Spoiler Free
The final part of Christopher Nolan’s Batman trilogy finds
Bruce Wayne (Christian Bale) broken, physically and mentally, eight years on
from the events of The Dark Knight. Wayne has become a
recluse, staying away from the limelight both as a Billionaire playboy and
masked vigilante. Wayne
is temped out of retirement though through a combination of curiosity about a wily
cat burglar called Selina Kyle (Anne Hathaway) and the threat of a powerful
anarchist named Bane (Tom Hardy).
I’ve never been as much of a fan of Nolan’s Batman films as some
people although I did like Batman Begins and
really enjoyed The Dark Knight. Going
in I’d avoided all spoilers and reviews but expected that I would enjoy the
film. I was wrong though. I didn’t just enjoy it but thought it was one of the
best, if not the best film I’ve seen so far this year. Nothing prepared me for
just how good this film is.
There are three main reasons for my total enjoyment. The
first is the cast and acting. The cast is littered with terrific actors giving
fantastic performances. Although this is a Batman film, Bruce Wayne/Batman isn’t
really the central character. Instead this is an ensemble with Joseph
Gordon-Levitt’s Blake sharing as much screen time as Bale, if not more. Along
side those two are Tom Hardy, Anne Hathaway, Marion Cotillard, Gary Oldman, Michael
Caine and Morgan Freeman who together make up the principle cast. Christian Bale
is superb as both Wayne and the Batman as he has been in both previous films.
Having been overshadowed by Heath Ledger in The
Dark Knight it’s easy to forget just how good he is in this series. Here he
plays a broken Wayne who must find new strength and plays the part beautifully.
His Batman is as before, gritty, stern and dark. Gordon-Levitt is excellent as
Police Officer Blake. He is at the centre of the story throughout and is the
human face to the piece. His character is of great interest and you always have
the feeling that there is something else there but could it be the film leading
you down a dead end path? Anne Hathaway makes a great Catwoman although she is
never referred to as that in the film or credits. She has an intensity which
leads us to believe that there is something under her hard exterior and she
knows how to manipulate people. She also looks really hot in the skin tight
black suit. Hathaway has never been an actress who I’ve found particularly
attractive but in this – meow! Michael Caine delivers quite an emotionally
charged performance and Morgan Freeman is good but his character doesn’t have a
lot to do. Marion Cotillard is fantastic, especially later on and Gary Oldman
is, as usual first-class. He always seems to be on his way out but has a
determination which keeps him going. As well as the principle cast, actors such
as Juno Temple (Killer Joe Joe), Liam Neeson, Cillian Murphy, Nestor Carbonell, Matthew
Modine, Aidan Gillen (The Wire, Game of
Thrones), Tom Conti and Burn Gorman all lend their talents and no one lets
the side down.
Despite all of the great actors mentioned above, the star of
the film is Tom Hardy’s Bane. Hardy delivers a mind blowing performance as the terrorist-anarchist
villain. I truly believe that Hardy’s Bane is one of the greatest screen villains
I’ve ever seen. Hardy is almost unrecognizable underneath a mountain of muscle
and a mask which covers over half his face. The mask means that a lot of his
acting must come from elsewhere on his body and his posture and body language
as well as expressive eyes tell so much. There has been a lot of discussion
about Bane’s voice and while I struggled to understand the odd word it was
worth it for the power and terror which struck me when Hardy spoke. Accent wise
he reminded me of Jeffrey from The Fresh
Prince of Bel Air but his forcefulness as well as the splendidly crafted
lines he spoke sounded brilliant. Bane is a terrifying adversary who holds his
own against Batman physically and mentally. Hardy had big shoes to fill
following on from Heath Ledger’s Joker but while not being as fun to watch he
is much more frightening and a more realistic villain. You get the feeling when
watching him that Batman and the whole city are in trouble.
The second great thing about the film is the script. The
story is excellent and contains some wonderful set pieces, surprising twists
and cracking dialogue. Being the end of a trilogy you never know whether the
hero will make it through or not and there has been speculation as to whether or
not Batman will survive. I won’t give it away but will say that the series ends
in a breathtaking and satisfying way. The back story given to the various new
characters helped to place them in the world and while there were lots of them
I never felt there were too many. The plot takes place ostensibly in Gotham (New York ) but there is also a brief visit to the
beautiful Indian city of Jodhpur .
There has been talk in the US
that the film has politics behind it and it has even been accused as being an
attack on Presidential Candidate Mitt Romney. I didn’t see it as that but there
is definitely politics close to its surface. Bane, a poor orphan rises up to
take Gotham back for the people. He attacks the
stock exchange and goes up against a Billionaire in Bruce Wayne. In one scene
rich people of what look to be the Upper East Side
are thrown from their homes while anarchists ransack their possessions, taking
back what they, the proletariat think is theirs. Bane’s central message is
about sharing the wealth and viewers in the UK will undoubtedly be reminded of
last summer’s riots while watching Bane take over the city. The film builds to
a crescendo and produces an ending worthy of the rest of the movie. People
dying for a wee after 165 minutes will be pleased to read that there is no post
credits scene in the UK
version. The huge fight towards the end will stink in people’s memory but for
me the Batman-Bane fight halfway through while Catwoman looks on was the much
more powerful of the two.
The third aspect of the film which I loved was Hans Zimmer’s
incredible score. At times the music shakes you to your core as it thumps
through you but at other times it is soft and almost forgotten in the
background. At times there is no score and this really helps to give power to
the dialogue even more than if it had music underneath it. One slightly
unfortunate aspect of the otherwise excellent score is that one of the pieces
that runs through the entire film sounded just like the string accompaniment to
Plan B’s song Ill Manors. If you’ve
seen the film, listen to this and see if you agree. That song actually goes
quite well with the plot of the film too.
The Dark Knight Rises really
knocked me for six as I didn’t expect to like is as much as I did. The various
plot lines were interesting and intersected well while the characters were well
written and wonderfully acted. There are surprises and twists which I’d love to
discuss but don’t want to give away but they will answer a lot of the questions
and guesses that people have had. This isn’t a film that will stay with me for
a long time but as far as enjoyment throughout its runtime I can’t think of
another film I’ve enjoyed this year as much as this.
9/10
wow... thats a lot of positives, but the biggest problem with TDKR is the story and the telling of this story.. its actually pretty terrible. we are given scene after scene of exposition spoon feeding up every little detail of the plot... Is it necessary when Bman is telling the commissioner that "sometimes all it takes is someone to place a coats around a little boy and say everything will be ok (or something like that) for him to then spell it out for our by saying "Bruce Wayne?" does the audience really need that much hand holding, and then at the end when he tells cat-women there's no auto pilot, only to find out in the next scene that in fact he had fixed the auto pilot almost 6 months earlier??? and these are minor quibbles but there are so many of them 3/5 for me..
ReplyDeleteI think those are both valid points and I'm a person who usually hates plot exposition but here it didn't bother me because I was so engrossed in the film. The 'Bruce Wayne?' line did make me raise my eyebrows though.
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