless is a prohibition era gangster biopic about three brothers from Virginia. Jack Bondurant (Shia LaBeouf) is the youngest of the brothers and lacks the courage, strength or attitude to violence that his older brothers Forrest (Tom Hardy) and Howard (Jason Clark) possess. Forrest especially is a sort of Clint Eastwood figure; strong, silent and deadly. All three are involved in the moonshine business but their trade comes under threat when a new Special Deputy (Guy Pearce) arrives from Chicago to put a halt to their operations.

The film shares traits with Director John Hillcoat’s previous film The Proposition. Both focus on brothers outside the law in semi-desolate locations who must battle across a thin line between right and wrong against corrupt officials. The visually stunning but run down locations and decaying beauty also help bring to mind Hillcoat’s The Road. This film though is more of a coming of age story as young Jack Bondurant fights for respect from his brothers and the gangster who inhabit his world. It is also a tale that blurs the lines between good and evil, right and wrong with the Bondurant boys becoming anti heroes who the audience will be routing for from start to finish.

The Dark Knight Rises

Spoiler Free

The final part of Christopher Nolan’s Batman trilogy finds Bruce Wayne (Christian Bale) broken, physically and mentally, eight years on from the events of The Dark Knight. Wayne has become a recluse, staying away from the limelight both as a Billionaire playboy and masked vigilante. Wayne is temped out of retirement though through a combination of curiosity about a wily cat burglar called Selina Kyle (Anne Hathaway) and the threat of a powerful anarchist named Bane (Tom Hardy).

I’ve never been as much of a fan of Nolan’s Batman films as some people although I did like Batman Begins and really enjoyed The Dark Knight. Going in I’d avoided all spoilers and reviews but expected that I would enjoy the film. I was wrong though. I didn’t just enjoy it but thought it was one of the best, if not the best film I’ve seen so far this year. Nothing prepared me for just how good this film is.

Red Riding Hood

"There's a big, bad wolf and someone has to stop it"

Following an unconvincing swoop through a CGI Medieval landscape we somehow arrive in what appears to be an American Medieval village that is being ravaged by a werewolf. Our heroine, Valerie (Amanda Seyfried) is a young woman who lives in the village. She is in love with woodcutter Peter (Shiloh Fernandez) but has been betrothed to the son of a wealthy blacksmith called Henry (Max Irons). Shortly after the wolf returns from a long absence and begins to kill, a (possibly) Dutch witch hunter called Father Solomon (Gary Oldman) rides into town inside a giant metallic elephant with a retinue of some African fellas and a Japanese chap. Solomon tries to hunt the wolf down while Valerie, given a red hood by her grandma, and her two love interests track the wolf as well.

This film is just an excuse for yet another tween Twilightified love triangle story. This effort has added fairytale elements, silly dancing and awful music. The plot is preposterous and the dialogue feels like it’s been lifted from half heard conversations at a Californian mall. This is by far the worst film I’ve seen in months, possibly all year.