Burlesque on Carmen is
an above average Essanay picture and features some nice subtle comedy as well
as the usual trips, kicks and pokes. It also features the first noticeably
decent performance from Chaplin regular Edna Purviance.
Purviance who appeared in every one of Chaplin’s Essanay
films and went on to appear in over thirty with the comedian over an eight year
period had up to now, in my opinion, merely been a background prop for Chaplin
to move about and turn his attention to when necessary. Often, through no fault
of her own she would play characters with names such as ‘A Woman’, ‘Girl’ or
‘Maid’ but here as Carmen, with a proper fleshed out character, she shines. She
is saucy and flirty yet firm and strong headed and is at the forefront of the
story. It’s nice to see her finally come into her own.
What’s also nice is for Chaplin to take the action away from
his traditional locations such as a house or park and transplant the plot to Spain . This
gives him the excuse to try different sets and costumes, many of which add to
the humour. He has great fun with a rather bushy military moustache and finds
humour in his Uniform. The imagined heat of the Spanish sun also gives Edna
Purviance a chance to show her face (and body), often hidden under bonnets and
shawls. This is the first instance where I actually noticed the lightness of
her hair as it is so often hidden from view. As I mentioned at the top there is
a fair bit of subtle humour here to go along with the more obvious attempts. I
loved how Chaplin slyly stole a beer and the looks he gave his fellow officer
when trying to get ‘time alone’ with Purviance were fantastic.
For me the biggest laugh came when Chaplin is annoyed at a
man blowing a horn. He carefully positions himself behind the man, lifts up the
back of his tunic, unsheathes his sword, sharpens it, raises it above his head
and then kicks him up the arse before returning the sword to its sheath. I
loved the misdirection and patience of the joke. Overall I laughed out loud
around five or six times which puts it towards the top of the Essanay films in
that respect.
The final few minutes are surprisingly dark, even for a
comedian famed for his pathos. I was totally shocked by just how grim it was
and was glad for the final reveal even if the relationship didn’t make much
sense.
7/10
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